Sarah Inala plays mainly within the Folk-Classical genre and composes instrumental music along with her song-writing.  Her music is rooted in the ancestry of renaissance and old age sentiments and also Contemporary Folk with ties to other periods. Her music is known to invoke myriad emotions and sentiments in her audience.  Her voice is soft and of  a mellow tone which wraps neatly around her delicate and well crafted harmonies to captivate her listeners.

Equal parts monk, Visigoth and village idiot, the Spooky Men’s Chorale explores the paradoxes of latter day masculinity with unbridled enthusiasm, a pleasing array of deep harmonies, and a twinkle in their eye. They’ve somehow mastered the impossible art of being both musically immaculate and blitheringly stupid, whilst essaying an increasingly preposterous array of subject matter: tools, mastodons, their own body parts, surfing, gluttony, and how to scare off hostile neighbouring tribes at 5.43 am.

Arising from the Blue Mountains in Australia, the Spooky Men’s Chorale have been gleefully smashing up and reassembling the world of  men’s singing since 2001, and will now continue their long, slow, global conquest with a 6th tour of the UK, tenderly brandishing their latest album  “Warm”, a long requested idyll in a vast, bottomless, massively comforting musical sofa.

Ged Faricy is following