Slowzz

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Copy of Daily Drops

Untitled playlist

Drops

Kahan Ho Tum Chale Aaio  - Shaegill

Toh kya ye teh hai - Zeeshan Ali - Ghazal

Magic Johnson

Straight Line Was A Lie

Guess I'm Fallin In Love

Octo Park

Part two of the soundtrack to a story about Cornish smuggling

God Knows I’ve Tried

In their song "MIRROR MAN," the German metal band MANDELBAUM explores the German folklore of the doppelgänger. The band, though German, primarily sings in English, using "Spiegelmann" to delve into the haunting duality of the mirror image, a sinister reflection of oneself. The song's heavy soundscape and intense lyrics create a chilling narrative of a protagonist confronted by a malevolent doppelgänger, forcing a confrontation with their inner demons and fragmented identity.

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LYRICS:
Spiegelmann...  
Die Dualität des Doppelgängers…  

I see you in the silver glass  
Your eyes are mine
Your breath will pass  
Two hearts in one
But one must die  
The shadow smiles
I can’t deny  

Die Dualität des Doppelgängers  
Two in one
One in two  
Die Dualität des Doppelgängers  
I am me — 
And I am you  

Die Dualität des Doppelgängers  
Two in one
One in two  
Die Dualität des Doppelgängers  
I am me — 
And I am you  

You move when I move
Step for step  
A mirror dance I can’t forget  

Your voice inside
My mind obeys  
My thoughts decay in twisted ways  

Die Dualität des Doppelgängers  
Two in one
One in two  
Die Dualität des Doppelgängers  
I am me — 
And I am you  

Die Dualität des Doppelgängers  
Two in one
One in two  
Die Dualität des Doppelgängers  
I am me — 
And I am you  

Spiegelmann... mein Feind
Mein Freund  
Psychose brennt — 
Die Wahrheit träumt  

Your hands are cold
Your smile is wide  
You pull me through the other side  

Die Dualität des Doppelgängers  
Two in one
One in two  
Die Dualität des Doppelgängers  
I am me — 
And I am you  

Die Dualität des Doppelgängers  
Two in one
One in two  
Die Dualität des Doppelgängers  
I am me — 
And I am you  

Spiegelmann…  
Mein Gesicht…  
Mein Grab…

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MIRROR MAN | SPIEGELMANN

SPOKEN FOR - rainyholmes cover

confess your love.

Ten women, ten stories, one truth: love isn't meant to last forever, and that's what makes it beautiful. From wine-soaked Tuesday afternoons to wedding dance floors, from exhausted surrender to empowered acceptance, these jazz-kissed pop confessions capture what women in their 30s and 40s really know about love's expiration dates.

Tired of trying

Guitar - Cole Fowler 
Bass - Sean Dullaghan
Drums - Cody Phillips
Vocals - tracks 1, 3 & backups - Sean Dullaghan
Vocals - tracks 2, 4, 5 - Cole Fowler
Backup Vocals - track 3 - Cody Phillips
Recorded, Mixed and Mastered at Westfall Recordings in Farmingdale NY
Engineering & Production - Anthony Lopardo & Ray Marte
Mixed and Mastered by Ray Marte
Art by Adam Schnepp

Tipping Point

I don't own any of the rights for the song. I just slowed it down and added reverb. Credit to @zleepyfred-22305702

Last Leaves of Autumn (Slowed & Reverbed)

Classic Moby track from his fifth studio album, 'Play', released in 1999. The vinyl reissue is available to pre-order now: http://moby.la/playandbsidesSo 

The track was featured in 'The Beach', directed by Danny Boyle

Watch the official video here: http://www.moby.com/videos/2012/porcelain

Porcelain

DOWNLOAD THE SONG FOR FREE/PAY WHAT YOU CAN at bandcamp: https://amandapalmer.bandcamp.com/track/machete

this song was written in memory of anthony: best friend, cancer victim, weapons enthusiast, life-saver and….it’s a long story. but a good one. 
read it here: bit.ly/AFPMachete

PLEASE LISTEN WITH HEADPHONES IF POSSIBLE.
this recording was able to come into being created because of my incredible patreon community.
if you want to support more making of Things, please consider joining us: https://www.patreon.com/amandapalmer

the band:
amanda palmer - piano and vocals
jherek bischoff - electric bass, string arrangement, mixing & mastering engineer, bad-ass
ben folds - drums, spiritual editor
ryan lerman - electric guitar 
aniela marie perry -  cello
lauren elizabeth baba -  viola
crystal brooke alforque -  violin

sound engineers: 
chris kahn at eastwest studio LA (band)
jaron luksa at the rattle room (vocals and strings)

thanks to mayumi heider for cat-herding, and to mayumi, risa luksa, and gracie folds for childcare.


lyrics:
MACHETE. 

