Chorus
We ain’t worried bout retaliation
Me and you girl we goin on vacation 
Sittin here talkin bout the baddest in the nation
Yea that’s me, lookin like temptation 
Ain’t got time for nobody hatin 
No tricks no bullies no time wastin 
Skrrt on through, yea I’m skatin
Skrrt on through, yea I’m skatin

Verse
Yea we ridin through in a beat old whip
Just tryna vibe like that titanic ship
Feeling like a million bucks on my Soulja Boy shit
Pack it light it choke it take a fat fuckin rip
You and me girl we gonna take a lil trip
Might pick up Lucy turn this to a spaceship
Long as I'm with you it won't hurt a little bit
Long as I'm with you, right till you dip

Chorus
We ain’t worried bout retaliation
Me and you girl, we goin on vacation 
Sittin here talkin bout the baddest in the nation
Yea that’s you, lookin like temptation 
Ain’t got time for nobody hatin 
No tricks no bullies no time wastin 
Skrrt on through, yea I’m skatin
Skrrt on through, yea I’m skatin

Titanic - Single

Titanic

Concerto Grosso for Double Bass, Taiko, and Orchestra, No.1, Op.4, No.2 'Tenebrae Rhythmicae'

I. Introduzione: Nati liberi, dappertutto in catene (Introduction: Born Free, Everywhere in Chains) - 0:00 to 10:53

II. Variazioni: La Giungla di Cemento (Variations: The Concrete Jungle) - 10:53 to 22:48

III. Intermezzo: Cappio e Camici di Forza (Intermezzo: Hangman's Noose and Straitjacket) - 22:48 to 32:50

IV. Cadenza: Illusioni di Cartone (Cadenza: Cardboard Illusions) - 32:50 to 43:36

V. Riflessione: Carta al Gancio (Reflection: Paper to the Hook) - 43:36 to 54:03

VI. Finale: La Macchina Corporativa (Finale: The Corporate Machine) - 54:03 to 1:00:48

"Concerto Grosso No.1, Op.4, No.2 ‘Tenebrae Rhythmicæ'" is a work that explores themes of societal oppression, urban decay, and the mechanization of modern life. Each movement presents a different facet of these themes, ranging from the struggle for freedom and individuality against conformity to the dehumanizing effects of corporate and consumerist influence. Through dissonant, aggressive, and rhythmic music, the concerto for double bass and taiko ("ripieno") and orchestra ("concertino") confront the listener with the harsh realities of urban existence while also celebrating acts of resistance and resilience against oppressive systems.

Concerto Grosso for Double Bass, Taiko, and Orchestra, No.1, Op.4, No.2 'Tenebrae Rhythmicae'

Dream Country By Anthony P. Swindall (2017)

Images Of June By Anthony P. Swindall (2017)

This is the piano version of my first opus. The first movement is the introduction. It was created in 2016.

The Homecoming Suite (Piano Solo) I. C Major By Anthony P. Swindall (2016)

This is the piano version of my first opus. This is the second movement. It was created in 2016.

The Homecoming Suite (Piano Solo) II. E Minor By Anthony P. Swindall (2016)

This is the piano version of my first opus. This is the third movement. It was created in 2016.

The Homecoming Suite (Piano Solo) III. A Minor By Anthony P. Swindall (2016)

This is the piano version of my first opus. The fourth & last movement; the Finale. It was created in 2016.

The Homecoming Suite (Piano Solo) IV. C Major By Anthony P. Swindall (2016)

This suite was composed with the intention of creating a pocket sized selection of music. Also, I had heard of a few infants passing away due to very tragic circumstances, so their memories were heavily impressed on my mind at the time of writing this.

Petite Suite for Piano & Cello, Op.2, First Movement by Anthony P. Swindall (2016)

Petit Suite for Piano & Cello, Op.2, Second Movement, by Anthony P. Swindall (2016)

Petit Suite for Piano & Cello, Op.2, Third Movement by Anthony P. Swindall (2016)

This profile showcases Anthony Paul Swindall's modern classical compositions, orchestrations, and arrangements.

Concerto Grosso for Double Bass, Taiko, and Orchestra, No.1, Op.4, No.2 'Tenebrae Rhythmicae'

Anthony Paul Swindall

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