Dub Sur Les Tropiques

Excerpt from the soundtrack of the choreography 60 by Amos Ben-Tal/OFFprojects
music written and performed by Amos Ben-Tal
contains samples of Kunst der Fuge by JS Bach

60 - Quintet

Gestures (with Arve Henriksen)

Laudness is a solo project by the Danish musician and electronic producer Laurits Smedegaard. He now releases his first EP ‘Skyformationer’.

‘Skyformationer’ →https://linktr.ee/musicfordreams

The EP reflects what Laudness does best – he makes you daydream.
It’s melancholic, pleasing, and adventuress all at once. It’s also meditative in a way that makes one look back at memories, recognize them and miss them.

Shift away with Laudness...

Connect with Laudness
Spotify : https://open.spotify.com/artist/032QRrarZ8LCUfTnjPAGRS
IG : https://www.instagram.com/laudness_/
SC : https://soundcloud.com/laudness

Connect with Music For Dreams
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Home : https://musicfordreams.dk/

Laudness - Skyformationer (Full EP) - S0635

I played  in a cave in the island.
The reverberation of the sounds of crystal bowls here is amazing, 
and the unpleasant noise is absorbed by the mud walls, I think.
Only the beautiful vibes of crystal was resounding.

Please listen to a  quiet and really gentle cave space that would have been the sea in the past.


とある洞窟にて演奏しました。
ここでのボウルの音の反響は素晴らしく、いらない雑音は土の壁に吸収されているみたいで、クリスタルの美しいバイブレーションのみが響いていました。

遠い遠い昔は海底だったであろう静かで優しい洞窟のひと時をお届けします。

洞窟にて at the cave / for short meditation

Members of Papir & Causa Sui travel through new musical realms. 3 musicians with their own compass: Martin Rude & Jakob Skøtt have shared a wide range of musical quests: from Causa Sui’s “Bitches Brew of Stoner Rock” crossing the folk meditations of Sun River and arriving most recently as members of the pre-fusion electric dealings of the London Odense Ensemble. 
Papir guitarist Nicklas Sørensen is not merely adding a new layer to an established duo, but his presence to the party have brought it into more meditative dwellings. These pieces move slowly, evolving like the slow growth underneath the ground. Whereas Causa Sui & Papir have always excelled at blistering panoramic and often sundrenched sounds, Edena Gardens take a dive inwards and downwards rather than outwards. But there’s also an electrically charged extatic rawness to the dealings. Like Æther, the 10 minute opener’s 2 guitars-and-a-drum kit improv, finding it’s way from tumbling drones into monolithic slow riffage. Elsewhere, we find trails of electronic vapors, misfiring bursts of noise and slow drones stretched out. 
Edena Gardens is a thing to be experienced first hand - it’s not for everyone, but those who decide to stay are greatly rewarded. It’s a debut unlike any other record on El Paraiso, perhaps unlike any you’ve ever heard. 
Welcome to Edena Gardens.

Edena Gardens: Æther

Billow Observatory

Slow Billows

Taken from Park Jiha's album 'Communion'
Release Date: March 2nd, 2018
Buy: https://goo.gl/F1NYhR
tak:til / a glitterbeat label
www.glitterbeat.com

Over the last few years a rising tide of new Korean artists have staked a place in the global music conversation. Groups like Jambinai, Black String and Park Jiha’s earlier duo 숨[suːm] have created exciting soundworlds that deftly combine the instrumentation and complex expression of Korean traditional music with an array of contemporary sounds such as post-rock, doom metal, downtempo jazz and classical minimalism.

While Park Jiha’s most recent musical endeavor, her debut solo album “Communion,” is another decisive step towards a more personal and forward-looking musical vocabulary, it also is deeply rooted in her traditional music education and background.

“I play a traditional Korean instrument called piri which is like an oboe. Piri is a double reed bamboo flute so it can be quite loud. Another traditional instrument I use is a saenghwang. A saenghwang is an instrument made of bamboo which has many pipes. It is similar to a mouth organ. It’s an instrument where the sound is made from inhaling and exhaling the air.”

“My main instrument is piri. But I choose saenghwang (mouth organ), yanggeum (hammered dulcimer), percussion or vocal according to the type of music I’m composing. Picking an instrument has to do with the voice in which I choose to talk. Just like human voice, every instrument has its own charm. Piri, which has the simplest structure - yet holds so many variations in playing - is for me the most attractive of all.

The shape of the instrument is humble but it can express sensitive yet deep energy. I feel most like myself when I play piri.”

Though she has played piri since her youth, Park Jiha started her music career by founding the duo 숨[suːm] with Jungmin Seo in 2007 - after she had finished her musical studies. 숨[suːm]’s music, composed with an array of traditional instruments and buoyed by unorthodox musical structures, was an
immediate and profound influence on the new Korean music scene. The duo released the album ‘Rhythmic Space: A Pause for Breath’ in 2010, and ‘숨[suːm] 2nd’ in 2014. Their innovative, neo-traditional compositions began to echo outside of Korea and they were invited to acclaimed international festivals such as WOMAD and SXSW.
.
But Park Jiha started hearing a much different music - one that directly interacted with more distant sound traditions and a more eclectic instrumental palette. Putting 숨[suːm] on pause for the moment, she started collaborating with John Bell (vibraphone) and Kim Oki (bass clarinet, saxophone) to create “Communion,” her first solo album. Originally released in Korea in 2016, the album’s compositions are sometimes hushed and other times slowly swelling and dynamic. But they all share a stark rejection of
ornamentation. It is a music of fundaments and clarity. It skillfully unites hypnotic minimalism and experimental strategies with Park Jiha’s distinctive mastery of the piri, saenghwang, and yanggeum.

One can sense that this music is deeply connected to its composer. It is not an abstraction. It carefully and conscientiously draws in the world around her. The flow of water and the dawning of seasons. Love and loss. Light. Shadows. Nothing superfluous. A meticulous balance. A communion.

“I don’t know what kind of music I will play in ten years. But I know for sure that I will have been living sincerely.”

Communion

Sounds Heard From The Moon

Park Jiha - Sounds Heard From The Moon

This track is included in a free EP "I, All things", that was released on Hz-records in 2012. 
Download it from the link below.
http://www.hz-records.com/releases/hz-009/

Shift Dialogue - [Hz-009] "I, All Things"

Amazon Jungle is a collection of unique ambiences recorded in the Amazon rainforest on the border between Peru, Bolivia and Brazil. The library was recorded during the rainy season when birds are vocal and humidity is at its highest. Available at https://mindful-audio.com/amazon-jungle/

Downloadable demo - all rights reserved. License agreement available at https://mindful-audio.com/eula

MAFX018 Amazon Jungle Demo

Deep in the Amazon rainforest, the beautiful calls of an Oropendola bounce from the treeline as an afternoon storm passes. Recorded with Sony PCM M10 and Clippy EM172 mics. More sounds form the Amazon at https://mindful-audio.com/amazon-jungle/

Amazon Rainforest - Oropendola Rain

Award winning sound recordist, audio director and expedition leader - Dune: Part Two | Mufasa: The Lion King | Horizon Forbidden West | Wordscapes

MAFX018 Amazon Jungle Demo

George Vlad

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