Still find the bass pumping a little distracting (on my Adam speakers). Sorry ...

I got hooked by the portamento here on the lead violin. Also the opening really works as a sunrise I think..

this violin work is lovely. the EDM style of the main song doesn't work that well because you have very little energy in the top end. it sounds like a muffled EDM song. Id like to have heard a more classic song from you.

Lovely violin lead, this.  Overall a really tasteful mix of EDM and classical. Quite enjoyable :)

the plucky-echo part from around here is excellent

Nice engaging flow to the composition. I agree that mixing attention to the beat (more punch and clarity if still low in the mix) might enhance further:) Really good track.

I somehow get some kind of Celtic vibes from the violin melody. The arpeggiated plucking sounds are also well done :)

One Synth Challenge #177: Synful Orchestra & VSCO2 Percussion

Kvr "One Synth Challenge" #172 - Lith by Soda Devices

Rubber Tip

ZioMau - Rubber Tip

Boltzmann & Gibbs: The Wrath Of Doctor Entropy
Entry for #173 Full Bucket Pops & ONE

In another part of the city, two cops were driving in their steam powered car. They were partners, and they were friends. They were Boltzmann and Gibbs.

They were opposites, but they complemented each other. They were the best cops in Miami.

They were also the only ones who knew about Doctor Entropy.

Doctor Entropy was a mysterious villain who had been terrorizing the city for months. He had a twisted mind and a twisted goal: to increase the entropy of the world, to make it more chaotic and disorderly.


Reaper: DAW
1 Instance of Bucket Pops
12 Instances of Bucket ONE

OrilRiver Reverb
Dead Duck: Delay, Filter, AutoPan
Valhalla SuperMassive Delay
JS Channel Time Delay
Khs Gain,
ReaEQ, ReaXComp
SPAN, YouLean Loudness Meter

Boltzmann & Gibbs

Single instance! Reaper DAW.

Other plugins used:
- ReaEQ
- TB_Evoke
- MConvolutionEZ Reverb
- SILVER (Acqua)
- TDR Nova
- Green Dynamic EQ (Tukan)
- Wave Breaker (Press Play)

Organ Prelude - Union (OSC173 BucketOne)

Submission for One Synth Challenge 173 - Bucket One + Bucket Pops. 
Made in Reaper using:

Instruments: 
Bucket ONE (25) ; Bucket Pops (2) ;  TDR Nova ( 12, very lightly ) ; VOS Nasty DLA (6) ; LoudMax (1) ; Polyverse Wider (1)
Reverb buses (3) :
 Protoverb (4) ; Oril River ( 8 ) ;  TDR Nova (9) ; HOFA Pan ( 12 ) ; JS delay (2 ) ; mixer (3 ); A1 Stereo Control (3 ) 
Master : 
TDR Nova ; A1 Stereo Control ; M/S encoder ; band splitter ; Flux Bittersweet ; band joiner ; M/S decoder ; M/S encoder ; TDR Nova ; Protoverb ; mixer ; Limiter No6

This is made with FBM BucketOne synth for KVR's OneSynthChallenge #173
All sounds by ElVicente

The Liar

BlueBass OSC175

OSC KVR submission
https://sites.google.com/site/kvrosc/2023/osc-177-synful-vsco2

Sunrise

An entry for the KVR One Synth Challenge #177 - Synful Orchestra & VSCO Percussion.

As the sun sets on the horizon, casting long shadows across the alien landscape, a lone figure sits cross-legged, silhouetted against the fiery sky. In his hands he holds his trusty bass guitar, its strings gleaming in the fading light.

Lieutenant Spaceman D. Bassman had been stranded on this planet for 7 months, his crashed spaceship was damaged beyond repair, but he hadn't given up hope of being rescued. Every day he would refill his oxygen tank and walk into the poppy fields at sunset to jam on some dubby grooves, his music echoing across the vast expanse.

As he plays, he feels a sense of peace wash over him. The sounds emanating from his instruments are an ethereal mix of orchestral timbres and heavy dub, infused not only with the smells, sights and sounds of the alien planet and his hopes for the future, but also mixed with the melancholy of longing for his home-world. Music is his last connection to humanity, his way of staying sane in the face of loneliness.

One day, as Bassman was jamming on a particularly bad-assed groove, he heard a faint sound inside his helmet. His heart beat faster with excitement; At last, the Corp had located his damaged ship and had come to rescue him! Then, almost imperceptibly at first, he started to make out a strange melody, not entirely inharmonic to his tasty bass licks.

