wow, this FM tones are made with the ice cubes ? nice !

One push of the door, a single step
And the corridor seems to stretch
As far as the eye can see.
---
My contribution to edition 310 of the weekly Naviar Haiku challenge, driven by the amazing Naviar Records.
More organelle and effects processed on dictaphone then recorded onto a 4-track, with field recordings on top.

Hope you like it!
---
Naviar Haiku challenge #310: https://www.naviarrecords.com/2019/12/11/naviarhaiku310-one-push-of-the-door-a-single-step/
Poem: Takuboku Ishikawa
Picture: Mukund Nair https://unsplash.com/@m_k_nd

Corridor (naviarhaiku310)

Idm interlude

Made for Naviar Records' 361st Haiku Challenge. Details and other inspirations at https://www.naviarrecords.com/2020/12/02/naviarhaiku361-abandoned-farmhouse/

Ghosts of ice and snow [naviarhaiku361]

Disquiet Junto Project 0469: [Missing in Caption]. The Assignment: Make music that pushes the constraints of descriptive television captions.

In one scene of this old war movie, the man is saying goodbye to go to another well-founded, short and successful war, and his wife is deeply worried.

The bells call to battle, the wife struggles to find parting words, and even the worn-out VHS tape is deeply moved.

Whispering provided by these two CC0 samples:
https://freesound.org/people/geoneo0/sounds/193818/
https://freesound.org/people/LadyImperatrix/sounds/503270/ <- the heartbreaking words!

Image based on David Monies: The Farewell
https://commons.wikimedia.org/wiki/File:Monies-Farewell.jpg

More on this 469th weekly Disquiet Junto project:
https://disquiet.com/0469/
Project discussion:
https://llllllll.co/t/disquiet-junto-project-0469-missing-in-caption/

CC BY-NC-ND 3.0
https://creativecommons.org/licenses/by-nc-nd/3.0/

[overly heartbreaking farewell music] ____ [disquiet0469]

More on this 470th weekly Disquiet Junto project — Calendar View / The Assignment: Create a sonic diary of the past year with a dozen (or more) super-brief segments — at:

https://disquiet.com/0470/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0470-calendar-view/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Dan Allison, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/3pXRU

https://creativecommons.org/licenses/by-nc/2.0/

handcar fella

halF calendaR [disquiet0470]

Participation in the "Disquiet Junto" project led by Marc Weidenbaum: Phase Transition.
The Assignment: Record the sound of ice in a glass and make something with it.
https://disquiet.com/0471/

Ice cubes fall into a glass.
Recorded with a Tascam DR-100MKII + built-in mics Uni.
The Tascam is placed vertically on the glass, in contact.
A Pure data patch lets you hear the recording transposed to 3 voices  and brings out their harmonic components by spreading out them over time.
At the beginning we hear the untransposed sound.
This is the same Pure data patch as for:
https://soundcloud.com/gerard-paresys/3stones-disquiet0441

-----------------------------------------------------------------------------------------

Participation au projet "Disquiet Junto" de Marc Weidenbaum: Phase Transition.
Enregistrer le son d'un glaçon dans un verre et faire quelque chose avec.

https://disquiet.com/0471/

Des glaçons tombent dans un verre.
Enregistrés avec un Tascam DR-100MKII + micros intégrés Uni.
Le Tascam est posé verticalement sur le verre, en contact.
Un patch Pure data fait entendre l'enregistrement transposé sur 3 voix et fait apparaitre ses composantes harmoniques en les déployant dans le temps.
On entends au début le son non transposé.
C'est le même patch que pour:
https://soundcloud.com/gerard-paresys/3stones-disquiet0441

-----------------------------------------------------------------------------------------

More on the Disquiet Junto at:
https://disquiet.com/junto/

Subscribe to project announcements here:
https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:
https://llllllll.co/t/disquiet-junto-project-0471-phase-transition/

Phase - Transition - Disquiet0471

Bass synth, stompboxes, hard panned left.

The Sand Gets Everywhere (disquiet0472)

"The Rook, The _______, and The _______"
- first part of a trio to be completed by others...
...Please fill in the blanks!

5/4 meter, 110.43bpm
D Phrygian bass: D-A-G | D-G-F-Eb-F

This track was turned into a duo:
https://soundcloud.com/user-130801280/the-rook-edit-12-export-2

❖
More on this 472nd weekly Disquiet Junto project — Jam Time (1 of 3) / The Assignment: Record the first third of a trio that others will complete — at:
https://disquiet.com/0472/

More on the Disquiet Junto at:
https://disquiet.com/junto/
❖
synth: Pulsar-23 w/Pulsar Buddy
controllers: Boppad, nanoKEY2, nanoKONTROL, Wave
looper: "bicycle" on Raspberry Pi

Jamuary 14 - Disquiet 0472

More on this 472nd weekly Disquiet Junto project — Jam Time (1 of 3) / The Assignment: Record the first third of a trio that others will complete — at:

https://disquiet.com/0472/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0472-jam-time/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Meg Jones, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/mDRT9

https://creativecommons.org/licenses/by-nc-sa/2.0/

left ashore

halF stereO [disquiet0472] - 85 bpm

A moody, gentle , textural, wander. As part of a collab it's panned hard left.

More on this 472nd weekly Disquiet Junto project — Jam Time (1 of 3) / The Assignment: Record the first third of a trio that others will complete — at:

https://disquiet.com/0472/ 1

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0472-jam-time/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Meg Jones, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/mDRT9 1

https://creativecommons.org/licenses/by-nc-sa/2.0/

Disquiet Collab (disquiet0472)

Impulsive Habitat, 2014.

The material of this work is based on a static recording: I installed a microphone under the roof of my father's house in a small village in Alsace (France) for one year. Each day, I recorded one minute of sound on the hour at four different intervals: midnight, morning, noon and evening. I subsequently selected one recording per week for each of the intervals.
These (untreated) recordings were then sewn together in four different tracks, one for each time of day, spanning the course of a year. This results in a cyclical movement consisting of four different time-lapse sequences that trace the entirety of a year in one place.

Phase - Transition - Disquiet0471

Gerard Paresys

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