(Subsonic Music, Australia)
Simply put, Gemma Van D sounds good. 24 years behind the wheels of steel have given her a well-honed grace in her craft. Her selections of swinging micro and funky house, disco riffs, dirty bassline-driven beats and groovy techno throw us a submarine funk—precisely what the nighttime ordered.
Gemma’s love affair with music began with classical instruction from the age of seven. At 15, after falling for rave subculture and the community it cultivated, she started collecting vinyl and playing her first gigs at the end of the 90’s in Christchurch, New Zealand. Fast-forward to the late noughties and she's living in Sydney, where she had found larger audiences and a plethora of guest spots and residencies. It was there she became a part of the festival-throwing party-running label-curating crew Subsonic Music, and with her tunes in tow, her reputation had her travelling along the East Coast from Melbourne to Cairns and returning back across the Tasman to New Zealand to play festivals, club nights and events. Supporting acts such as Carl Craig, DJ Heather, Lee Burridge and Rodriguez Jnr at Australian clubbing institutions like Revolver, Home Nightclub, Space, SASH, the Monastery and Bar Soma over the course of over two decades, the beats and the bass are well-infused into the fibre of her being.
Perhaps then It’s of no surprise that Gemma made the move to Europe in 2014 to be closer to the cities and people that sparked that fire inside her as a teenager in that tiny corner of the world. Residing in Copenhagen, London, and Berlin, she’s played gigs, festivals and radio in Sweden, the UK, Denmark and Germany. After returning to Australia, she made the move to the veritable melting pot of music, arts and culture, Melbourne. Recently emerging from a semi-hiatus while she retrained as a biological scientist, she's returned to the party circuit to do what she loves best: play good music to great people.

Cinematic Synthwave and Chillwave producer based in Brighton, England

Blending a mixture of technical prowess with intuitive performance, Chris George has gone about carving out his niche in the Australian House & Techno scene, while breaking into the international circuit in 2023, playing in Berlin over the euro summer. 

With over 15 years of honing his craft, Chris has been a regular playing for many parties including S.A.S.H, Subtrakt, Buxton Records, Sessions, Refuge Recordings, Vos, Inner Circle, Arcadia Festival, SuperWhatNot, Warehouse 25 and Flux to name a few. 

Chris’s roots are from Durban, South Africa, growing up in a musical family led him to harness the fundamentals of DJing, turning his attention to the authentic tapestry of sounds unique to vinyl. Mentored by his father on this format he quickly learnt the strengths of both mediums - digital & analog - and this offered flexibility in his playing style. 

Branching out to further enhance his repertoire, Chris has since upped the ante to play alongside of internationals such as Fred P, Session Victim, Black Loops, Rich Nxt, Micheal James, DJ W!LD, Djebali, Osunlade, Detroit Techno Militia, Takashi Watanabe, Frits Wentink, Dana Ruh, Heiko Laux, Cesar Merveille, Echo Inspectors, Banoffee Pies and Berghain regular Claire Morgan. 

With releases on Buxton Records and Pocketmoth, Chris’s studio work has led to his productions ‘Love Vs. Pain’, a 3-track EP in 2015, ‘Gotas de Agua’ a 2-track EP in 2018, and ‘Synchronous’ a single, released in 2019. Chris started his own event alongside long time friend and DJ Jamie Grenenger, called Sessions, an ode to classic house music, with the aim to give artists a platform during covid. Chris is currently busy in the studio setting up his own record label, Pet Toys Records, more to come!

DJ Booking: 
ben@higher-ground.de (General)
samy@mihn.hk (Asia)

Boris, the long-standing Berghain resident, is deeply committed to the captivating magic that unfolds on the dance floor. This burning passion within him sparks a longing to shape, tease and playfully amplify the intensity of the dance floor action. With over two decades of experience as a producer for the likes of Ostgut Ton and Careless and as a DJ, he remains an unwavering, yet never predictable, mainstay.
Renowned for his extended, scorching techno closing sets, Boris is one of the most well-versed and dedicated protagonists in Berlin's vibrant queer electronic scene. However, to pigeonhole Boris only to Berlin would be doing him a disservice. In fact, his visits to legendary clubs like Paradise Garage and the Loft in New York City have left an indelible mark on his persona and DJ style.
Imagine the euphoric sounds that created a sense of belonging and ecstasy in Boris's heart while experiencing the massive pumping sound and welcoming community feeling at NYC's clubs. He brings this same warmth and playful energy to dance floors worldwide. His infectious style makes it effortless for clubbers to lose themselves in the music and partying, earning him a loyal following within the queer scene - and beyond.
Whether he's playing small, intimate clubs, festivals, or his prestigious residencies such as Berghain, Faust in Seoul, or House of Mince in Sydney, Boris has the gift to take people to another state of mind where nothing matters but the music and the moment.