Bassman was stung violently on the forehead. He flinched and almost dropped his guitar. "Feck!", he howled. Out of the corner of his eye, he spotted a bee crawling on the inside of his visor, it's wings implausibly buzzing in a near perfect B Major. Desperate not to be stung again, he flailed his head around inside the helmet, attempting to squash the musical intruder against the side. After many attempts and with great effort, he struck one blow, then another, and with each strike the bee's buzzing became more and more erratic and atonal. Sensing victory, and with a final yank of his head, Bassman dealt a fatal blow, and the bee was silenced. 

As the sun continued it's slow descent below the horizon, Bassman composed himself, picked up his bass and continued jamming. Tomorrow he would seek out more of these alien musical bees, not only in the hope that one day they could forgive him for killing one of their own kind, but also that they might continue the collaboration between their two species on some more of those sweet-assed tunes.

Fin.

Reaper 7
Synful Orchestra (8)
VSCO Percussion (7)

A special guest appearance from an alien bee. RIP.

TrackFx : BC Chorus, CHOWTapeModel, db_Glitch1, IVGI2, MComb, MFlanger, MFreqShifter, MPhaser, Pro-C2 (7), Pro-Q3 (13), Ripple Phaser (Geraint Luff), Tape MELLO-FI, TEOTE, Kotelnikov GE.

MasterFx : Satin, TEOTE, Pro-Q3, Pro-L2, Loudness Meter (Cockos)

SendFx : Pro-R2, ValhallaDelay, ValhallaVintageVerb (2), Echobode, Ripple Phaser

OSC177 - Synful Orchestra

Dub Synfony

My entry for KVR OSC #177.

Professor Bertrand Snook loved playing with his band on a sunny Sunday in the bandstand.  But the mighty starship Argenti was waiting patiently in the distance.  This would be the band's last song, and he let them play their hearts out.  Soon he would be on his way out of the system and towards the mysterious object he had been working towards for his whole academic career.  
But for now - play on!  The sun is shining and the starship can wait!

DAW: Reaper

15 Instances of Synful
3 Instances of VSCO2

Dead Duck:
Filter, Limiter, Compressor, Flanger, Delay, Phaser, Chorus, TiltEQ, Overdrive, Autopan, BitCrusher.

Reaper JS:
Channel Time Delayer, Sweeping Resonant Filter, Event Horizon Limiter

Reaper: ReaEQ, ReaComp, ReaCompX, ReaDelay

Boogex Amp Sim
OrilRiver Reverb
SPAN, Youlean Loudness Meter, kHs Gain

Bertand's Last Band

OSC#177: Synful Orchestra

DAW: Cubase
Instances: 3 + VCSO2 Percussion
FX: Cubase EQ, Frequency 
3rd Party FX: Panagement 2, Berlin Studio, LALA, Oril River, Deelay, The God Particle

Taron - Synfully Romantic [Synful Orchestra]

Final Placement: 5/32 (Top 5)
Made for KVR Audio's "One Synth Challenge" #177

This month, it was "SynfulOrchestra" by Synful; and "VSCO2 Percussion," recorded by Versilian Studios/Sam Gossner. These two plugins, as well as some raw approved samples used in the latter, were the only plugins(/samples) used across multiple instances. This month, in addition to the use of stock-effects and perpetually-free effects, free plugins could be used to break the normal rules, while commercial plugins were allowed and could be used to follow them.

Because of this rule-forgiveness, it was also requested that the use of these plugins be explained. Instead of wasting the space required to do so in this description, I have instead done so in this Google Doc: https://docs.google.com/document/d/1X0a-u-xW2ewqLFM5_s7vW8pk0zEhk5rLwspcwQKPEQ4

--------------

YouTube: www.youtube.com/user/NeuKatalYst
SoundCloud: soundcloud.com/neu-katalyst/tracks
FaceBook: www.facebook.com/NeuKatalYst
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Email: NeuKatalYst@gmail.com
Discord: neukatalyst

Thanks for all your support!!

KVR One-Synth Challenge entries

From The Marble (SynfulOrchestra / VSCO2 Percussion)

Neu KatalYst - From The Marble [KVR OSC #177: SynfulOrchestra & VSCO2 Percussion] [DnB]

Entry for KVR One Synth Challenge 177
All sounds from Synful Orchestra & VSCO2 Percussion, in Ableton, with free FX.

Zarf - Wonekut

Dr.USAGIがBeat Saberなどの音ゲー向けに制作した楽曲シリーズ Glacial Beat 《凍律音響》 の第1作。

「冷たく、優しく、どこまでも美しく──Beatの果てへ。」


Glacial Beat 《凍律音響》 #1

An very old song. A souvenir bad quality. Recommend headphones. This is one of my first compositions.

Bitween Arheum

полная луна

Join the challenge by going here: https://shorturl.at/bhBFQ

Sunrise

Gethiox

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