DJ Trax started Drumming at 7, DJing at 12 and at 15 he formed the hip hop group Mixrace with two MC`s (Dev Paradox + Leke Aerosoul.)
Trax released his first track a year later (1991) on Brain Records alongside DJ Raw. 

In the same year Trax and Dev signed to Moving shadow.
Over the next 3 years he released Solo 
12"s on Shadow under DJ Trax and Joint releases under Mixrace.

In 94 Trax + Paradox set up 5 record companies with Scott W and Gary S Stronghold, Mixrace Productions, Offset, Nautilus+ Mobhanded.

They released a couple of dozen 12"s on the labels, both solo, and duo (under Brown + Dangerman.) Trax + Paradox also collaborated with Hyper On Experience on Stronghold + Timeless.

From 97 to 2003 Trax mainly focused on downbeat/leftfield music. He released an album and two 12"s on LaCerba/3mv as well as releasing on Goodlooking, Kriztal, Mole, Beats + Pieces and Hed Kandi. I also Remixed Kutis Blow The Breaks!

From 2003 to 2009 Trax released a further two albums 1,000 Pictures + Thoughts In Widesceen which was on the front cover on Knowledge Magazine.

Trax also released on Outsider Music, Ocyris, Paradox Music, AKO Beatz, Omni Music, Skeleton, Transmute, Mole, Tempo, Next Phase, Repertoire, OSR, Subvert Central, Subtle Audio, Crisis, Misspent Music, Scientific, Syncopathic Recordings and my own label Audio Buffet.

Over the years as well as Paradox Trax has collaborted with Naibu, Ricky Force, Nucleus, DSP, Macc, Infest,Cryogenics, KJ Sawka, Becki Biggins + Enjoy. 

Trax has released a series of EP`s with US Hip Hop group Assorted Anonymous. Followed by a Vinyl album.

Alongside the releases he has also written music for many TV/Multimedia projectsand Scored for the Feature Film Shifty. He also has a bi-weekly radio show with Nucleus called 'Catch a Groove'

He has DJ`d in many cities across Europe and run nights through out this time.

Unchill Electronics

parasitenurse@gmail.com

Miami Bass, Old School Electro, a return to the classics, 808

For bookings contact - coloursaudio1@gmail.com  / North American:
Stu@cybergrooveprod.com 

DJ Ink story : 

An architect first visualizes then realises, making something out of nothing, making sure that not only the object itself shines but also the space around it. The sound is moulding, shaping and morphing at the hands of Dj Ink... 

The year is 1990 and a young Dj Ink has solidified his love for the culture known as hip hop- as the years move on so does UK street music, there are new genres forming and Ink begins to hear what is familiar to him, but there is a new twist-It is the UK passing by the USA, with a huge dose of African and Jamaican influence, This is music to a budding Dj Ink's ears, he naturally becomes involved and it doesn’t take too long before he begins to make his mark. 

First begins the Pirate radio circuit. Working hard at his craft and allowing the followers to get familiar with the roll, steadily bookings began to build up and soon it would be time for Ink to become associated with three names that changed the landscape of British electronic music-Basement Records, and slightly later Metalheadz and Renegade Hardware. Ink would go onto form his own imprint- Architecture Recordings, releasing anthems from himself and various crew members, bringing through new talent and the cream of the heavy hitters within drum n bass. If you're familiar with drum n bass/jungle you’ll know instantly the weight these labels carry, and if you're not by just scratching the surface you’ll become aware of the impact they have had. Renegade Hardware & Metalheadz are two commitments Dj Ink has upheld to this day, through thick and thin, engraved in the wall of time.

Essential work includes 'The 50th (Blueprint)' (1st Drum and Bass/Jungle tune selected live by a dj (LTJ Bukem) on BBC Radio 1 essential DnB show ever!) and "Altitude" on Basement Records, ‘Feel da heat’ taken from the LP ‘Can u draw sound?’ on Architecture Recordings, ‘Kaos Theory EP’ on Renegade Hardware, ‘Shine’ on Metalheadz, and the now infamous posse cut ‘Instinct’ also on Architecture, this is just a small fraction by Ink that has made waves. 

The now famous "Horsemen" project was a concept headed up by Ink, Loxy, Dylan & Keaton. Originally formed due to the affinities amongst the original four, the crew went onto bring together producers from all over the globe under the "Horsemen" banner- beat makers who have been inspired by the foundations laid down by The Four Horsemen went on to receive acclaim from critics and music buyers alike.

