another older track I'd like to try to expand on some day. Just didn't have the playing chops at the time of recording it. Still don't  :O)

This track was also used (temporarily) as a middle section of an alternate, slower and extended version of ‘Jazzy Ditty’, one of my favourite tracks. But I hope to eventually replace it with something that fits better. 

Artwork is a variation I did (added guitar strings) on a well known Matisse print.

Comments always appreciated, but don't feel shy to give critical feedback - always trying to get better!

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here's some pictures I took: www.flickr.com/photos/mark_boucher/
my best photos on 500px (safe site): 500px.com/p/mrmark?view=photos

Belle Curves Blues

Over There

Inspired by Maurice Ravel's Ma Mère l'Oye No.3 Laideronnette - Imperatrice des Pagodes 
Compare: https://youtu.be/ihRt2hmBGcQ

Imperatrice des Pagodes

Dreaming in Colour

Where's My Campfire?

Cast of Characters:
Didier Burli-- @didierburli — acoustic guitar, main vocals, composition
Llanpsych–@llanpsych –Tez– Fender Stratocaster electric guitar, mix, and production
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Roland Phantom organ, Roland piano, Paul Reed Smith cutom SE electric guiar, Warwick four string fretless bass, vocal harmonies
TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson custom T model electric guitar

This song began with Didier coming up with it on his acoustic guitar. However, when he first sent it to Josh, he had played electric guitar, bass, keys, and drums on it, because he is a very talented multi-intrumentalist. This song passes the stool test, though, which is the question of whether it sounds good with someone just sitting on a stool with a guitar, playing and singing it. So, when we asked him to give us a version that we could add to, it was already a great song that he sent us with just him singing over his acoustic guitar. 
  Tez was the first one up on this one, adding the fiery fills throughout, as well as the co-solo at the end. Ken entered the fray next, adding his rock solid, dynamic drums. Once the drums were down giving him something to play against, Josh added his fretless bass to the song. Being very excited about this one, he also added piano, organ, and eventually the lead guitar solo at the end. He also went in and added all the vocal harmonies throughout. Stephen then brought up the rear with some really cool textural guitar throughout. 
  Once we had it in the bag, we asked Tez to produce and mix it for us, which he did in his usual expert fashion. 
  This is our first song with Didier, but we hope it's just the beginning of his new inclusion into the Eclectic Collective family. He has a lot of great music on his page, which is worth checking out, too. We hope you enjoy listening to this song as much as we enjoyed creating it.
Original lyrics by Didier Burli:
I wish I could stay awake but I need to sleep
Thunder is on it's way but I don't hear it
I don't fear the ghouls, and I don't fear the creeps
And with this dancing zombie, I don't know what to do with it
And I just get too much information....
in the middle of the night, when everything is silent....

(chorus) And the noise rises up
From all those things, that mankind does, that makes you want throw up

(chorus) And the noise rises up
From all those things, that mankind does that makes you want dream of

(chorus) And the noise rises up
From all those things that makes you scared of

(chorus) And the noise rises up
From all those things that mankind lost

And I just get too much information....
in the middle of the night, when everything is silent....

The Noise Rises Up-Didier/Eclectic Collective

BILL BAREK - GUITAR
GIOULI - BASS
TASOS - DRUMS
CHRISTOS - VOCALS , LYRICS

Breathing in a sea of violence,
Dealing with my fate with a consiouss eye,
Swimming by my anger to silence,
Its a stepping stone to what you shall live,
Met you in a day of weakness,
That i am alone with nothing to quest,
Give me now your only forgiveness,
Make me feel blessed that i found you now,
Swimming all my pain in your madness,
Swimming just above the thought of your hopes,
Playing all around with your sadness,
Can't you feel in this role that am not alone ,
Travelling in your sea of badness,
Shore to shore sacred by my holy oath,
Do you want to feel my godness,
Do you want to feel my breath in your core.

ONE BREATH

Shine (Inst.)

