Colors of the Land

Void in the Mountain

Can you Breathe New Life in this Rubber Soul & Hold me Again....I Miss you. Can you Make any Sense of this Rubber Skin & Hold me Once More......I Miss you.

"Jericho"

My brain opens wide
red tissue tearing 
you peek up inside 
the demons are staring 

you rip out my teeth 
my blood is pouring
you say I'm a freak 
my screams are boring 

yawning at my pain 
I will be empty 
picking at my brain 
you try to tempt me

suffocating me 
your smoke fills my lungs 
I can try to leave, but your funs just begun 

trapping me inside 
your cold, broken home
your blood stricken mind, I've never felt so alone 

murder desired love 
my soul is leaving now 
I see the mirror above 
tied here for weeks now

no one will miss me
my trust was my mistake 
a heartless nobody 
at the bottom of a lake 

Decapitated Corpse

I always wanted to write a song that featured a steam train of a harmonica solo in the spirit of Neil Young. The song is about living life on your terms.

© Copyright Mark Zimmerman 2021. All rights reserved

Wait In Line

Free Download

Had revised a small demo I made a couple of months ago. Not to say this is a complete track, just a lick which I decided to drop "as is".
(I forgot all of the recording setting, haha, so I'm not intended to extend it anyway.)

Cover source: NASA (https://www.flickr.com/photos/nasacommons)

Spaceship Departure

Melodic guitar driven rock with a 90's feel.

The Forecast

The Forcast

This sinlge invites the audience to take a journey with the composer reflecting with emotions in forms of movement and harmony. The field recordings and sound designs attracts the listener to a more intimate mood. Staccato strings and solo Guitar bring about a dramatic scenary which ends in a place of light and victory. 
This piece describes part of my life as a young 11 year old immigrant in a foreign country. I had to find my identity and I was at a crossroads. Both my old and my new identity were important to me, which is why I decided to take the middle path when I was 21. I was then a hybrid of two completely different cultures. In a mixture of cultures in which I found my own free way of being. This was my relief.

https://ditto.fm/the-way-in-between
www.pedram.org
Mastered by @iman-Deeper

The Way in Between

Smart Link

The Way In Between

Powerful, fat and cool semi electronic trailer with big acoustic beats, subtle yet funky beat box and a characteristic wah wah bass line. The subtle variations, distant sound effects add to the every so cool and groovy demeanour  

Purchasing this track permits you to use it unchanged in your own non-commercial productions with an attribution to Covert Acoustics.

For commercial and derivative licenses, please visit our Pond5 profile where you can buy this track for a number of additional uses.
www.pond5.com/artist/covertacoustics

Loops

Feuerwehrfahrt

Dance In The Shadows

Mosey Jokers first single of their Smoke EP. Catchy Queens inspired riff with Pop lyrics sung with a tude'

Hanging with the Bats

Springs Songs (for Tenor and Chamber Ensemble)
Duration: ca. 20'

MOVEMENTS:
I. English Sparrows (Washington Square) (Edna St. Vincent Millay)
II. April 5, 1974 (Richard Wilbur)
III. Done With (Ann Stanford)
IV. The Widow’s Lament in Springtime (William Carlos Williams)
V. Spring Rain (Sara Teasdale)

Performers: American Modern Ensemble; Alok Kumar, Tenor
For More Information: https://robertpaterson.com/spring-songs
Publisher: Bill Holab Music: http://www.billholabmusic.com/composers/robert-paterson/
Purchase Sheet Music: http://billholabmusic.com/store/index.php?keyword=spring%20songs%20-&main_page=advanced_search_result&search_in_description=1
Also available as a version for tenor and piano: https://robertpaterson.com/spring-songs


PROGRAM NOTE
Spring Songs for tenor and chamber ensemble or piano is my third song cycle celebrating the seasons. As with the first two, Winter Songs for bass-baritone and Summer Songs for soprano, this cycle contains settings of poems by various American poets.

Whereas both Winter Songs and Summer Songs end with scenes in New York City, Spring Songs begins with New York: a setting of English Sparrows (Washington Square) by Edna St. Vincent Millay, a poem about a scene that takes place in the morning in Greenwich Village, a neighborhood in New York City where Millay lived in the early 1900s. The second movement is a setting of April 5, 1974 by Richard Wilbur, a poem Wilbur wrote in honor of Robert Frost’s one-hundredth birthday, and I interpret as being about overcoming self-doubt through wisdom, and about understanding the change of seasons, but also a change of mind. The third movement, Done With by Ann Stanford, I interpret to be about death and rebirth. Stanford symbolizes this by a house being torn down and the ground paved over, the now suffocated plant life yearning to break through. The Widow’s Lament in Springtime, the fourth movement, is a setting of a poem by William Carlos Williams. I interpret this poem as a modernist, pastoral elegy that uses images of nature to lament the death of a loved one. The final movement, a setting of the poem Spring Rain by Sara Teasdale, is about a happy memory of a lover brought about by an evening thunderstorm.

Spring Songs was commissioned by Rick Teller for the American Modern Ensemble.

AME ARTISTS
Robert Paterson, Conductor
Alok Kumar, tenor
Grace Law, flute
Nuno Antunes, clarinet
Samuel Z. Solomon, percussion
Geoffrey Burleson, piano
Victoria Paterson, violin
Peter Sachon, cello

The Four Seasons

Spring Songs - IV. The Widow’s Lament in Springtime (Text by William Carlos Williams)

Hi, it's Henadzi. Currently based in Abu Dhabi, UAE. Just doing some DIY music for no particular reason. Mostly it's guitar-based instrumental stuff recorded entirely at home. Not intended to bind myself to some particular genre, so I'm free to play around. Feel free to DM me if you're looking for collaboration.

Have a good day.

Spaceship Departure

Henadzi Matuts