Ink has four long players under his belt, In chronological order these are- Incision and Can You Draw Sound for Architecture Recordings, Hard Soul w/ Perpetuum for Colours Audio and the most recent: The Last Scroll for Renegade Hardware.  With these credits to his name it is fair to say DJ Ink has made his mark in DnB.

No DJ here folks, just a 20 year HUGE fan of breakbeats, mostly FL breaks (Did i have a choice??? Tampa/Jamlando owned the late 90's and early 2000's break scene in the US!!!) now really loving the new feel of breakstep and dubstep, but still cant get enough of a great breakbeat and a nasty bassline with just the right vocal!!! 

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Vinyl/cassettes/digital available here:
https://gyptology.bandcamp.com/
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https://twitter.com/gyptology

BLAZE LIKE AN EGYPTIAN

Gyptology Records. Unearthing and restoring old tracks that need to exist now and onwards into the millennia. Another aspect of the Gyptology Records ethos is the pressing to vinyl of tracks that could perhaps be lost if, say, a raging electrical storm sent negative bad vibes juddering backwards, down through miles of cables into all the data storage servers worldwide, causing cataclysmic lethal explosions, rendering them dead... and thus, devoid of music... You could, with a handy alternative power source, rely on your trusty vinyl to keep you groovy...

https://tinyurl.com/y6h6dbg4

https://twitter.com/gyptology
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!!COMING SOON!!◄◄◄◄◄◄

NEXT UP:   GYPT003  "Spring Forward" 
by Left Lane Didon
This is a special one, out of Delaware, USA. Left Lane Didon has been making ripples in the rap music community for a few years now, this is his latest project and a solo vinyl first for Lefty's dulcet tones. Tuff ass lyrical flows that don't shy away from wearing their hearts on their sleeves... 300 copies only, luxury pressing, includes exclusive instrumental jams and bonus scratch tools. Probably never to be repeated. Should be landing February 2020, approx

and then...
GYPT004?: 

►►►►►►!!!!◄◄◄◄◄◄


1994 Memphis liquor-store tape:
►►SHAWTY PIMP and friends:
►►►►"HEAVY AZZ NIGGAZ"
► rap tape holy grail  
► produced from OG tapes
► remastered and then
► pressed on vinyl


►►►►►►!!!!◄◄◄◄◄◄


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GYPT001, same great cuts (remastered) in an updated sepia toned version of the original cover art. For those interested, the man himself explains the front cover photograph;

"That's a '72 Fleetwood Brougham Cadillac that my grandfather owned, bought it brand new. Mr. Hence was first class. We called it the bus cause it use to fit the whole basketball team in it lol. They don't make em like that no more. And look at Duke he was a silent killer didn't say a word. He'll let you come inside the gate wait till you get to the door then he was on yo ass. But he was very obedient. Couldn't keep him inside the gate so somebody ended up poisoning him. My boy Duke!"

First release June 2018 GYPT001:
"...Still Comin' Real" by Memphis rapper Shawty Pimp. A quite hard-to-find underground hip-hop cassette from 1995. Now available from Gyptology Records in nice translucent purple shells. Mid 90's was a golden time for hip-hop when there was so much being produced that for one person to listen to everything was impossible. A bit like 1979 was for Disco music.

>>>!AVAILABLE NOW!<<< 
Gyptology Records cassette;
[cat. no:  GYPT001-MC]

Second release GYPT002 is a 7" vinyl version of Shawty Pimp's 2017 digital-only release "Lac Music". This single has an exclusive B-side instrumental that makes buying 2 copies essential for the skratchaz out there. Individually numbered and complete with full-colour sleeve art. Don't kip lad!

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Label leader Anubis Le Jackal (long time Luxor resident; known locally as 'THE man of the people') promises plenty more unimaginable golden treasures to come on his new Gyptology imprint, as he attempts to preserve infinitely sound recordings that could be at risk of fading into the mists of time without expedient intervention. These kinds of sound recordings were typically 'of the time' or 'in the moment', and thus never could be re-created with the same 'vibe' or 'verve' as those original captures.

So, sit back, feet up, and
BLAZE LIKE AN EGYPTIAN!

Because THIS is the SHIT!

https://twitter.com/gyptology
非売品 非売品 非売品 非売品 非売品 非売品 非売品 

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Many more remixes can be found and bought at
 https://djgenesis.bandcamp.com/

@selektclub

Upcoming:

21.01.23 Nerang Recordings pres. Nikki Nair @ Echo & Bounce (BNE)
28.01.23 Transenergy pres. Booty Day @ The Gasometer Hotel
23.02.23 2 Degrees Festival 
05.03.23 Revolver Fridays @ Revolver Upstairs

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