Name: Soñé que nos inundábamos by georgina canifrú
Duration: 7 min 16 s
Description: Diseño sonoro como parte de proyecto Iluminando las sombras de la selva valdiviana. Proyecto Fondart Difusión Regional / Región de Los Ríos, 2022.

esta interezante me gusta esa mezcla de sonidos ritmicos que estas mezclndo yo vivo en un bosque sagrdo y ea relmente un viaje escichar estos sonidos desde tu perspectiva ..

Featured on the Bivouac Recording Experimental music repost network.

Forms - 1

Kevin Corcoran/Giacomo Salis/Paolo Sanna, Sul filo

Melati - Memori

Improvising with Lekko into Cocoquantus into Cosmos, into a mixer with BIM and BAM on sends and BOUM for compression

Cosmos Lekko Test2

This track is made from source material from Zoviet*France and their Hidden by the Wall project , these field recordings: Inside a Moss Cushion, Sferics, Walltown Crags & Car Park
Shaun Robert has taken it and processed and edited into a 4’33” piece , in tribute to the compilation series https://ifarmusiqueconcretecompilation.bandcamp.com , and your need to go to this https://shaunrobert.bandcamp.com

19 Apr 2022

Shaun Robert & Zoviet*France - Prãnãserenestaɡərɪŋ

M.NOMIZED : Synthesizers, Melodica, Sampler, Treatments, Loops.

for "Rainbowing", a project by Marco Lucchi

settembre 2022

Marco Lucchi - Rainbowing (seven colors mix) - remixed by M.Nomized

Red Deer Rut - Binaural 26:09:2022

Diseño sonoro como parte de proyecto Iluminando las sombras de la selva valdiviana. Proyecto Fondart Difusión Regional / Región de Los Ríos, 2022.

Soñé que nos inundábamos

Commissioned and performed by Prague Quiet Music Collective

Part of a project called 'Five Uncertain Situations' with Prague City Gallery. Exhibition and concert at Dům U kamenného zvonu (Stone Bell House), Old Town Square, Prague in December 2022.

Bass clarinet - Anna Paulová
Baritone electric guitar - Ian Mikyska
Violin - Milan Jakeš
Double bass - Luan Goncalves

Mixed by Juraj Mišejka

This piece was written in response to a set of photograms from Aleksandra Vajd’s The Thirty-Six Dramatic Situations, which features two parallel lines, each changing colour halfway. To me this work is about things in flux, things moving toward or away from something else. In my piece, I am interested in how players might focus on periods of instability and change within and between sounds. By leaving the score more open, I hope to provide more space for the players to follow their curiosity and their ears, to be responsive to the sounds and to each other in the moment. - SL

"Sylvia’s piece is a rare occurrence: a simple, relatively undefined score that does not provide instructions for formal development over the entirety of the piece, yet immediately, the first time we rehearsed it, it was clear that the piece had a clear-cut character and a complex web of internal relationships. The simplicity and directness of Vajd’s photograms is here transformed into a focus on all the chaotic and noisy shadows, interferences, and byproducts that appear when players are tasked with exploring well-chosen, fluctuating effects and various transitions between them. Here, instability is always present at multiple levels — perhaps we could even speak of an interaction between instabilities, a dusty sonic layer covering the simple material play of the photograms." - Ian Mikyska

Overlapping Transformations (2022)

Boomamb

Transfert
for 10 musicians & ambisonics electronics

Opening of a 32mn piece.

Live recording at IRCAM Centre Pompidou
January 17th 2023

Ensemble TM+
Laurent Cuniot, cond.
Augustin Muller & FCD, electronics
Augustin Muller, live electronics
Sylvain Cadars, live sound
Jérémie Bourgogne, live recording

Soñé que nos inundábamos

georgina canifrú

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