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#ShowLoveSpreadLove

<3 GRiZ

DJ / Producer / @HeldeepRecords label boss / Weekly Radioshow @HeldeepRadio / HI-LO @official-hilo (My darker, more #Techno focused alter ego) / enjoy :)
More of my DJ sets are on my YouTube channel though:
https://www.youtube.com/channel/UCLLVQloTOSNkIF9uSdh_lWQ
@HeldeepRadio 
https://www.youtube.com/watch?v=lYC_nQJ9mAA&list=PLoVPdGdbdII3XrN-6CvLoHGRHM5jz_OGZ

Enjoy! :)

MGMT
Dave Frank 
heldens@milkhoneyla.com

BOOKINGS
N/S America: kevin.gimble@unitedtalent.com & matt.meyer@unitedtalent.com
ROW: jennifer.hammel@caa.com

Looking back on more then one decade of intense involvement in the Trance scene, Benjamin Halfmann aka Audiomatic witnessed the rich evolution of this sub culture with all its innovations, variations and all its ups and downs. Even more: During the years his project constantly gained quality and became a reference for sophisticated, high-functional Progressive Trance. Therefore Audiomatic became an integral ingredient of this scene and has shaped its musical development with his unique sounds which have been part of legendary parties and festivals all around the globe.

It all started with some powerful Heavy Metal: Benjamin Halfmann banged his head to the music of AC/DC and posters of Punk, Hardcore and Metal bands adorned the walls of his room up to the age of 15 years. Then he discovered the fascinating worlds of Psy Trance and rapidly became engaged as a DJ, first public performances followed in 1999. 
But soon a strong desire to convert his creativity into own music arose, and so Audiomatic got hungry for more. His producer’s breakfast consisted of some tasty Fruity Loops and this simple production software instantly made him aware that the games on his computer were not only a waste of time, but also of hard disc space.

 Not even one year later his music already convinced the label management of Leviathan Music and so the track “Woodstock” became the first official release in 2002. Various contributions on different compilations followed and the year 2004 delivered the first full length Album “Multiplayer”. Together with Stefan “Magnetrixx” Lewin, who has always been a good friend and important source of inspiration for Benjamin Halfmann, the project “Audiomatrixx” was formed, gained euphoric feedback and also brought to life a studio album in 2008. The same year, Audiomatic’s second album was released. Of course this is not the end of his productivity: Dedicating the next work to his fellow citizens in mind, the album “Weekend Society” became another pleasant success in 2011.



When it comes to contemporary Progressive Trance, there is one particular expression frequently to be heard from DJs and party goers all around the world: Spin Twist sound. Obviously a music label of the same name succeeded in doing something only few others managed to do: Bursting the bonds of imitation, developing its very own character, and gaining international approval for doing so. Spin Twist Records has long become a leading protagonist of the genre- both for Progressive Trance lovers and the artists it represents.


The character of Spin Twist is strongly shaped by the character of its founder, Hannes Klitta. Being an avid music lover since his early childhood, he soon realizes that making music is more than merely a hobby. It is his main purpose in life. After plonking the guitar in various Metal bands he finds himself on his first Goa party in 1999- and is instantly and completely hooked by Progressive Trance. Guitar chords become synthesizer melodies, stompboxes are replaced by stomping beats. Fuelled by sheer euphoria he soon delivers first releases under the moniker Vaishiyas, laying the cornerstones of a remarkably successful career, as the international popularity of this name proves today.

Just when the music market is facing increasingly serious problems with music piracy, Hannes decides to take his passionate commitment to the Progressive Trance scene to the next level. Spin Twist Records is founded in 2005. The project proves that quality, innovation, persistence and patience pay off even in times of crisis. With every release the label gains more reputation, setting a considerable number of Progressive Trance milestones from artists such as Neelix, Day.Din, Audiomatic, Fabio & Moon, Interactive Noise, Kularis, Krama, Shiva Chandra or Vaishiyas. It keeps doing so: New label artists like Coming Soon, Durs or Unseen Dimension clearly represent the continuation of a release policy that is characterized by both solid quality and steady innovation and evolution. The international fanbase of the label is constantly growing, Spin Twist artists are frequently announced as headliners at parties and festivals all around the world.


