Sigur ai auzit cel puțin o dată veșnicul discurs că toți suntem defecți. 
Sau poate te-ai gândit la tine în situația asta, că nu-ți iese nimic, că te tot împotmolești. 

Ca oameni avem un mod foarte ciudat de a ne raporta la propria persoană și la cei din jur. Și mai des decât ai crede multe dintre deciziile noastre au la bază cel puțin o traumă. 

Tocmai de aceea, cu acest episod, am vrut să explorăm lumea vastă a traumei, formele sale, manifestările din viața de zi cu zi. Lucrurile alea care-s chiar sub nasul tău, dar refuzi să le vezi, pentru că s-ar putea să fie mult prea dureros.  

Este, totodată, poate cel mai lung episod pe care l-am făcut până acum, dar si așa ni se pare prea scurt pentru câte lucruri încă mai sunt de elucidat.

În acest demers ne-a fost alături Diana Vasile. Ea este psiholog, psihoterapeută, dar și președinta Institutului pentru Studiul și Tratamentul Traumei. 

Te invităm să ne fii alături și posibil să descoperi răspunsuri la acele acțiuni sau decizii din viața ta la care până acum nu aveai nicio concluzie. Și, cu puțină răbdare, să găsești și niște soluții. 

Pe noi ne găsești mereu pe Facebook și Instagram, iar întreaga colecție de discuții și răspunsuri, pe numeroase teme, te așteaptă pe platformele populare de podcasting, cum ar Spotify sau Apple Podcasts, și inclusiv YouTube.

Cum te schimbă o traumă | Pătratul Roșu x Diana Vasile, ISTT

Fallin' Freely

Tableau II

Resident Advisor Review

  The promo video made for Sunset of a Clown Volume II is the opening shot to a Godard film soundtracked by Nicolas Jaar's "Marquises." It's either the height of pretension, or pretty brilliant. That I can't work out which probably makes it the latter. Music that actually puts you in a position where you're required to think about how it makes you feel is often among the finest. "Marquises" and the tracks that surround it on this second release from Jaar's imprint aren't necessarily the greatest things in the world, but each of them occupy a space that is hard to quantify—and that's exactly the point.

  Nikita Quasim's "Framboises" is bustling with microsound while a piano plays quickly over top in a superior mood piece, while Jaar's biting of French folkie is a nice twist on the prevailing trend towards South American protest songs. (He overlays it with a lazy breakbeat rather than a pounding house beat too, which seems to fulfill his stated goal of "taking the beats even slower.") Soul Keita, meanwhile, brings the only track that veers close enough to a dance floor. It builds and it builds, as an acoustic guitar and kick drum while away as a hazy sample gradually comes into view. Typically, the climax isn't the sort of thing that will have Amnesia crowds in ecstasy, but when you're dealing with music as intimate as this, you tend to want to have it for yourself anyway.


  Words /
  Terry Fonseca

CS002 ∆ Nikita Quasim - Framboises

“Gouloù Breizh” means Light of Brittany in the Breton language. This track shines with ancestral mystery, evoking the standing stones, misty dawns and the sacred voice of the Atlantic. A luminous and meditative journey where Celtic heritage meets timeless atmosphere.

Gouloù Breizh - 10 - Celtic Echoes

video: www.youtube.com/watch?v=-5E95SlNSSs
follow: www.facebook.com/PlayingSavageMusic

PLAYING SAVAGE - BIGGER

First Track  (edit)

www.gettingcloser.co.uk

Close is the brainchild of an artist who initially wishes to remain anonymous. 

His upcoming debut album 'Getting Closer' is the result of a series of fruitful collaborations and musical alliances with some of the most exciting producers, musicians and vocalists out there. 

Resisting classification, the music is located at some unspecified point between the bass heavy, propulsive rhythms of Scuba, the sparse, atmospheric broken beats of Appleblim and the deep, dubdisco sparkle of Ewan Pearson; just three of the names 'Getting Closer' features collaborations with. 

Add Charlene Soraia (who's debut Peacefrog single recently reached no.3 in the UK top 40 singles chart) and Joe Dukie (Fat Freddie's Drop) to that list and it should be no surprise, then, that Close is already in-demand. Close remixes for Fink, Little Dragon and the aforementioned Scuba are already completed and will soon be released. 

If you can’t wait to hear Close 'Getting Closer', you can hear preview clips of 3 tracks here: www.gettingcloser.co.uk - Close will be changing the clips frequently so be sure to sign-up and check back in the not too distant future.

FINK : Perfect Darkness : CLOSE Remix

Belladonna - Ebatule

Heimlich Musik Podcasts

The Cinematic Orchestra - Wait For Now/Leave The World (Madmotormiquel edit)

Close is the brainchild of Will Saul. The debut album 'Getting Closer' (out now on !K7 Records) is the result of a series of fruitful collaborations and musical alliances with some of the most exciting producers, musicians and vocalists out there.

Spectacular remixes from the project's three singles have included reworkings by George Fitzgerald, Hercules And Love Affair, Huxley, Kyle Hall, Dusky, and many others. 

FINK : Perfect Darkness : CLOSE Remix

Close Music