Programme note:

The phenomenon of the echo is one of the most direct conflations of sound and space, both as a mode of spatial orientation, but also as a communicate interaction between vibrating bodies, and between self and environment. This work looks at the communicative ambiguity in auditory knowledge, where mishearing is central to mutual reconstruction of place through sound. The concept of the echo forms both the genesis and development of the trio.

Echolocation calls use two types of frequency structure: frequency modulated (FM) sweeps, and constant frequency (CM) tones. The former is a broadband signal, consisting of a downward sweep through a range of frequencies that comprise a harmonic series; the latter is a narrowband signal with one constant frequency. Through the ‘Clutter rejection strategy’ (Simmons and Stein, 1980), we know the use of harmonics enhance the localisation properties of the echolocation call. I explore this phenomenon through using the natural harmonic series, where intonations related to the fundamental tone (in this work, C) are tuned according to their partial.The first composed segment takes the harmonic of a high register C, and develops so that everything thenceforth is an ‘echo’ of it in some form.

Like ripples in a pool of water, this is explored first through minute changes — through different fingerings of the same harmonic and enunciations of the same note by different timbres — before then gradually diverging. Intervals are drip-fed — first the octave, then the fifth, the major third, and so forth. Strings are plucked within the piano with the pedal dampened to achieve a softer, more percussive echo of the string harmonics. A beating effect is achieved by flickering between natural harmonics and open strings. Surging moments of climax are tossed into the air and dissolve into fragile harmonics.

The echoes then spread further with the introduction of aleatoricism in the violin, playing improvised melodies on high harmonics between the 6th and 16th partial, and echoed in turn by the piano with a loose canon of the direction of the line. The imprecision of the echo dissolves yet further, taken over by the fractal-like cascade of notes in the piano that gradually blurs with the strings into a single sustained G.

© Lara Weaver 2021

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Picture taken by Lara Weaver in Yangshuo, China

'Echo(Location)' - for piano trio

https://soundcloud.com/shades-of-blk?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing share with us a special studio mix which explores the various sub-genres of their taste in electronic music.

Soundmoment Mix #14 "Unheard Mix" - Shades of Blk

Set Recorded @ Tenax Club in Florence 19/02/22

Undercatt @ Tenax 19.02.22

George FitzGerald & Bonobo - Outgrown
Scuba - Talaria
Joy Orbison - Pinky Ring
DFRNT - True (Jack Dixon Remix)
Tom VR - Soared Straight Through (Midland Remix)
Overmono - Gunk
Space Masters - Jumping To The Party (U.S.U. Mix)
A Made Up Sound - Rear Window
? - ?
Kassian - Metropolis
MOY - Chronoslip
Ame & Karyn - The Witness
FOLD - Specifics

AVA London x Printworks

Keinemusik Radio Show by Innellea 15.04.2022

New episode of Not Accurate w. Eliott Litrowski guest Data Plan!
Data plan, High speed digital transmissions from the galactic mainframe straight to the dancefloor.
"From downtempo acid to modern breaks to 90s idm, this radio mix includes music by some of my favorite artists."
Eliott Litrowski, an hour of ambient, IDM & Electro from the French-born, Copenhagen-based DJ.

Not Accurate! N°8 Data Plan [28.04.2022]

https://www.nts.live/shows/bicep/episodes/bicep-june-2022

Bicep 1606222

data audiolization of Covid-19 cases in Denmark (from 03/2020 to 03/2022) | source: Statens Serum Institut (https://covid19.ssi.dk/)

'Pandemic rhythmics' | Mads Kamper-Jørgensen ft. T. Long Nguyen

We’re giving away 2 brand new Teenage Engineering OP-1’s in celebration of our Infinity demos being released!⁣
⁣
HOW TO ENTER:⁣

Step 1: Comment which is your favorite demo:

Demo 1 - "Wake Up" - 0:00
Demo 2 - "Goodbye" - 0:48
Demo 3 - "Out Of Touch" - 1:31
Demo 4 - "Unusual" - 2:29
Demo 5 - "Make Me Crazy" - 3:25
Demo 6 - "Where Did U Come From" - 4:25

Step 2: We're also giving away more OP1’s on YouTube here: https://youtu.be/qxfdF6c2e8Y

Infinity is officially being released this Friday, July 8th at 12PM EST.

Make sure you're on the early access list to get Infinity before everyone else and secure 1 of the 2,000 licenses being released! 

Go here to get on the list: https://cymatics.fm/pages/infinity-beta-pack-2-0

Infinity Production Suite

Voyage by Georgios Varoutsos is an acousmatic sound piece which developed over the span of a month. The sound sources are an accumulation of roughly eight months of recording which originated by either my recorded voice or colleagues, recording and playing with a broken piano alongside different objects to create sounds with, an analog or hardware synthesizer which is called a Doepfer A-100, and personal sound creations with music software. Recorded sounds were then edited through sound editing software and sound editing tools.
 
The piece is intended to be heard in a five channel speaker setting, which will aid in hearing the movement of sounds around the listeners. 

This piece is an abstract interpretation of traveling within the cockpit of a spaceship accross space, to the deepest darkest corners. Divided into four sections, Launch [0:00-0:40], Cruise [0:40-1:45], Trouble [1:48-2:44], and Darkness [2:47-4:23]. 

In sequence, it is a spaceship launching from home planet, into the wonders of space, before long approaching the troubling unknown areas of space, then passing through a black hole. 

Voyage

Greek Byzantine Chant On Pascha

Studying Electroacoustics at Concordia University. 

Postings vary from projects and personal productions. 

More to come!

Voyage

Georgios Varoutsos

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