Name: electrostratic#3 by gdtm
Duration: 3 min 5 s
Description: another mix of electronica beats & guitars=alt?rock

another mix of electronica beats & guitars=alt?rock

bro I like what you did with this song for real keep up the work ok [via https://sc.repostexchange.com]

Monday6 is an Albuquerque, NM Rock/Jazz inspired band. 

Lyrics:
YOU KNOW, THINGS JUST GET BETTER
THE LONGER WE’RE TOGETHER
OOH BABY, WE’RE THE BOMB
FROM THE FIRST DAY I GAVE YOU MY HEART
YA, EVERY LITTLE PART
OOH BABY, WE’RE THE BOMB !

THE LONGER WE HOLD ON 
TIGHTLY TO EACH OTHER
NOTHING CAN GO WRONG
AS LONG AS WE HAVE EACH OTHER 
WE’RE THE BOMB
YA, WE’RE THE BOMB

THRU THE FEARS AND YEARS, THE TEARS WOULD FALL
I ALWAYS KNEW, WE’D MAKE IT THRU IT ALL
OOH BABY, WE’RE THE BOMB 
YA, WE’RE THE BOMB


THE TIMES THEY’RE OFTEN TOUGH 
BUT WE’RE MADE OF THAT LASTING STUFF
YOU CAN ALWAYS COUNT ON ME
YA, EVERYONE CAN SEE
WE’RE THE BOMB
YA, WE’RE THE BOMB

FROM THE FIRST DAY I GAVE YOU MY HEART
YA, EVERY LITTLE PART
FROM THE FIRST DAY I GAVE YOU MY HEART
YA, EVERY LITTLE PART
OOH BABY, WE’RE THE BOMB
YA, WE’RE THE BOMB

Written by- Dave Prince
Lead Vocal- Dave Prince
Guitars- Phil Shapiro
Bass- Dave Gray
Drums- Chris Cormir
BG Vocals- Dave Prince/Phil Shapiro/Dave Gray
Percussion- 
Mixed and Mastered by Phil Shapiro

Buy on BandCamp HD

We're The Bomb

The Vanished

“Eyes So Wide” is a track I wrote, sang and played all instruments on. If you dig it please feel free to comment or repost! Thank you 🙏🏻✌🏻-Tim

Eyes So Wide (original track)

Written: 2019
Duration: ca. 12'
Instrumentation: flute (doubling piccolo), oboe (doubling English horn), clarinet (doubling bass clarinet), and piano (pianist plays from score)
Commissioned by the Exponential Ensemble, with funding from the New York State Council on The Arts (NYSCA)
World Premiere: Exponential Ensemble, Opera America, Marc A. Scorca Hall, New York, NY, October 30, 2019

MOVEMENTS
I. Pascal’s Triangle
II. Noether’s Theorem
III. Einstein’s Daydream
IV. The Hammers of Pythagoras

PROGRAM NOTE
Relative Theory is a four-movement, ca. 12 minute work for flute (doubling piccolo), oboe (doubling English horn), clarinet (doubling bass clarinet), and piano. Each movement is inspired by a mathematician or theoretical physicist. I was inspired by a story that the commissioning ensemble, the Exponential Ensemble, told me about how much they enjoy performing programs for children that relate math to music. In a fun, yet hopefully meaningful way, the movements of my piece are designed to draw parallels between these two distinct, but interrelated worlds.

The title Relative Theory is a play on words: it loosely refers to Albert Einstein’s famous Special Theory of Relativity, but also to musical theories and theoretical principals that are used between each of the movements. All of these movements are inspired by mathematicians or theoretical physicists, and their theorems and theories inspire the music itself.

In Pascal’s Triangle, triads and intervallic content are structured so as to use binomial coefficients in musical ways. In Noether’s Theorem, the music mirrors her theorem, which states that every differentiable symmetry of the action of a physical system has a corresponding conservation law. Einstein’s Daydream, perhaps the most fanciful movement, quotes a few themes from Beethoven, J.S. Bach and Mozart, three composers who’s music Einstein loved to play on his violin. The work ends with a movement entitled The Hammers of Pythagoras, inspired by a legendary, apocryphal but nevertheless playful tale of Pythagoras passing by a blacksmith at work one day, and discovering that musical notes could be translated into mathematical equations.

There are some fascinating programmatic relations that dictate how thematic materials are used in various movements. Albert Einstein thought very highly of Emmy Noether, a mathematician who never achieved the fame she deserved because she was female. In fact, some of her theories inspired Einstein. Therefore, some of the themes in the second movement are used in the third. Einstein and Pythagoras both figure prominently in music history, albeit for different reasons, so themes from each of these movements permeate back and forth.

Relative Theory was commissioned by the Exponential Ensemble, with funding from the New York State Council on The Arts (NYSCA).

LINKS
https://www.exponentialensemble.com/
https://www.robpaterson.com/
https://robertpaterson.com/relative-theory

EXPONENTIAL ENSEMBLE
Anna Urrey, flute
Kemp Jernigan, oboe
Pascal Archer, clarinet
Geoffrey Burleson, guest pianist

Relative Theory - IV. The Hammers Of Pythagoras

Sup guys, it's me in basement playing guitar. This shit is fucking lit.  lol. 

Anyone want to sing on this track?

Made in my basement btw. This was pretty fun to make. I got another song coming up. Probably going to post it next weekend or later. Idk. 

Jerrome Allen
Jerrome is cool 
Jerromey is my homie
Shout out Sam May. Lol.
Also thanks for listening, liking, commenting, reposting, and following. <3

Basement Guy

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rockon2021

electrostratic#3

This is one of 3 soundcloud channels - gd&tm, gdtm & gdtracks -  of original one-man music by gd&themultitracks, home-recorded in stroud, england.  I've had great enjoyment in just making (& listening!) to the music, but any plays or feedback would be much appreciated ... just play on!

electrostratic#3

gdtm

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