es grooved auf 120 ... a garden full of ...!

#technotom - Line No. 1

This is a dwig rework/cover of I'll Be a Sunbeam by Nellie Talbot, but more in the spirit of the Vaselines version. Greatest Thx and biggest love and respect to them and for sure Nirvana without them our ear to world would be very different.

we do not have any copyright on the text/melo, this track is a Fanwork and not monetized, would be nice to let it be free here. Thx :)

Peace and love for all!

dwig - jesus don`t want me for a sunbeam

Back in 2017 Tear Apart Tapes released "Run", a song by Shakkatam. John Talabot immediately connected with it and played it as the closing in many of his dj sets. We are now grateful to present "Run" in a new context, with three covers from artists we admire: Cucina Povera, Céline Gillain and Dania.

The original song and Dania's cover are out now. Full release and vinyl will be available in October.

Artwork by Arnau Pi
Mastered by Frederic Stader
credits


bandcamp : https://hiverndiscs.bandcamp.com/album/run

Shakkatam - Run

STALKER

Kaleidoscope

Happy House

Fade To Grey:  The Best Of Visage

Fade To Grey

My Mine - Hypnotic Tango [1983] (Extended Version)

Electricity: Elektronische Musik aus Düsseldorf

Los Ninos Del Parque

Professor Genius - Time of the Assassins (Steve Moore Remix)

Kuniyuki Takahashi-Touch (A Mountain Of One Peyote Remix)

Acid Pauli - Den Mahlstrom Rauf [Doxa Records]

SEBASTIAN MULLAERT - ALL THE KEYS ARE HERE EP [APOLLO RECORDS]
Release Date: 23/06/17

“Close your eyes, open your hand, fall.. 
Rest in this Presence; See
And let the keys be played in the endless space of You”
- Sebastian Mullaert

Apollo proudly presents the ‘All The Keys Are Here’ EP, Sebastian Mullaert’s beguiling debut on the label following collaborations with Mathew Jonson, Eitan Reiter, Aril Brikha and Ulf Eriksson, as well as releases for Hypercolour, Drumcode, Mule Musiq and Kontra Musik. 
While most well-known historically for his widescreen melodic techno as one half of Minilogue, Mullaert’s compositions for ‘All The Keys Are Here’ draw on a lusher, more organic palette of sounds, thrumming with intimate inner vibrations. Originating from piano based improvisations, these four musical excursions embrace simplicity through repetition and sparse arrangements that make for an ecstatic, enveloping listening experience.

Sebastian’s studio sessions and live performances take influence from his Zen spiritual practices and meditative techniques, with inspiration provided by the serenity and simplicity of the forest close to his home studio in the majestic Röstånga woods (next to Söderåsen National park)

“I really believe that when someone is perceiving art, that person is in a way equally creative and part of the creation as a person playing an instrument, or performing or composing the song. Because it’s in this very moment in the consciousness where the experience of the art is taking place...” – Sebastian Mullaert 

Sebastian's strong desire to explore new sonic territories is rooted in his background as a classical violinist and pianist, which he had set aside to explore the deep and meditative potentialities of the dance-floor / techno music. 

A recent highlight of this evolution was his 2016 live collaboration with the Tonhalle Orchestra Zurich in Switzerland (known for their boundary pushing work on bridging the divide between classical and electronic). As part of this memorable event, a number of Mullaert's tracks were orchestrated and reinterpreted for a six-piece chamber group, (harp, piano, violin, cello, clarinet and French horn). Indeed two of the tracks featured on ‘All The Keys Are Here’; “Every Moment I Am” and “Earth Blossom” were part of the concert repertoire. 

‘All The Keys Are Here's shimmering sonic panoramas perfectly summarise this exciting new chapter in Sebastian Mullaert’s ongoing musical journey and partnership with Apollo.

LISTEN FULL EP HERE

Sebastian Mullaert - Every Moment, I Am [Apollo Records]

OP 𓅛 mix 23 - Nicolás Jaar - Other People Mix

80s Hit News

Pulstar

Gudrun Gut: Garten

1. 
[they say:]

savior come down savior come down savior come down savior come down savior come down 

2. 
[they hum…]

3.

En las cenizas 
Vamos a armar 
No saber nada 
Es mejor

Ya no cabe nada 
Pero estamos juntos 
Sin noticias 
Del otro mundo 

Y cada día
Nuestro mundo
Se achica 
O se derrumba 

Y lo único que 
Me han dicho sobre el tema
Es que es el sentido común de una flecha

Y lo único que 
Me han dicho 
Es que es el sentido común de una flecha 

Y porque no responde
El sentido común 
No puedo utilizar su lenguaje 

Su lenguaje 

(TRANSLATION)= =

In the ashes,
we will form
knowing nothing now is better

there’s no space for anything
but we are together
without news of another world

and everyday,
our world, 
shrinks
or crumbles.

and the only thing they have said about any of this: 
is that it’s ‘the common sense of an arrow’. 

the only thing they have said about any of this: 
is that it’s ‘the common sense of an arrow’. 

but why doesn’t common sense respond?
I can no longer use its language. 

4. [instrumental]

5. [instrumental]

6. mud

come in, 
don’t leave.

grown man:
can’t see.

figures out 
he can’t be
sunken with the crown

old man
i can’t see
you’re in the way
i can’t see me,

we must confess:

illusions number time

…

a drunk man’s on the lead
skies and all bleed
and no one can hear
the cry from the ground

it’s something to dig

there’s something in the mud
there’s something in the mud
there’s something in the mud

7. [instrumental]

8. sunder

Vapor’s forming,

And now I see right behind my eyes.

If the old you could tell me 
if the old you could tell me:

a win is a win 
but a loss is the death of a twin and we borrow

And we borrow.

Forming vapors,

behind my eyes,

And now I see right behind my eyes.


In the words of a prophet 
Sunder,
In the shape of the first and last
Sunder,
In the springs of the church of sin
Sunder,
In the blood of the hands that last,
Sunder,


Does a lock seek erosion?
Does a loss seek revenge of sin?

Right behind my eye,


We borrowed from the page of saint maurice
Named the mountain an egyptian saint
Drank the water from the church of springs
Does a loss seek revenge of sin?

Right behind my eye,

Is there blood in the court? 
Is there blood in the ceiling?
do we need to be still? 
Do we need your dominion?

Is there blood in the court? 
Is there blood in the ceiling?
do we need to be still? 
do we need to be still? 

Is there blood in the court? 
Is there blood in the ceiling?
do we need to be still? 
Do we need your dominion? 

9. hello, chain

won't you change, nature?
along me?
carry on your chain,
hell of chain.

we will now wait,
patience is our virtue,
NOW JUST WAIT.

10. [instrumental]

11. [instrumental]

12. 

[I hum]

13. 

carried by a force until a certain peak
there, all you could see,
is swayed by the wind
like the locks in your hair
coloring your eyes
that look nowhere

like a faith made of silk

look around not ahead

a peak is just the way towards 
a descent

look around not ahead

(you have nowhere to look)

look around not ahead

a peak is just the way towards 
a descent

the forces on the hill
manifested by what you perceive as wind

look around not ahead.

Nicolás Jaar - Cenizas

Disco Peanuts (Decius Remix)

Gudrun Gut: Garten

ggut

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