Spin Twist Records understands that keeping up a constant quality standard means nothing else but building a good long-term relationship with those actually responsible for the music. 

That is why the label not only acknowledges the work of its artists, but supports them in a variety of ways. A modern distribution model makes sure that all the releases reach a maximum audience, whether in form of paid-for downloads or CDs or free content like YouTube or SoundCloud channels and other internet streams. Additionally, Spin Twist frequently supports its artists by including them in promotional items like T-Shirts, promotional CDs, etc. A transparent royalty accounting with quarter-based invoicing is a fundamental matter of course for the label. Last but not least there is Glamour Bookings, the affiliated booking agency with a worldwide network of key contacts in the Progressive Trance scene.

Spin Twist Records
Hannes Klitta
Friedhofsweg 2  
19288 Ludwigslust
Germany
USt.IDNr: DE245759303

Booking North America:
Brad Owen (Wasserman)
bowen@teamwass.com

Booking Europe:
Paul McQueen
paul@primarytalent.com

Valentino Khan’s talents exhibit limitless creativity and versatility.  From performing at some of the world’s largest festival stages to producing for some of the most prominent figures in the music industry he is the quintessential example of what it means to be an incredible DJ + producer.

In addition to performing at world renowned events such as EDC and Lollapalooza, Valentino has taken his electrifying ‘High Power’ live shows into sold out venues, determined to leave the audience with a spectacular core memory from every performance.  While specializing in house & techno, Khan’s musical knowledge runs beyond any single genre.  His adaptability as a DJ has afforded him the ability to play in every kind of environment and connect with any crowd.

As a producer, Khan has also crafted widely successful tracks like ‘Welcome to the Party’ with Diplo, French Montana and Lil Pump; which went RIAA Platinum in the US. Khan also secured gold plaques as a producer for ‘Oops’ by Yung Gravy & Lil Wayne and ‘Bubble Butt’ from Major Lazer, Tyga & 2 Chainz.

He is also no stranger to creating dance floor hits.  Valentino’s record ‘Deep Down Low’ propelled him into an entirely new stratosphere. The record was statistically the most played song in live DJ sets for 2 years in a row and was coupled with an award-winning, mind-bending music video.  Valentino’s versatility has also allowed him to collaborate with a wide range of dance music artists such as Skrillex, Diplo, Alison Wonderland, Dillon Francis and Deorro. 

Whether it’s house, techno or everything in between, Khan’s tracks and DJ sets always carry his signature touch.  Valentino Khan has placed no ceilings on his world.  The sky is truly the limit.

https://www.youtube.com/channel/UCSGSMzRDJQO70KQz3ZDZOPA
http://salmonelladub.com/store/
Check: http://salmonelladub.com/ 
https://www.facebook.com/SalmonellaDub/

Salmonella Dub began in 1992 crafting their name from the “bad-taste” dub cover versions of songs they used to break the ice amongst their original tracks in their early sets. In ’90s New Zealand, dub/roots/reggae freak-outs weren’t entirely in vogue — grunge and dance music held sway — so Salmonella Dub would use lighthearted covers of Nancy Sinatra, The Orb’s Little fluffy Clouds, plus Public Enemy and Fred Dagg’s “Larry Loves Barry” to win over skeptical audiences.

In the early ’90s, New Zealand’s liquor licensing laws changed, allowing pubs and clubs to stay open late and revitalizing the country’s live music scene. Members of the band then called Golf Course Alligators seized this opportunity and, in late 1992, Andrew Penman (guitar), Mark Tyler (bass), and Dave Deakins (drums) became Salmonella Dub. In the early days they lacked money for a sampler and used DIY solutions by hooking up an on/off foot pedal to the motor of a cassette player in order to drop samples by foot in real time from tape on stage. These samples would come from whatever was on the TV at the time, whether it was the news or a Cheech & Chong movie. Lacking the funds for cassettes, they raided the bins of a record store and found discarded copies of Teenage Mutant Ninja Turtles albums that served as their early tape stock.

To prepare for their first, self-titled album in 1994, Peter Wood (trumpet, keyboard) and Conan Wilcox (saxophone, percussion) were invited to join the band. Salmonella Dub was released through the independent label Curious Records. Following quickly from this album the band released Dub Tomfoolery a 7 track EP with mixing contributions from Mike Hodgson of Pitchblack.

