
[Intro]
[aalap]

මන්දාරම් හවසක සීතල සුළං රැල්ලක
තිබුණු ඒ මතකය සැදුනු තැන මෙතන බව දැක්කද
 විටෙක අනාගතයට හෝ අතීතෙක ගිය දුරක
කොතැනමුත් නිරෝධව මොහොත තුළ නිවෙන  බවක 

[Drop]
[Music solo]

හට ගැන්ම දුටුවොතින් කෙලෙස ඇලෙනු ද කැමැත්තක 
වැයවීම දුටුවනම් කෙලෙස තැවෙනු ද ගිය මතක ගැන
නැවත දේ පතන්නද ඉපිද මියැදෙන සිතුවිලි අතර 
 කුමන දේ සොයන්නද ඉපිද මියැදෙන සිතුවිලි අතර


[Drop]
[Music solo]


 දුටු දනන් ප්‍රීති වන සිතුවිලි තුළින් නිදහස
 සොයා යන සිත කෙලෙස එහි ගතිය දකින්නද
දැනගත්ත විදි අනුව සියලු ගැටලිහෙන තැන
 නිම වෙන්නේ මොහොත මැද කම්කටොළු දුක් වන 

[Bridge]

හට ගැන්ම දුටුවොතින් කෙලෙස ඇලෙනු ද කැමැත්තක 
වැයවීම දුටුවනම් කෙලෙස තැවෙනු ද ගිය මතක ගැන
නැවත දේ පතන්නද ඉපිද මියැදෙන සිතුවිලි අතර 
 කුමන දේ සොයන්නද ඉපිද මියැදෙන සිතුවිලි අතර

[Drop]
[Music solo]

නැවත දේ පතන්නද ඉපිද මියැදෙන සිතුවිලි අතර 
 කුමන දේ සොයන්නද ඉපිද මියැදෙන සිතුවිලි අතර

[Outro]

--------------

🎼 Artist Note: Fading As It Forms — A Sonic Reflection on Arising and Release
This piece is not just a song — it’s a meditative inquiry into the nature of becoming, memory, and liberation. Inspired by Dhamma insight, it explores a profound truth:

“If the arising is seen clearly, how could attachment take hold?”
“Why long for the past, if one sees its passing woven into its birth within that arising moment?”

The lyrics are not declarations — they are questions. Cyclical, reflective, and open-ended, they mirror the looping patterns of thought and craving, gently drawing the listener inward toward stillness.

🎧 Musical Flow as a Map of Meaning
The song’s structure itself is a metaphor for this inner process.
It opens with THX-style binaural textures, enveloping the listener in a liminal space — like standing at the edge of thought. This spaciousness invites introspection before the journey begins.

Motifs from Raag Yaman and Bhairavi drift in through rich orchestral strings, carrying ancient emotional resonances. These ragas were chosen not just for their beauty, but for their ability to evoke longing, release, and reflective stillness.

The deep sub-bass represents the grounding nature of awareness — subtle, steady, and ever-present.
Meanwhile, folk finger drumming introduces the restless rhythm of mind — busy, intricate, circling — eventually dissolving into psychedelic vocal textures that blur language and self.

💥 Drops as Insight Moments
Each orchestral drop is crafted not just for musical intensity but as a structural mirror of realization:
A swelling tension, an edge approached — then a break, a fall, a release.
These moments mirror the letting go of a clung thought, the shift from becoming to seeing.

හට ගැන්මක වැයවීම | Whatever arises is already fading | #MindBlend | #InnerRealm

Awaken, Your Inner Majestic Elephant — The Dhamma is Emerging, its time to listen.

Inspired by Gajaga Wannama , traditional Srilankan folk music

Awaken, Majestic Elephant | Gajaga | Instrumental | #mindblend | Inner Realm

Awaken your inner Majestic | its time to listen to Dhamma

Majestic Gajaga | Instrumental | #mindblend | Inner Realm

🎶 About the Song – Habits of the Eagle
=====

This song is created using style blending skill — weaving together different musical styles, flowing like echoes that shift from one form into another. It doesn’t remain in a single frame; instead, it carries the listener through a living stream of changing tunes, mirroring life itself.

At the heart of it lies the dual wisdom of the eagle:

The power to dive deep into one point, seeing with sharp focus and insight.

The power to soar high above, viewing the whole world with balance, recognizing the continuous flow of existence as anattā — without self, without grasping.

Just like the eagle, a seeker of inner peace needs both:
🌊 Deep inward concentration to uncover truth.
🌌 Expansive vision to see the interconnected, selfless nature of all life.

