music for the soul 🕊
independent multi-grammy nominated record label.

Club Tilt is an underground London-based party & DJ collective driven by two northerners who have been hosting & playing parties together for over a decade. From late-night sessions at The Cause to vibrant gatherings across Peckham, Shoreditch, Brixton & even to the magical fields of Glastonbury + plenty of other festivals; their musical journeys fuse many inspirations & sounds—Italo, Cosmic, Synth, & Pumping House all ever present, nicely accompanied by well-matched sub-genres.

Our mission is to always emote those special, freeing feelings by providing nothing but good vibrations.

Majestic Casual is a carefully selected collection of things we admire. Discoveries shared with curious minds from around the world.

our artist & talent services company:
https://soundcloud.com/friendsofthenew
https://friendsofthenew.com/

Co-Founder of @fortune-cookie-records
☾
週末
Long Nights. 
Deep Thoughts. 
contact: hello_@_saintwknd.com

Head agancy (Worldwide)
Dusted Decks
office@flicflacmusic.com

North-Amrica (CA,US,ME)
Jake Truen
Jake@Jarjourco.com

Switzerland (CH)
Houseartists
daniel@houseartists.ch

+++FlicFlac+++
Pop-like Deep House beats mixed with a tropical touch – that’s FlicFlac!
Like no other DJs, Max and Kevin, two lads from Vienna, mix together catchy themes with danceable rhythms.
Milky Chance, Vance Joy, Bedouin Soundclash - FlicFlac have been invited to give these and uncountable other pieces more their own unique style. With over 160,000 followers, FlicFlac made a name for themselves as producers. Moreover, they landed 1st of the Soundcloud Deep House Charts. And, their DJ sets are very popular, indeed, too. Alongside current hits, they celebrate their very own special tunes together with that electrified audience that love their pieces. Not only have they scored high at the big festivals such
Ever After CA, SonneMondSterne, Germany, Touch The Air, Switzerland,
Amsterdam Live On Stage, Netherlands, or Reperkusound, France. They also have enthused the critical crowds at the club scene worldwide.
On their DJ tour, these two young Austrians performed at a large number of renowned clubs in Germany, Brazil, Thailand, Canada, France, Malta and others. After taking a short break from studio work they will be back in summer 2016 with new stuff. So, don’t miss their new tracks performed in their proven style.

WHATS YOUR POISON OUT NOW

https://fairyouth.ffm.to/whatsyourpoison

[E/M]*

“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

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