Written and performed by Control Top 

Copyright 2018 Control Top 

Recorded, produced and mixed by Al Creedon 

Mastered by Emily Lazar 

Art direction by Ali Carter

Artwork by Japhy Riddle

Type A

Covert Contracts was recorded and mixed in Philadelphia by Creedon (Priests, Pouty, Taiwan Housing Project) and Jeff Zeigler (Kurt Vile, The War On Drugs, Allison Crutchfield). 

Mastered by Emily Lazar

CONTROL TOP is:
Ali Carter - bass/vocals
Al Creedon - guitar
Alex Lichtenauer - drums

Covert contracts rule our world: manipulative relationships, encoded social norms, opaque technologies. “With a covert contract, the trick is that the agreement is only known by the person who makes it,” says Ali Carter, singer and bassist of Philly post-punk trio Control Top. “The other person is oblivious. Consent is impossible. A void of communication opens up a world of misunderstanding.” 

In an era of such impossibilities, Control Top—Carter with guitarist Al Creedon and drummer Alex Lichtenauer—rip open space for catharsis. Their explosive songs are a synthesis of varied interests and backgrounds: Carter’s innate sense of new wave melodies, Creedon’s sirening noise guitars, Lichtenauer’s feverish hardcore drumming.

On their debut full-length Covert Contracts, the songwriting is fully a collaboration of Carter and Creedon. Carter’s voice thumps and screams and deadpans while her driving, hooky basslines play out like guitar leads. Creedon, also the band’s engineer and producer, balances composition and chaos, equally inspired by pop and no-wave.

With her lyrics, Carter responds to feeling trapped and overwhelmed in a capitalist patriarchy, offering indictments of wrongdoing and abuse of power, odes to empathy and ego death, as well as declarations of self-determination.

These songs hit even harder when you consider how close this band came to not existing at all. Despite being involved in underground music communities for years, Carter didn’t start Control Top (her first band) until age 25. Disillusioned by punk, Creedon had all but abandoned guitar. But Control Top felt exciting, a chance to experiment: to rethink the relationship between guitar and bass and use samplers to add new dimensions. Meanwhile, Lichtenauer had quit playing drums after an abusive situation in a previous band that had ruined playing music for them, and joining Control Top was an opportunity for rebirth.

At once anthemic and chilling, Covert Contracts puts words to today’s unspoken anxieties. Brimming with post-punk poetry for 2019, it’s the sound of agency being reclaimed.

Lyrics:
"Runaway chain reaction
Burning up satisfaction
Light the wick, pull the trigger
What started small is getting bigger

Ricochet downward spiral
One more word and it goes viral   
Light the wick, pull the trigger
What started small is getting bigger

I'm looking for an open door
But all I see is a broken mirror

Do anything to prove you're right
Lose everything to win the fight
Light the wick, pull the trigger
What started small is getting bigger

No one likes to take the blame
In the end, we're all the same
Light the wick, pull the trigger
What started small is getting bigger

I'm looking for an open door
But all I see is a broken mirror      
I can't take it anymore
I wish I could disappear 

Runaway chain reaction
Burning up satisfaction
Light the wick, pull the trigger
What started small is getting bigger

I'm looking for an open door
But all I see is a broken mirror      
I can't take it anymore
I wish I could disappear"

Bailey

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