Thus, the music itself becomes a metaphor: a shifting, echoing journey through styles that points toward inner stillness and liberation.

This symbolism is not new. In our Sri Lankan dance heritage, the Ukusa Wannama embodies the eagle’s qualities in movement and rhythm — strength, clarity, and majestic vision. The dance, like the song, reminds us of the path: to rise above, to look within, and to see without grasping.

In this way, the song becomes more than sound. It is a mirror of the Dhamma — carrying us through changing styles, pointing us toward stillness, and teaching us the eagle’s two habits that lead to freedom.

~~
Inspired by Ukusa Wannama Srilankan Folk Dance patterns

~Inner Realm ~

Ukusa Wannama | Wisdom of a Eagle | Instrumental | #StyleBlend | Inner Realm

නැටවෙන ගති | Reflective Dance Forms | #DanceBlend | #MindBlend | Inner Realm
=====



[Intro]

[Drop]
[Music]

පය දුවපු තැන හිත දුවන විඳි ගැන 
 සිහියෙන් ඉන්න සිහියෙන් ඉන්න
 නැටවෙන ගති  ගැන හිතුවද හිතුනද  
සිහියෙන් ඉන්න  සිහියෙන් ඉන්න

[Drop]
[Music]

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
සිහියෙන් ඉන්න සිහියෙන් ඉන්න

[Drop]
[Music]

සෙලවෙන ගත අනුව සිතුවිලි හැදුනද 
සිහියෙන් ඉන්න සිහියෙන් ඉන්න
මොහොතින් එහාට හිත පැන ගියාද  
සිහියෙන් ඉන්න සිහියෙන් ඉන්න

[Drop]
[Music]



Artist Note:

This song was born from the body’s own rhythm — the feet racing, the hips swaying, the pulse alive. Yet, as movement flows outward, the mind dances even faster, chasing thoughts across past and future.

Amid the drops, the beats, and the swirl of motion, there is an invitation: to pause, to witness, to remain aware. Every step upon the ground becomes a knowing; every shiver of the body, a mirror to the mind’s restlessness.

Here, the dance reveals its deeper secret: impermanence in motion, thoughts arising and dissolving, and the luminous clarity of presence. To groove is to observe, to celebrate is to awaken, and to move is to discover the stillness at the core.

This is not merely a song, but a living reflection — an inner dance of awareness, a momentary glimpse into what is truly happening, right now.

---
Inspired by Srilankan Kavadi Styles

~ INNER REALM ~

නැටවෙන ගති | Reflective Dance Forms | #DanceBlend | #MindBlend | Inner Realm

[Intro]
[Drop]
[Music]

පය දුවපු තැන හිත දුවන විඳි ගැන
Where the feet once ran, the mind still keeps running.

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.

නැටවෙන ගති ගැන හිතුවද හිතුනද
When habits stir and old patterns dance within, did you notice, did you think of it?

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.

[Drop]
[Music]

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.
සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.

[Drop]
[Music]

සෙලවෙන ගත අනුව සිතුවිලි හැදුනද
As moods sway and shift, thoughts are shaped and formed.

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.

මොහොතින් එහාට හිත පැන ගියාද
Did the mind leap beyond the moment, running ahead?

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.

[Drop]
[Music]

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.
සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.

=====

Artist Note

This song is built around a single, simple reminder: “සිහියෙන් ඉන්න” — be with awareness.
Each line reflects the natural drift of the mind — running where the feet once ran, moving with old habits, carried away by thought and mood. But every drift becomes a chance to return, to notice, to observe the moment as it is.

The progressive flow of the music mirrors this movement of the mind: rising, shifting, echoing, then settling back into presence. It is not about forcing silence but about witnessing how thoughts arise and fade. In this way, every beat, every pause, becomes an opening into stillness.

The song is a practice in itself: listening with awareness, feeling with awareness, and returning to awareness. A reminder that in the dance of thoughts and sensations, liberation begins with observation.

නැටවෙන ගති   | Reflective Progressive | #MindBlend | Inner Realm

[Intro]
[Drop]
[Music]

පය දුවපු තැන හිත දුවන විඳි ගැන
Where the feet once ran, the mind still keeps running.

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.

නැටවෙන ගති ගැන හිතුවද හිතුනද
When habits stir and old patterns dance within, did you notice, did you think of it?

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.

[Drop]
[Music]

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.
සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.

[Drop]
[Music]

සෙලවෙන ගත අනුව සිතුවිලි හැදුනද
As moods sway and shift, thoughts are shaped and formed.