i have never liked the box of knives 
you said was a paradox because you’re kind 
but withstood a childhood that robbed you blind 
of love that was safe and so you learned to fight 
x3 

what do i do with this stuff? 
it seems like yesterday i called you up 
i had a terrible case of the past 
i didn’t know how to get it off 
i didn’t know how to get it off 

and you took 
your machete 
and you sliced through the vines that wrapped around me 
and you said 
i don’t know what i’m doing 
so i’ll just keep on cutting 
it’s worth a little blood to get your arms free 

i have never liked the box of knives 
you said was a paradox because you’re kind 
but withstood a childhood that robbed you blind 
of love that was safe and so you learned to fight 
x2 

what do i do with this stuff? 
it seems like yesterday i was in love 
i kept of covering the soft parts up 
i didn’t know how to get them off 
i didn’t know how to get them off 

and you took your machete 
and you hacked through the woods in the surrounding 
and you said 
i don’t know where i’m going 
i just know that i’m heading from 
the dead things piling up behind me 

and you took 
your machete 
and you carved out a path to my chest and you said see 
there’s nothing not worth keeping 
you’ve felt so many beatings 
but 
nothing’s going to work if you believe me 
nothing’s going to work if you believe me 

i have never liked the box of knives 
you said was a paradox because you’re kind 
but withstood a childhood that robbed you blind 
of love that was safe and so you learned to fight 
x2 

i have never liked the box of knives 
i took it to the oceanside the day you died 
i stood out on the dock 
no matter how hard i tried 
i couldn’t drop them in 
and i collapsed and cried: 

what do i do with this stuff? 
it seems like yesterday you were alive 
and it’s as if you never really died 
and it’s as if you never really died. 

and you took 
your machete 
and you said boo guess who 
but seriously, beauty 
you said 
see ? 
you get the drill now don’t you 
it’s not a will or won’t 
you can’t keep making symbols out of nothing 

so i took your machete 
and i sliced off your head and you laughed 
and you said see 
it’s just like anti matter 
it’s dumbo’s magic feather 
you don’t need me here to cut you 
you don’t need me here to cut you 
you don’t need me here to cut you 
you don’t need me here to cut you 

free.

Machete (Demo)

Solomun Ep on Supernature . Releasedate : 14.11.2011

01. Solomun - Something We All Adore
02. Solomun - He Is Watching You
03. Solomun - Girl Slow Down

something we all adore

I had the pleasure to do a little Edit of Siriusmo's Remix of Moderat. Out now; https://www.beatport.com/track/eating-hooks-siriusmo-remix-solomun-edit/8336542
 You can get it here: https://monkeytown.lnk.to/EatingHooks

Moderat - Eating Hooks (Siriusmo Remix / Solomun Edit)

Sajjad Ali & Zaw Ali, Ronay Na Diya, Coke Studio Season 10, Episode 3. #CokeStudio10

Produced & Directed by Strings
Music Directed by Sajjad Ali
Lyrics by Sudharshan Faakir

Musical mastermind, Sajjad Ali makes a stunning debut on Coke Studio as a music director with his poignant rendition of Ronay Na Diya. The reproachful lament relays the overwhelming emotions of remorse and despair with musical inlays of a sorrowful clarinet and wistful vocals. Sajjad Ali’s classic, celebrated vocals find an interesting match as Zaw Ali brings a wild concoction of vibrant r&b vocal runs alongside her delicate but powerful classical chops. A gorgeous manifestation of grief, the song pays homage to the exquisite, Malika-e-Ghazal, Begum Akthar.

Lyrics:
Rone waalo se kaaho
Rone waalo se kaaho
Unka bhi rona ro lein
Rone waalo se kaaho
Unka bhi rona ro lein
Rona ro lein

Jinko majboor yeh
Jinko majboor yeh
Halat ne rone na diya
Warna kiya baat thi
Kis baat ne rone na diya
Ishq mein gair the jazbaat ne
(Rone na diya, rone na diya)
Warna kiya baat thi Kis baat ne

Aap kehte the ke rone se
Naa badle ge naseeb (x2)

Umar bhar apki iss baat ne
Rone na diyaa..
Warna kiya baat thi
Kis baat ne rone na diya
(Ishq mein gair the jazbaat ne)

I don’t wanna say goodbye
Oh, let me cry, let me cry, let me cry
Don’t you know how it makes me feel?
Oh, such wounds will never ever heal
We are dying in slow motion,
What a way to end an emotion
A reality we never ever realised

Just let me say what I wanna say,
Or the pain won’t go away
You’re the only one, And I’m the lonely one

Tum se mil kar humein rona tha
Boht rona tha, boht rona tha
Tang-e waqt-e mulaqat ne
Warna kiya baat thi, Kis baat ne

Sajjad Ali  Zaw Ali Ronay Na Diya Coke Studio Season 10 Episode 3

Remix and additional production by Lulu Rouge and Stella Polaris Allstars

Natural Blues (Lulu Rouge vs. Stella Polaris Remix)

Produced, Arranged, Conceived, Mixed and Mastered by Arsalan Hasan
Vocals and Guitars by Anna Salman
Violin by Amal Nadeem
Additional Guitars by Arsalan Hasan

The All Girl Band - Baarish & I'm Yours (Prod. by Arsalan Hasan)

61818 | billie eilish | xxxtentacion tribute

A veterinarian crafting tech articles, videos, and music with the curiosity of a British Shorthair and twice the passion! 🐾

Tired of trying

Geeky Animals