CRIME TIME 

As I come deeper in my thoughts
Pronouncing reality's dark hopes
Not just how we can live it
But as well how were doomed to believe it
Taking time just as an answer
Has it been you that has the dancer
The dancer that flies in the air
The air of thoughts to connect our fair

As i went now deeper, in my thoughts, having a sipper
Pronouncing reality's dark hopes, oh my shit i mooving backwards

Is it time that has the answer or is it you that has the dancer
The value of the thought into timefull space
The value of its meaning as it gives its brace

And now Feel, Time to Heal
And now Bow, To the Show

So come on friend don't be an amend
So come on friend don't be an amend
So come on friend don't be an amend
So come on friend don't be an amend

So come on friend don't be an amend
Cross your soul with a thought as you breathe to your goal (x2)

And now that you are in your face, forget about this tree
Smoke comes from this road, of this universal dream (x2)

CRIME TIME

This tune began with just the upright bass & flute part that were inspired by an old song that I liked a lot by an English Jazz trio called The Herbaliser. Beyond the basic A - B - A arrangement I couldn't really think of much else to do with it, so I enlisted a couple blokes from the Eclectic Collective to help flesh it out. Namely Stephen (@texmex-shaman), and Chris (@hiddenhands-760647700).

Stephen added the trippy high pitch reverse guitar effect, and the sick bluesy lead guitar in the middle section (thus the title, Blue In The Middle). He also lent his mastering skills to great effect on this one. And Chris added some delightfully dark atmospheric backing guitar parts and effects, as well as the Portishead influenced drum track. I was then inspired to add the background echo guitar sound in the middle section, the vocal sample near the end, a bit of percussion and minor sound effects. All my parts were played on keyboard except the vocal sample (from Garageband) and the flute, which I played live. 
Thanks guys for bringing this to life, and hope folks enjoy this trippy little ditty.

Image art designed and created using ChatGPT 4o.

Blue In The Middle (with CGManess & TexMex Shaman)

Je suis venu te dire que je m'en vais
(Serge Gainsbourg)
Album "Vu de l’exterieur” (released in 1973)
Cover version

Je suis venu te dire que je m'en vais 
Et tes larmes n'y pourront rien changer 
Comm' dit si bien Verlaine au vent mauvais 
Je suis venu te dire que je m'en vais 
Tu t'souviens de jours anciens et tu pleures 
Tu suffoques, tu blêmis à présent qu'a sonné l'heure 
Des adieux à jamais 
Ouais je suis au regret 
D'te dire que je m'en vais 
Oui je t'aimais, oui mais 

Je suis venu te dire que je m'en vais 
Tes sanglots longs n'y pourront rien changer 
Comm'dit si bien Verlaine au vent mauvais 
Je suis venu te dire que je m'en vais 
Tu t'souviens des jours heureux et tu pleures 
Tu sanglotes, tu gémis à présent qu'a sonné l'heure 

Ouais je suis au regret 
D'te dire que je m'en vais
Car tu m'en as trop fait. 

Je suis venu te dire que je m'en vais 
Et tes larmes n'y pourront rien changer 
Comm' dit si bien Verlaine au vent mauvais 
Je suis venu te dire que je m'en vais 
Tu t'souviens de jours anciens et tu pleures 
Tu suffoques, tu blêmis à présent qu'a sonné l'heure 
Des adieux à jamais 
Ouais je suis au regret 
D'te dire que je m'en vais 
Oui je t'aimais, oui mais 

Je suis venu te dire que je m'en vais 
Tes sanglots longs n'y pourront rien changer 
Comm'dit si bien Verlaine au vent mauvais 
Je suis venu te dire ue je m'en vais 
Tu t'souviens des jours heureux et tu pleures 
Tu sanglotes, tu gémis à présent qu'a sonné l'heure 

Ouais je suis au regret 
D'te dire que je m'en vais 
Car tu m'en as trop fait.

Shine (Inst.)

James Geer