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.

මොහොතින් එහාට හිත පැන ගියාද
Did the mind leap beyond the moment, running ahead?

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.

[Drop]
[Music]

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.
සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.

Artist Note

This song is built around a single, simple reminder: “සිහියෙන් ඉන්න” — be with awareness.
Each line reflects the natural drift of the mind — running where the feet once ran, moving with old habits, carried away by thought and mood. But every drift becomes a chance to return, to notice, to observe the moment as it is.

The progressive flow of the music mirrors this movement of the mind: rising, shifting, echoing, then settling back into presence. It is not about forcing silence but about witnessing how thoughts arise and fade. In this way, every beat, every pause, becomes an opening into stillness.

The song is a practice in itself: listening with awareness, feeling with awareness, and returning to awareness. A reminder that in the dance of thoughts and sensations, liberation begins with observation.


At the end of this version , the shifting tempo itself becomes part of the reflection. By altering rhythm mid-note, the listener’s perception of the voice is unsettled — what seemed like “someone” singing is revealed as just sound, just vibration. The familiar sense that a voice must belong to a person begins to blur.

This  technical blend showcase how Dhamma can be mirrored in audio form. It shows how easily the mind generates the thought of “a person” or “a self” behind an experience, even when all that is truly present is sound, changing and passing. In this way, the music becomes a direct demonstration: the “singer” is only a momentary construction, and awareness is free when we see through that veil.

හිත දුවන විඳි | Thought Forms | #StyleBlend | #MindBlend | Inner Realm

[Intro]
[Drop]
[Music]

පය දුවපු තැන හිත දුවන විඳි ගැන
Where the feet once ran, the mind still keeps running.

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.

නැටවෙන ගති ගැන හිතුවද හිතුනද
When habits stir and old patterns dance within, did you notice, did you think of it?

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.

[Drop]
[Music]

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.
සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.

[Drop]
[Music]

සෙලවෙන ගත අනුව සිතුවිලි හැදුනද
As moods sway and shift, thoughts are shaped and formed.

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.

මොහොතින් එහාට හිත පැන ගියාද
Did the mind leap beyond the moment, running ahead?

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.

[Drop]
[Music]

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.
සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.


Artist Note

This song is built around a single, simple reminder: “සිහියෙන් ඉන්න” — be with awareness.
Each line reflects the natural drift of the mind — running where the feet once ran, moving with old habits, carried away by thought and mood. But every drift becomes a chance to return, to notice, to observe the moment as it is.

The progressive flow of the music mirrors this movement of the mind: rising, shifting, echoing, then settling back into presence. It is not about forcing silence but about witnessing how thoughts arise and fade. In this way, every beat, every pause, becomes an opening into stillness.

Musically, the song keeps evolving — blending Middle Eastern tonal colors, bass-driven rhythmic grooves, and trance-inspired layers. Styles flow into one another without settling, embodying impermanence through sound. Nothing holds fixed form; everything changes, reshapes, and dissolves, just as in lived experience.

The song itself is a practice: listening with awareness, feeling with awareness, and returning to awareness. A reminder that in the dance of thoughts and sensations, liberation begins with observation.

In the final passage, the shifting tempo becomes part of the reflection. By altering rhythm mid-note, the listener’s perception of the voice is unsettled — what seemed like “someone” singing is revealed as just sound, just vibration. The familiar sense that a voice must belong to a person begins to blur.

This subtle technical blend demonstrates how Dhamma can be mirrored in audio form. It shows how easily the mind generates the thought of “a person” or “a self” behind an experience, even when all that is truly present is sound, changing and passing. In this way, the music becomes a direct demonstration: the “singer” is only a momentary construction, and awareness is free when we see through that veil.

සිහියෙන් ඉන්න |  Right here right now | #StyleBlend | #MindBlend | Inner Realm

[Intro]

[Drop]
[Music]

පය දුවපු තැන හිත දුවන විඳි ගැන 
 සිහියෙන් ඉන්න සිහියෙන් ඉන්න
 නැටවෙන ගති  ගැන හිතුවද හිතුනද  
සිහියෙන් ඉන්න  සිහියෙන් ඉන්න

[Drop]
[Music]

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
සිහියෙන් ඉන්න සිහියෙන් ඉන්න

[Drop]
[Music]

සෙලවෙන ගත අනුව සිතුවිලි හැදුනද 
සිහියෙන් ඉන්න සිහියෙන් ඉන්න
මොහොතින් එහාට හිත පැන ගියාද  
සිහියෙන් ඉන්න සිහියෙන් ඉන්න

[Drop]
[Music]


සිහියෙන් ඉන්න සිහියෙන් ඉන්න
සිහියෙන් ඉන්න සිහියෙන් ඉන්න

[Outro]

🎶 Artist Note
======
This song is a celebration of movement and awareness. When the rhythm begins, the body naturally shakes, sways, and dances—without effort, without planning. The groove pulls you in, and the body responds on its own. At the same time, the mind begins to wander—thoughts racing in different directions, forming images, memories, and stories.

