commander les disques , if you want to get the LP's and more  go there:

http://shop.bornbadrecords.net/album/kiss-me-you-fool

disques dispos sur itunes store, records available on itunes:

https://itunes.apple.com/us/album/cerf-biche-et-faon/id719454284

https://itunes.apple.com/fr/album/kiss-me-you-fool!/id1166606254?l=en

https://itunes.apple.com/fr/album/moonshine-vol.-1-ep/id1091339576

https://www.facebook.com/juliengascband/

Michel Catalo, à propos du dandysme: "Mais ce sont ceux qui utilisent avec élégance et humour, avec "classe" nos motifs de désespoir et de fatigue évidente pour en faire quelque chose qui ressemble à la forme qu'ils emploient, c'est à dire à quelque chose d'élégant, souriant, un peu désespéré et "classe".   Finalement, je suis en train de parler beaucoup plus des dandies que des décadents.... JULIEN!.... Tu es un dandy, et nous aimons ça!"

"Cerf , Biche et Faon" de Julien Gasc, premier album solo d'un membre d'Aquaserge. Il a joué avec Stereolab, April March, Bertrand Burgalat, Hyperclean,... Enregistré sur un magnétophone 4 pistes K7, " Cerf , Biche et Faon " est un disque mélancolique, personnel et tellement universel. Un album lo-fi grande fidélité, enregistré sur quatre pistes cassette et pro tools à l'Electric Mami Studio, avec quelques micros, à moitié seul, l’autre moitié ouverte aux amis de passage. 

About the dandies in pop-music, by Michel Catalo : "But it is they who use with elegance and humor, with class our motifs of despair and evident fatigue to craft something that resembles the forms they employ, that is something elegant, smiling, a little desperate and classy. I am actually talking a lot more about dandies than about decadent authors. Julien, you're a dandy and we like it."

"Cerf, Biche & Faon" by Julien Gasc, first solo album of a member of Aquaserge. He played  with Stereolab, Laetitia Sadier, Philippe Katerine, April March, Bertrand Burgalat, Hyperclean, Holden, Momotte,... Recorded on a 4-track cassette recorder, "Cerf, Biche et Faon" has some of the elements of the future classic album to be reedited in 20 years time. Because it grows out of format, completely outsider, very personal and incredibly universal. A high fidelity lo-fi album.

"What I tried to achieve for the album was to record every track directly, from the beginning to the end of the song, one-shots, one-takes, to keep the crudest spurts, I wanted to do as little editing as possible".

Since 1995, NYC’s Other Music record shop has had a big hand in defining the sound of the underground, helping to establish the careers (and career resurgences) of hundreds of artists, with a wide-ranging aesthetic that includes everything from indie pop to left-field electronica, folk, funk, psychedelia, dub, free jazz, post-punk, avant-classical, hip-hop and much more. For more than a decade and a half, through myriad changes in the “biz,” Other has stayed true to their one goal, connecting great unheard music with passionate music fans, and with their weekly new-release newsletter reaching more than thirty-five thousand subscribers, an MP3 download store, a mail-order website, and a busy East Village retail shop, they have become an icon and last bastion of indie retail. Now, in partnership with Fat Possum, Other is launching their own label, Other Music Recording Co., to bring the same varied taste and enthusiasm that has always defined their retail store to this new venture.

Other’s first release, OM-001, drops on April 24: Ex Cops’ debut 7-inch,  “You Are a Lion, I Am a Lamb” b/w “The Millionaire.” This new Brooklyn group’s hazy mix of influences draws on vintage British and New Zealand indie, Factory Records and a Velvets/Feelies jangle that is distinctly New York, all with their own sunbaked pop vision. What began as a bedroom-recording project for Brian Harding has been fleshed out into a full band, and Ex Cops are now putting the finishing touches on their debut album in the studio with producer John Siket, due out on Other later this year.

Also due this spring on Other, the debut solo album from Shintaro Sakamoto, the former frontman of the legendary Japanese psychedelic group Yura Yura Teikoku. Over the course of their 20 years together, that band rose from the storied Japanese psychedelic underground to huge mainstream success in their homeland (and cult status around the world), with a wholly original sound that defies definition. The group disbanded in 2010, and Sakamoto set off into uncharted waters on his new solo material, working mostly alone to create a stunning set of quiet, percussive songs that draw on ‘70s folk and AM radio pop from the U.S., U.K. and Japan, as well as folk forms from across continents and eras; How to Live with a Phantom, released late last year in Sakamoto’s own Zelone label in Japan, is an enigma and an instant classic that blew so many minds at the Other Music shop when a few imports trickled in, they had to release it themselves.

Other Music Recording Co. will surprise and enlighten fans of underground music with a roster of diverse artists from around the world, releasing new music and under-appreciated classics from their reissue division, and with this strategic partnership with Fat Possum you will be hearing a lot more from Other in the coming months.

STRAIGHT FROM THE BALKANS ---- psycho-post-dub-rock | Like punching your face with the MIR Space Station twice!

Luka Gecsek is following