Name: synthony#2 (with guitar) by gdtm
Duration: 3 min 42 s
Description: synths with guitar create an ambient instrumental

reminds me of "revenge of the titans" soundtrack song called FANFARE

love the contrast between synthetic and organic.

stunning contrast! keep up the good work!

Bravo man! I love this sweet vibes just excellent Bro

Lovely string parts. Very expressive and well mixed with synth tracks

this is a great vibe🔵 I'd love to collab🔥

interesting would love to hear that bass synth a little more. but great song.

Another Collab with me and my buddy, Combstead!

In Orbit - Combstead / R Grigg

ALFONSO LLORENTE: VOCALS, ACOUSTIC GUITAR, ELECTRIC GUITAR, BASS & DRUMS

This song is always is ringing in my mind

DEAR PRUDENCE (Beatles)

A music representation of the breeze
--
Photo by Kalen Emsley on Unsplash

Breeze

No Chalice For The Blood

3 Experiencing Fall

Soundtrack is a part of the soundtrack that collects music written and composed by composers to 
accompany particular moments in the film.
The soundtrack enhances the emotion of the film by creating a sound atmosphere for each scene.

female with voice

New Linear Music
Code SACEM : 111554640967

EPHEMERAL TIMES

time has long legs and running shoes - romain deschamps - septembre 2025

synths with guitar create an ambient instrumental

rockon2019

synthony#2 (with guitar)

QUO VADIS(1951) - "Main Title" Theme

I am so honoured to create the Digital Orchestration (MIDI Mockup) of QUO VADIS (1951) movie's Main Title Theme for "The Miklós Rózsa Society" to support their efforts in preserving the immensely rich and outstanding musical heritage of Miklós Rózsa, multiple Oscar winner Hungarian composer, one of the founding fathers of the Hollywood Golden Age Film Music.

The aim of the Digital Reconstruction(MIDI Mockup) was to preserve the legendary film music legacy of Miklós Rózsa, Hungarian Multi-Oscar Winner Hollywood Composer, known for his iconic/epic scores such as the "Spellbound", "Quo Vadis", "Ben-Hur", "The Thief of Bagdad", "El Cid" and many others.

Copyright notice: This is a digital reconstruction in form of a MIDI Mockup of the original motion picture Soundtrack's Main Title Theme and I do not own or pretend any copyright for this music.

#quovadis #maintitletheme #hollywoodgoldenage #soundtracks

QUO VADIS (1951) - "Main Titles" Theme (Digital Orchestration)

Springs Songs (for Tenor and Chamber Ensemble)
Duration: ca. 20'

MOVEMENTS:
I. English Sparrows (Washington Square) (Edna St. Vincent Millay)
II. April 5, 1974 (Richard Wilbur)
III. Done With (Ann Stanford)
IV. The Widow’s Lament in Springtime (William Carlos Williams)
V. Spring Rain (Sara Teasdale)

Performers: American Modern Ensemble; Alok Kumar, Tenor
For More Information: https://robertpaterson.com/spring-songs
Publisher: Bill Holab Music: http://www.billholabmusic.com/composers/robert-paterson/
Purchase Sheet Music: http://billholabmusic.com/store/index.php?keyword=spring%20songs%20-&main_page=advanced_search_result&search_in_description=1
Also available as a version for tenor and piano: https://robertpaterson.com/spring-songs


PROGRAM NOTE
Spring Songs for tenor and chamber ensemble or piano is my third song cycle celebrating the seasons. As with the first two, Winter Songs for bass-baritone and Summer Songs for soprano, this cycle contains settings of poems by various American poets.

Whereas both Winter Songs and Summer Songs end with scenes in New York City, Spring Songs begins with New York: a setting of English Sparrows (Washington Square) by Edna St. Vincent Millay, a poem about a scene that takes place in the morning in Greenwich Village, a neighborhood in New York City where Millay lived in the early 1900s. The second movement is a setting of April 5, 1974 by Richard Wilbur, a poem Wilbur wrote in honor of Robert Frost’s one-hundredth birthday, and I interpret as being about overcoming self-doubt through wisdom, and about understanding the change of seasons, but also a change of mind. The third movement, Done With by Ann Stanford, I interpret to be about death and rebirth. Stanford symbolizes this by a house being torn down and the ground paved over, the now suffocated plant life yearning to break through. The Widow’s Lament in Springtime, the fourth movement, is a setting of a poem by William Carlos Williams. I interpret this poem as a modernist, pastoral elegy that uses images of nature to lament the death of a loved one. The final movement, a setting of the poem Spring Rain by Sara Teasdale, is about a happy memory of a lover brought about by an evening thunderstorm.

Spring Songs was commissioned by Rick Teller for the American Modern Ensemble.

AME ARTISTS
Robert Paterson, Conductor
Alok Kumar, tenor
Grace Law, flute
Nuno Antunes, clarinet
Samuel Z. Solomon, percussion
Geoffrey Burleson, piano
Victoria Paterson, violin
Peter Sachon, cello

The Four Seasons

Spring Songs - III. Done With (Text by Ann Stanford)

This is one of 3 soundcloud channels - gd&tm, gdtm & gdtracks -  of original one-man music by gd&themultitracks, home-recorded in stroud, england.  I've had great enjoyment in just making (& listening!) to the music, but any plays or feedback would be much appreciated ... just play on!

synthony#2 (with guitar)

gdtm

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