Yet here is the wonder:

The body flows with the groove in one continuous pattern.

The mind leaps in random fragments, shifting from one knowing to another.

Both happen together, yet separately.

The song invites you to notice this beautiful duality—how the dance of the body and the dance of the mind arise in different orders, sometimes in sync, sometimes apart. This is not about controlling or stopping either one. It is about simply being aware—seeing how the natural play of life unfolds.

Through dancing celebration, “සිහියෙන් ඉන්න” (Sihiyen Inna | Be Mindful) becomes both a practical reflection and a rhythm. It is the call to remain awake, to rest in the form of now, while body and mind perform their endless styles and blends.

~ Inner Realm~
https://www.youtube.com/watch?v=oFhQhrcUUDw

සිහියෙන් ඉන්න |  Form of now | #StyleBlend | #MindBlend | Inner Realm

[Intro]

[Music solo]

දෑස  අහිමිව අතීතයේ 
මා පාර සොයපු  අඳුරේ
මියගිය ඔබගේ දන්දුන් 
දෑසින් එළිය දුටිමි කතරේ
මැවෙන මැවෙන රූ විඳින විඳින ඇස් 
මොණර මිරිඟු අතරේ
එළිය සොයනවා එළිය බලාගෙන 
මැකී නොගිය අඳුරේ

[Drop]
[Music]

ඒ දෑස මගෙ දෑස වන්නේ කෙලෙසමැයි
මගෙ දෑස වේ නම් ඔබ දෑස නොවේමැයි
මම මෙතැන ඉන්නේ ඔබ ඔතැන හින්දමයි
ඔබ ඔතැන නොමැති නම් මම මෙතැන කෙසේ මැ යි

[Drop]
[Music]

මං කොහොම මං වෙන්නෙ 
මට මාව නොමැති නම් 
 නොමැති බව මම වෙන්න 
හැකියාව නොමැති නම්
අඳුරෙන් එලියකට , ඒ තුළම නිවී යන
මම කියාගත් මම, දැක මැකෙනවා මං

[Outro]


Lyrics : Yamali Kanchana Ratwatte  / Gehan Panapitiya 

===

Artistic Note

This piece is written as a journey — from darkness to light, from perception to self-questioning, from illusion to release. Each section carries a distinct movement, both in meaning and in sound.

Intro – Darkness & Memory
The song opens with blindness, with eyes lost in the past. In that darkness, memory becomes a strange source of light — “seeing through the eyes of one who is no more.” Here, sound is stripped back: tight bass pulses and sharp percussive strikes create a dry, searching atmosphere, as if every note is feeling its way forward.

Verse – The Illusion
Forms rise and vanish. The “peacocks” imagery is not decorative; it embodies the restless illusions of the mind — beauty, fear, attraction, distraction. They shimmer like mirages in the darkness. The guitar here picks up folk-like motifs, weaving intricate fills that flicker like those mirages.

First Drop – Questioning Perception
The song then confronts the paradox of perception: “If my eyes are yours, is their anything that i owned?  I am here is only met when you are there, what happens if you are not?” The rhythm grows tighter, more urgent, pulling the listener into the core tension of dependent arising.

Second Drop – Questioning Self
The lens shifts inward. “If I cannot exist without the absence of me, Do i Exist?” Here, binaural percussion enters — a celebratory yet disorienting pulse — creating a psychedelic, immersive break. The soundscape cracks open, as if space itself is asking the question. " See this Right now Right Here in your current Reality."

Outro – Release
From darkness to light, within that light the “I” dissolves. The track fades on this insight, leaving only the resonance of what has been unspoken.

Beyond Human Limits
Remember Just because the firsts release are Audio only, These is not just another song. It ventures into a soundscape beyond conventional instrumentation. The high-end frequencies, the rapid rhythmic cycles, the shifting binaural layers — they stretch the edge of what human hands can produce alone. This is where human and AI meet, not in conflict but in collaboration. The human brings lived insight and emotional depth; AI expands the sonic palette and rhythmic precision. Together they open a brave new sound world — futuristic yet rooted in folk, rap yet meditative, alive with the possibility of release within.

