Ema Shah is Kuwaiti, born on June 7, 1981, Virgo. She is an anthropologist, a modernist, an actress, both on theatre and in cinema, a singer, musician, composer, as well as a guitar and piano player; she’s also a marionettist, a dancer, a song and theatre writer, and a theatre producer. As a singer and musician, her work is in Classic and Pop. In theatre, her themes are: musicals, absurdity, surrealism, Dadaism, symbolism, fantasy, expressionist dancing, masks, and realism.
 She used to skim through the books with passion, looking at their pictures, and learned to read in no time when she was 4. She often visited her disabled grandmother, and her grandfather who played number games with her.
people against other people, I have let go of my humanistic dress, congratulations for your humanism.” Later, she became more interested in animals, and wrote articles and research papers like “Controlling information”, “Circuit of damage, research into a mental damage”, “Parallels and Creatures in the Coordinates of Time” about Stephen Hawking’s documentary, “Divine Fingerprint and the Coordinates of Time” about the programs “The secret Life of Chaos” and “God, the Universe, and beyond”, “History of Art Anthropology”, “The secret Book”, and “The Sorvisim Animal”. In arts, Ema takes pleasure in deconstructing texts, mixing sentences, music, songs, dances, images, and cinema, and smashing them all together. The artist Jassem Nabhan and the writer Layla Othman even told her, after “Advanced Sorvisim” had been presented on stage: “when you were on stage, we said we would love to open Ema’s brain and see what’s in there, in that other dimension.” The Egyptian artist Ahmed Budir stood from his seat, while attending her theatre show “Debate between Night and Day” in 2007, applauding loudly, and said: “this is a comprehensive artist”. The journalist Abdelmohsen Al-Shamri described Ema as a dreamy anxious personality, always researching, and a special kind of actress. Writer Fatima Al-Safar predicted that Ema would create a new school of art in music and song, and writer Layla Othman said in a press conference that Ema was a crazy actress, after “The Poet and the old Woman” had been performed on stage. Journalist Al-Qas Cherif Saleh, on the other hand, has been for years a patient follower of her news throughout her career, and said about her preparation and production of the Anthropology musical show “We can’t write on a black sheet”, that it represented a call to questioning, nourishing the feeling of astonishment and wonderment, creating a better world, and building bridges of love between all humans, despite the dry, stodgy, and scientific trait of 
the title of the group itself, Anthropology, the search into ethnic, cultural, artistic, and creative History of mankind, where the universe as a whole becomes a theatre stage recounting the great story of humans. Al-Shahed newspaper said that she had tendencies to strangeness, solitude, and genius. In Ema’s media interviews and meetings, she always mentions her grandfather who inspired her so much in her life, and her caring mother who used to tell her a bedtime story every night when she was little. She thanks her father, the librarian, and all scientists and geniuses because they were the ones who gave her the foundations, and helped create her personality, and at every meeting she mentions Beethoven, Einstein, and their fathers and grandchildren. She wrote in one of her publications by the band Anthropology, about the Sorvisim animal: life does not joke; it is very serious; do you think you left the jungle, people? You’re still in the jungle, playing; the animals, more clever and intelligent have driven you out.


Followers of Ghada