Official Moodymann Soundcloud

Booking/Management Control: Traci@MahoganiMusic.com  Flo@MahoganiMusic.com

Terry Farley is a bona fide UK house legend. Having been on the dancefloor since day dot, he has produced some of house music’s most enduring cuts under various guises, including Roach Motel and Bocca Juniors, as well as with Pete Heller as Heller and Farley. A bastion of knowledge when it comes to acid and deep house, as well as dance culture, soul boy trends, and more besides, Terry is also much lauded for having launched house music fanzine (and label and party series) Boys Own with Andrew Weatherall, Cymon Eckel and Steve Mayes back in the day: it was something that very much went on to document and dictate the trends of the time.

A fascinating character with a real passion for dance music and its cultural roots, Terry is a learned selector with old school values who can really make dancefloors move with a whole range of sounds. He does so everywhere from fabric and Ministry of Sound in London to festivals around the world on a regular basis and always educates as much as he entertains. Now very much a scene curator and archivist as much as an enduring DJ talent, when Terry Farley’s in the house, everybody listens, as his essential recent compilations, Acid Rain and Acid Thunder, have proven in spades.

For bookings or further information, please contact MN2S Management on:

Tel +44 (0) 207 378 7321 Fax +44 (0) 207 378 6575
Web: www.mn2s.com Email: lindsay@mn2s.com

Do what thy manhood bids thee to,  From none but self expect applause: He noblest lives and noblest dies Who makes and keeps his self-made laws."  [Richard Francis Burton]

Revelation instead of obviousness, radical reduction versus reckless verve, ecstatic eternalness, anti-elastic dictatorship of utilization.  In the course of an existence amidst the international Techno circus manège that has been running for (in nearly correct mathematical terms) 20 years, Mario Radecki alias Sammy Dee was able to earn an irrevocable aura as an innovator of electronic music workmanship, far away from beaten mass consumption paths and neoteric-commercial validity.  As a (former) resident of Berlin based genesis time venues Tresor and Ostgut, the name Sammy Dee has already been notorious for a passionate manifestation of systematic, personality changing mixing skills back in the 90s. Defining an unparalleled audio-arty range, the vinyl fanatic likes to disperse his beliefs and visions eye for an eye, tooth for a tooth to the skilled and listening audience. Through Sammy's audiophile and distinctive presence, subtle bass-lines are consistently oscillating alongside psychotic tunes, chopped and edgy explorations float through intangibly grotesque layers - all flawlessly sailing around a mediocre moment of time with a trademark, mischievious Perlon smile.

The monthly club night hosted and curated by Sammy, "...GET PERLONIZED!", at infamous Panorama Bar, is anno 2011 one of the most prestigious club events Europe-wide. It has a certain illuminating power up it's sleeve, that can not be gained by promotional exuberance or by worshipping at the alter of capital return; but with musical consistency - keywords that encompass and define everything the Berlin born artist does.  Various releases, inter alia in cooperation with Guido Schneider and Heiko Laux for Poker Flat and Kanzleramt respectively, are defining the German maestro's vita. Together with his "confederate in crime" and Perlon co-founder, Zip, Sammy created Pantytec in 1998 – eight letters that stand for an infinite flow of emotions, minimal perfection and properly arranged timelessness. Six publications followed, including one album full of all-pervading anti-labelling named Pony Slaystation.  Working together with Bruno Pronsato, the man being described in this biographical text gave birth to Half Hawaii in 2006. To date, three physical liaison results have been manifctured on Perlon, hello?repeat and Diamonds & Pearls.

Sammy Dee's youngest child is named Ultrastretch. Titled after the PERLON68-B-side and not to be confused with his regular party series at Berlin based Weekend club, Sammy founded Ultrastretch at the end of 2010 with a collective of like-minded musicians and cultivated artists who were ready to walk with him on his underground community based path into a non-genre-focussed and cross-benched/forthright future. Release #1 was realized in January 2011 with Matthew Burton's 'Who Loves You/Small Winner', a Half Hawaii EP is on it's way.

"One man with a dream, at pleasure, Shall go forth and conquer a crown; And three with a new song's measure Can trample an empire down." [Arthur O’Shaughnessy

Gemma Van D is following