දෑස  අහිමිව | Beyond Forms | #StyleBlend | #MindBlend | Inner Realm

[Intro]

[Music solo]

දෑස  අහිමිව අතීතයේ 
මා පාර සොයපු  අඳුරේ
මියගිය ඔබගේ දන්දුන් 
දෑසින් එළිය දුටිමි කතරේ
මැවෙන මැවෙන රූ විඳින විඳින ඇස් 
මොණර මිරිඟු අතරේ
එළිය සොයනවා එළිය බලා ගෙන 
මැකී නො ගිය අඳුරේ

[Drop]
[Music]

ඒ දෑස මගෙ දෑස වන්නේ කෙලෙසමැයි
මගෙ දෑස වේ නම් ඔබ දෑස නොවේමැයි
මම මෙතැන ඉන්නේ ඔබ ඔතැන හින්දමයි
ඔබ ඔතැන නොමැති නම් මම මෙතැන කෙසේ මැ යි

[Drop]
[Music]

මං කොහොම මං වෙන්නෙ 
මට මාව නොමැති නම් 
 නොමැති බව මම වෙන්න 
හැකියාව නොමැති නම්
අඳුරෙන් එලියකට , ඒ තුළම නිවී යන
මම කියාගත් මම, දැක මැකෙනවා මං

[Outro]

Lyrics : Yamali Kanchana Ratwatte and Gehan Panapitiya

The Formation

The piece launches with rapid, punchy bass and dry percussive strikes. The tight, minimal sound mirrors the lyric’s opening: eyes lost in the past, searching in the dark. There is no lush reverb — only bare sound, as if the listener too is caught in the raw edges of perception.

As the verse deepens, folk-inspired guitar phrases weave into the pattern. These fluid, cyclic motifs echo the arising and fading of forms (මැවෙන මැවෙන රූ, විඳින විඳින ඇස්), suggesting how the senses continuously construct fleeting images, like mirages among peacocks. The shifting rhythmic cycles destabilize a fixed sense of ground — embodying impermanence.

Midway, the track bursts into a binaural Slow celebratory percussion drop. Here, the stereo field expands, the sound becomes immersive and psychedelic. This section mirrors the lyrical self-questioning — “How can that eye ever be mine? If it is mine, it is not yours…” — a celebration of paradox, where distinctions blur. The binaural resonance places the listener inside the question, dissolving boundaries of “self” and “other.”

Finally, the music contracts again, moving from intensity into stillness. The layers peel away, leaving a contemplative sonic space that parallels the lyric: “The self I once claimed, now seen, dissolves away.”

The Connection to Dhamma

The structure itself reflects the path of insight:

Dark, dry bass/percussion = avijjā (ignorance, blindness).

Folk guitar cycles = saṅkhāra (formations), ceaselessly arising and passing.

Binaural drop = the expansion of awareness, yathābhūta ñāṇa dassana (seeing as it is).

Final dissolution into stillness = nirodha (cessation, release).

The music does not simply accompany the lyrics; it enacts them. The sonic journey mirrors the listener’s own mind: clinging to forms, questioning identity, then dissolving into the silence where no “I” remains.

This is not just a futuristic folk rap — it is a field of practice. To listen is to observe how rhythm and self both arise, shimmer, and vanish.

අඳුරෙන් එලියකට | Beyond  Current Form | Sinhala | #StyleBlend | MindBlend | Inner Realm

~~ An Engineering Approach to Conveying Life's Meanings through Digital Audio. ~~

"As an AI engineering artist, Inner-Realm harnesses the power of machine learning to craft immersive experiences that simplify complex Dhamma points, making them accessible to everyone. With mesmerizing visuals and soothing soundscapes, Inner-Realm's generative Music Genre invites you to embark on a journey of discovery, unraveling the depths of Buddhist teachings. Each carefully crafted piece distills intricate concepts into intuitive, easy-to-grasp presentations, ensuring that the essence of Dhamma is revealed in a way that resonates with minds of all ages and backgrounds. By fusing cutting-edge technology with spiritual exploration, Inner-Realm's innovative unique approach awakens new perspectives, inspiring a deeper understanding of the timeless wisdom within the Dhamma. May these insights illuminate your path towards inner peace and enlightenment"

හට ගැන්මක වැයවීම | Whatever arises is already fading | #MindBlend | #InnerRealm

Gehan Panapitiya | Inner-Realm