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SO IT

Kevin Corcoran/Giacomo Salis/Paolo Sanna, Sul filo

A track from the 2021 CD 'Magneto Mori: Vienna' on Canti Magnetici.

Magneto Mori: Vienna

The Periphery Defines The Centre

Senglar's Black Point Versions

Migraine (Senglar Still Ill Remix)

SUNSOAKED
for trumpet, tuba, violin, violoncello and electronics | 2022

Written for and performed by Ensemble MusikFabrik
Live recording, April 8, 2022
Recorded by Seth Torres
Mix and Mastering by Murat Çolak
Artwork by Nazlı Cengiz

SUNSOAKED (2022) / Ensemble MusikFabrik

I decided to submit it because of the similarity of the tune, but I am releasing it because it is well done if you listen to the track alone.
From My Bandcamp Album "awakeng the ghosts"

https://mora-tau.bandcamp.com/album/awakening-the-ghosts

awakening the ghosts alt

night comes

Bjarni Gunnarsson - Fog

Funeral

"Mesh" (2022-2023) for ensemble and live-electronics, here live-performed by the Nadar Ensemble at the Concertgebouw Brugge on 26.3.2023 (Yves Goemaere, perc & live-electronics; Dries Tack, bass clarinet and live-electronics; Thomas Moore, trombone & euphonium; Nico Couck, e-guitar+FX; Pieter Matthynssens, cello; Stefan Prins, live-electronics, Wannes Gonnissen, sound engineer).

Additional samples from Rainforests in Borneo and the Amazon recorded by David Monacchi for "Fragments of Extinction".

Commissioned by Nadar Ensemble & Concertgebouw Brugge. Supported by the Flemish Community.

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Even though "Mesh" can be performed as a stand-alone composition, it was premiered as part of the evening-length project "Der Wanderer 2.0" which I developed together with the Nadar Ensemble in 2023. In the version presented in the context of this project, the audience is wearing headphones on which part of the soundtrack and amplification is played back, while other parts of the soundtrack and amplification are heard through the loud speakers on stage. This splitting allowed for an extensive manipulation of sonic depth, nearness, distance, foreground, background, blanketing and uncovering. The audience was encouraged to play with the headphones, taking them on and off freely, listening to only one ear, etc., creating their own listening experience.
Of course none of this can be replicatd on this live-recording, in which the soundtrack is rendered to stereo.

Mesh (Stefan Prins, 2022-2023)

Track composed for a 16 channel diffusion system, using ambisonic within my maxmsp composition/peformance system: https://cycling74.com/projects/noxin-music-system
This is a stereo reduction of a 16 channel recording.

16 channel algo dub

the Sea They Think They Hear
for soprano, flute, harp, piano, violin, viola and violoncello | 2021

Written for and performed by the Wet Ink Ensemble and Gelsey Bell
Recorded at Scholes Street Studio
Mix and Mastering by Murat Çolak

Text

The ocean, deep blue-green.
What we learn in the middle of the night is that the world makes us flinch. (Michel Serres, The Five Senses: Philosophy of Mingled Bodies)
Sounds an ocean, drinks it in.

Then everything became worse for the wear, damaged, used and used-up and ultimately destroyed.
More and more I made up for what was lost, I slowly improved myself, and I considered myself healed. (Ingeborg Bachmann, Malina)

I found myself trapped in a nightmare, standing alone at the sea. Everyday becoming more and more.
White and yellow and gray and horizonless. (Tove Jansson, The Summer Book)

Kevin Corcoran/Giacomo Salis/Paolo Sanna, Sul filo

tsss tapes

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