Soon afterwards, Wood left the band, moving to Auckland and getting a job to pay his student overdraft. Around this time Penman made contact with David Harrow (ONU sound) through Grant Fell of the Headless Chickens. Harrow was employed to work on their next EP THC Winter the band’s first foray into Jungle and DnB in 1995.

More here: http://salmonelladub.com/history/

Psychedelic Trance With A Progressive Touch.

VINI VICI BIOGRAPHY 2016 

Vini Vici is the new project of Aviram Saharai & Matan Kadosh, both well-known and experienced electronic music producers for over a decade.
The concept of Vini Vici was formed by the boys with an intention to express their love for the old school sound, paired with their progressive ideas.
Iboga Records and FM Bookings, widely considered to be the biggest psytrance label and booking agency, were the first to see the potential of the project and invited them to be part of their well respected family, alongside names such as: Ace Ventura, Liquid Soul, Ticon, Captain Hook, Atmos, and the like.

After the huge success of their premier EP 'Divine Mode' and their follow-up ‘Back Underground’, ‘Expender’, ‘Anything & Everything’, and ‘Veni Vidi Vici’ tracks (all top sellers on Beatport and Iboga Records charts), Vini Vici continued to produce massive hits while touring the world nonstop - Brazil, Mexico, South Africa, Switzerland, Finland, France, India, Denmark, Germany, United State, Italy, Portugal, Austria, Australia, Serbia, Netherland, Scotland, United Kingdom, Ireland, Israel…..
It's no surprise Beatport positioned them at No.3 on the Top Artist list of 2014.
2015 was a huge step forward for the boys with the release of their debut album ‘Vini Vici - Future Classics’. They hit the Beatport Main Chart at No.2 (Psytrance at No.1) - a position that very few psytrance artists have managed to stand at before, followed by Psyshop No.1 and TrackItDown No.1 spots, while the legendary Infected Mushroom named them “the best upcoming psytrance artists at the moment”. The explosion continued when trance king Armin Van Buuren edited their already classic tune ‘The Tribe’, and featured them on his legendary ‘ASOT’ radio show over and over again.

Finishing 2015 with a bang, the boys were ranked by Beatport as No.1 on the PsyTrance Artist chart and they also landed the Best Selling Track of 2015. They continued to make history early in 2016 with their Vini Vici Remix of ‘Hilight Tribe - Free Tibet’ - the track gained over 15,000,000 views on YouTube and 5,000,000 plays on Soundcloud, while also hitting the No.2 spot on Beatport’s Main chart, and becoming the first psytrance track ever to have entered the Beatport Main Top 10.

After such an outstanding beginning to 2016, it’s no surprise that the rest of their year continued to bring this elevated level and even after many successful years before became their best year by far. Some even call it the ‘The Vini Vici Year’ - with over 220 shows in some of the most prestigious electronic music events around the globe (A State Of Trance Festival NL, Tomorrowland BE, Boom Festival PT, Electric Daisy Carnival in U.S.A, Ultra BR, Dreamstate U.S.A, Transmission CZ, Experience BR, Vuuv DE, Sunburn GOA, Luminosity NL, Earthcore AU, Unity IL just to name a few…).

Keeping their No.1 spot on Beatport’s Psytrance Artist list and Best Selling Track for the second year in a row went on to lead a new generation of psytrance fans and producers to their style. Just before ending off 2016 came the jewel in the crown; a collaboration with no other than one of the solid founders of modern electronic music - Armin Van Buuren, featuring french band Hilight Tribe in their creation ‘Great Spirit’. This massive collaboration took over the Beatport Main Chart immediately and gained over 1,000,000 views on YouTube in just 2 weeks, taking them one step closer to their life goal of spreading psytrance culture and energy in the world.

Armin van Buuren: “I’ve wanted to work with Vini Vici ever since they embarked on the music scene. Few acts have such a well-defined signature sound”

Wondering what the buzz is all about? It's time to tune in and find out.

If you like Good Emotions  you are in the right place !!! enjoy !

step up in this mothaa wot jus aswingin mah hur

George Sheather is following