The Trojan Horse

Oferenda

Apogeu

Plenitude

Oriente

“Ascension of the Grey Machine” operates at the intersection of minimal industrial, digital noise, and machine-processed spoken word, forming a sonic landscape that feels both ritualistic and post-technological. The album avoids traditional structure - no verses, no choruses - relying instead on precise pulses, mechanical drones, and cold fragmented rhythms that evoke malfunction, decay, and system reconfiguration. Vocals are delivered as machine-spoken poetry - a voice stripped of organic qualities, more protocol than performance.
The delivery is detached, monotone, and algorithmic, reinforcing the album’s themes: control, emptiness, transition, and the dissolution of the organic world.
This album is a sound experimental metaphor, built from minimal industrial impulses, digital noise, and machine-spoken poetry.
It does not attempt to narrate a story directly - rather, it creates a sensory field, a space where the remnants of organic life dissolve into metal, and memory echoes like a system error.
In the world after the breakdown, the boundary between earth and construction no longer exists.
Everything that once breathed lies scattered across grey dust and fragments of machinery.
Urban skeletons stand silent, like abandoned server rooms, and the machines - those that were meant to serve humanity - search for new forms of presence among the ruins of their own frameworks.
The music on this album is not made of compositions, but of archival signals:
minimal pulses, trembling frequencies, digital ruptures, cold waves of mechanical pressure.
It is the sound of a system that no longer follows commands, yet continues to exist in a state of emergency echo.
The poetry, delivered in a machine voice, resembles a protocol -
a report salvaged from the black box of a fallen world.
It does not describe events; it provides coordinates:
greyness, fractures, subterranean noise, broken interfaces, fragments of command lines, and shards of memory surviving through reboot.
“Ascension of the Grey Machine” is not the rise of the machine above the human.
It is the ascension of emptiness itself -
a slow ritual of transition from the last breath of the organic to the first autonomous impulse of a new mechanical realm.
And if this music feels cold,
it is only because it is the sound of what remains
when warmth is no longer required. 

Digital Concrete Void

Saša Delimar -  Shaped (Diffused Signal Remix) 
SEQMENTS: Form [C/S 002 / FRGMNTS]

Produced by Saša Delimar
Additional Production by Diffused Signal 
Mastered by Motion Symmetry
Artwork by Saša Delimar
Released by FRGMNTS from Berlin, Germany
Release Date: December 12th, 2025
Format - Cassette and Digital

For the second release in the series, I invited Diffused Signal from Australia. His track can be categorised more as an extension of my original track rather than a remix. With  new rhythmic elements and textures that blend smoothly with the main idea, creating a more dynamic atmosphere.
The result is a fusion of deep techno and breakbeat, with an organic aesthetic that gives the release its unique character. 

Diffused Signal (Perth, Australia)
https://soundcloud.com/diffusedsignal
https://www.facebook.com/diffusedsignal
https://www.instagram.com/diffused.signal

Saša Delimar (Berlin)
https://soundcloud.com/inf001
https://www.instagram.com/sasa_delimar_infinity
https://delimar.bandcamp.com

Oslated.
http://www.oslated.com

SEQMENTS: Form

Shaped (Diffused Signal Remix)

Support & Buy

Saša Delimar -  Shaped (Diffused Signal Remix) [FRGMNTS]

mellowclub 1

White Generative Box is a collective artwork: performed by Keng~ for the first time at C.S.O.A. Anzacresa, it is a journey through the boundless realms of electroacoustic music, a guide for a collective mindfulness session.

White generative box

THAT HIDDEN ROOM

Sonic Shifter, a musician from Setúbal, Portugal, creates non-standard music blending ambient, noise, and techno. Passionate about minimalism and abstract art, he also enjoys abstract photography and graphic design. Music is his form of self-realization, and he shares his compositions with the world. His journey is one of creativity and self-discovery.

diary is a container for my spontaneous and emotional electronic music. it is a mirror of my momentary mood and thoughts. I try to stay simple and pure, just recording my improvisations, using hardware devices like strega (make noise), neutron (behringer), arturia keystep pro, korg minilogue xd, preen fm2, roland p-6, behringer edge etc. The moment matters. Stay imperfect and fresh ! Enjoy!

BASIC [Basilicata Sound Innovation Community] is a music social Hub, record label, social mix and mastering studio. The Idea behind this project is letting talented music artists being produced, promoted and distributed in a social and sustainable way.

Oslated & Huinali Recordings. Independent labels sharing one platform, born on the peaceful island of Jeju, South Korea.

Based in the outskirts of Chiba, I produce a wide range of tracks—from instrumental and abstract hip-hop to dark, minimal, and experimental beats.
Unbound by genre, I focus on groove, texture, and spatial atmosphere, building tracks daily in my home studio.

My musical influences include Bugseed,Green Assassin Dollar, Budamunk,  DJ Krush and Mark Rae.

I began my career as a DJ in 1995 at the age of 17, initially drawn to deep, hypnotic techno.
Later, I became immersed in London’s underground, funk-driven tech house scene surrounding the WIGGLE movement, where I performed with a focus on minimal, swing-heavy grooves.

Today, I carry that sensibility into the realm of hip-hop, breakbeats, and leftfield rhythms—crafting instrumental works that explore the expressive power of space and restraint.

New tracks tagged #Abstract