Name: my music, with love by gd&tm in Re-Extended 10
Duration: 3 min 10 s
Description: sad heartfelt song ... from my back-catalogue!

Nice on the ears but I feel needs to go somewhere quicker

This tune would pair well with a bottle of tequila and nowhere to be.

sad heartfelt song ... from my back-catalogue!

Re-Extended 10

This was the first song I wrote when I began playing my guitars again. After a 30 year layoff I was happy to know I could still write. I have been writing ever since.

I Love That Girl

I Love That Girl by Dave Hanrahan 🌎 Music

Time at the End for Questions

Decimal Point

Munch Squad - All Of This Time

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Devotion

All Of This Time

Riverrrr - Nothing But Normal

smash and grab of vocals from Midas and Rubi UK garage Legends, edited into a DnB track. 

Futurscape Presents - Midas Touch (Garage/DnB Feat Mc Midas)

Look What The Cat Dragged In

Lyrics:
Oh, feel my heart
A child's racing tiktiktiktik
The river's cold around my waist
The pews were brimming
So she was sull

The nightmare is dressed in lace
With scarlet skin and darkest faith
She said those words that echoed poison
"See the wheel, watch the blood"

It only comes at night
All because of you
The nightmare on the rise
All because of you
It's face I've seen it, it ain't right

The sky turned black with bonfire smoke
Of every wheel, as father said
Encased in sleep, I saw an image
And as the moon rose

That wheel bit my finger
Turned blood into water
That wheel bit and sunk deep
To me into bread 

It only comes at night
All because of you
The nightmare on the rise
All because of you
It's face I've seen it, it ain't right

Eternal sleep took me there
When I walked in the chamber
But never woke
And this body,
And this craving
It comes on at night,
I woke up with no control
A second nightmare in red

It only comes at night
All because of you
The nightmare on the rise
All because of you
It's face I've seen it, it ain't right

It only comes at night
All because of you
The nightmare on the rise
All because of you
It's face I've seen it, it ain't right

THE BRIDE OF THE CRIMSON REST

Track from upcoming EP 'Chemical Weapons'

Decontamination Process

The flower song

I wrote this song about an abusive, problematic YouTuber named Amber Lynn Reid. Everybody has their day. Karma is real and she's absolutely living the life she deserves.  

The Problem

The Guitars Say Sorry – The Gods Don’t Hear Me Anymore

Closing out the Jaded album, The Gods Don’t Hear Me Anymore is a stark, emotional reckoning—part confession, part lament, part protest. Over a raw acoustic guitar in open tuning (DADEAD), The Guitars Say Sorry delivers a song that feels like it was written under a flickering streetlight in the early hours, alone but overheard.

The lyrics drift between the personal and political: forgotten memories, absent gods, the weight of family history, and the ache of disappointment in the world around us. “Tears come easy when you're young / And you don't know where you've come from” sets the tone—disillusionment framed by a search for meaning, identity, and connection. There’s resignation in the refrain, “The gods don't hear me anymore,” but also an undercurrent of defiance: “I carefully chose my enemies.”

Sparse, honest, and lyrically pointed, The Gods Don’t Hear Me Anymore is a fitting end to Jaded—a quiet anthem for those still standing in the ruins, asking questions no one seems willing to answer.

Lyrics
I'm waiting for someone
Who I don't remember
Under the bridges
The shadows of my father

The gods don't hear me anymore
The gods don't hear me anymore

So here we are
Ruled by old men with long memories
After George's death
I carefully chose my enemies

The gods don't hear me anymore
The gods don't hear me anymore

Tears come easy when you're young
And you don't know where you've come from
And they always tell you what you've done wrong

In the morning
I held my breath and nothing's changed
I closed my eyes, I'm still to blame
I can't help feeling it's still the same
As the last time

Is life always like this? I find it hard to tell
Is this what we're in for? It never ends up well

I lost my taste, changed beyond recognition
I'm spinning plates
I love the world we live in

The gods don't hear me anymore
The gods don't hear me anymore

Ran out of space, and not for the first time
Felt out of place — seems my mother was right

The gods don't hear me anymore
The gods don't hear me anymore

Tears come easy when you're young
And you don't know where you've come from
And they always tell you what you've done wrong

In the morning
I held my breath and nothing's changed
I closed my eyes, I'm still to blame
I can't help feeling it's still the same
As the last time

Is life always like this? I find it hard to tell
Is this what we're in for? It never ends up well



These Guitars Say Sorry - The Gods Don't Hear Me Anymore (Singer-Songwriter / Jaded)

“The Devil Wants More” is a song about exhaustion, survival, and the endless demands that life keeps throwing at you — whether it’s money, blood, or just one more climb when you’re already worn down. I wrote it as a reflection of hitting the same walls over and over, knowing the game but still being forced to play it. Recorded in a single take, it’s rough around the edges by design.

The Devil Wants More

From the Devils Fires

Fast Draw

rockon2016

my music, with love

Fought the Battle

This is the principal soundcloud channel for original one-man music by gd&themultitracks.  Mainly instrumental, the music was home-recorded in stroud, england using hardware synths & instruments and Audacity community software for editing and mixing the individual multitracks.  I've had great enjoyment in making (& listening to!) the music, but any plays or feedback would be much appreciated. 
The music spans a wide range of sounds & genre.  I've put a selection of tracks into playlists which cover much of the music:  rock, melodic rock, soft guitar, ambient, electronica, soundtrack, jazz & blues..
enjoy your music ... just play on!

Born in 1980 under the name KRT, the band began its journey in the raw energy of live shows — in Spain, including a memorable concert in Burgos, and in Brussels at the Teatro. Those early years, intense and furious, were wiped away overnight: all archives, tapes, posters, and memories stolen in a single car theft, as if someone had tried to erase history itself.

By the late ’80s and early ’90s, the group found shelter in the former RKM studio on Avenue Molière in Brussels, under the demanding ear of artistic producer Jean-Claude Maury. From those sessions emerged Fast Beat and The Ballad of the Mouse and the Bird, defining tracks that carved NUR’s sound into stone — dark, restless, untamed.

After a split and years of silence, the band resurfaced under the name NUR, carried this time by the new promise of the digital age. The music could no longer be erased; it was destined to survive.

But fate struck again: the passing of one of the founding members closed the collective chapter. Today, NUR rises once more, as a solo incarnation. More than a project: a resurrection. A flame still burning, more than forty years after its first spark.

my music, with love

gd&tm

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