You could hardly make it through the door, let alone to the bar... From wall to wall, friendly faces both old and new talked hurriedly, making up for the lost time they'd spent sitting in their pants in front of the telly, longing for that first schooner. The music buzzed and excited voices rose and fell till the dreaded final orders arrived; you'd never leave here disappointed but you might not remember leaving at all...

Our favourite London boozer have taken their first steps into the label world with 'Gun Aid', a 14-track release featuring music from card-carrying members of the pub — it just so happens that the majority of their nearest and dearest double up as cracking producers and musicians too. Across the LP, you'll find contributions from Róisín Murphy, Ivan Smagghe and C.A.R, Nathan Gregory Wilkins and Quinn Whalley, and many more friendly faces who've regularly graced the pub over the years.

Ahead of the release of the full compilation, The Gun tease a four-track EP titled 'Time At The Vortex', which features tracks from Daniel Avery, Scott Fraser, Cherrystones and GLOK, with a portion of the proceeds going to Hackney Quest, a charity working with local families.

The Gun Comp

PREMIERE: Daniel Avery - The Sovereignty Centre [The Gun Well St.]

A New Moderna Mini Mix created for Ghostly Cast #47

Tracklist:

Soak it up - Houses
Voodoo Smile - Casa del Mirto
Broken Glass - Tomas Barfod
Hang Four (Loose fit remix) - Walls
Basic - Bostro Pesopeo
Le Soleil Est Pres De Moi (Dopplereffekt Mix) - Air
Naive Reception - Daniel Avery
Lipstick & Lace - Benoit & Sergio
Another Tomorrow - Lusine
Cliff Dweller (unreleased) - The Deep

GhostlyCast #47: Moderna - Kill With Kindness

Kaitlyn's solo debut Euclid (primarily written on a Buchla Music Easel synthesizer) was inspired by her love of mbira music, early electronic music pioneers like Laurie Spiegel, Oskar Sala, and Terry Riley, and euclidean geometry. Each of the first six songs on Euclid were initially structured using euclidean geometry, an idea which Smith explored while attending a class at the San Francisco Conservatory. As Smith explains, "We each chose a 3D shape and assigned our own guidelines to the different components that make up the shape. For example each point of the shape represents a different time signature, each line between the points represents a pitch, each shape within the closed lines represents a scale, etc. And then you play the shape." Despite their heady geometric origins, the songs have a playfulness and warmth that makes them inviting and memorable. In addition to the buoyant grooves of Smith's synthesizers, some of the songs feature wordless vocals, which energize the otherworldly songs, while grounding them with Smith's earthly presence.

She slows things down for the second half of the record, which features a collection of twelve short pieces, Labyrinths I-XII. Originally composed as new soundtracks to old silent films she found online, Smith says the tranquil Labyrinth pieces are "intended to feel like one is walking through a holographic labyrinth and encountering different experiences such as hang gliding, viewing microbes under a microscope, ice fishing in Alaska, and watching glaciers collapse." Despite their brevity, most of these songs feel like mini odysseys, effortlessly casting a cinematic hue on the the listener's world.

Throughout Euclid Kaitlyn Aurelia Smith consistently delivers sonic puzzles draped in a warm Pacific mist. At times these songs feel so alive — like the musical analog to roots growing deeper and stronger, leaves on branches bending towards the light, or the sun peeking over the horizon, briefly igniting the air with a primordial swirl of warm and cool colors.

Kaitlyn Aurelia Smith - Sundry

www.openlab.fm | 106.4FM in Ibiza & Formentera
Check the full tracklist on our website:  https://openlab.fm/news/appetite-for-selection-188-charles-webster

Like every Sunday, Charles Webster is back with a brand-new episode of "Appetite for Selection." Join him for two hours of eclectic selections featuring tracks from Dean McPhee, DJ Muggs, Glass Beams, Jan Jelinek, and many more!

Download our App:
IOS: bit.ly/OLappApple
Android: bit.ly/OlAppAndroid

Appetite For Selection 188 - Charles Webster

Loesch - Falling Slowly (Modern Delivery)
https://moderndelivery.ffm.to/falling-slowly-ep

Purchase on Beatport: https://www.beatport.com/release/falling-slowly/5314735

Follow https://soundcloud.com/loeschmusic
https://www.instagram.com/miloesch

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About Modern Delivery:
Modern Delivery Records, an independent record label based in Los Angeles, is committed to elevating creativity and originality within the dance music community. Our mission is to deliver the cutting-edge energy of emerging sounds, with the reach and impact of global audiences.

Guaranteed fresh. Always hot.

Out Now

Loesch - Falling Slowly

Tonbe links :
Bandcamp : https://tonbe.bandcamp.com/
Spotify : https://open.spotify.com/artist/02eo2dtMKsqNfonTOhQ7fH?si=-k6nhJgERfG9rugv3MbFew
SoundCloud : https://soundcloud.com/tonbe
Facebook : https://www.facebook.com/tonbemusic/
YouTube : https://www.youtube.com/user/DJTonbe
Instagram : https://www.instagram.com/djtonbe/
Beatport : https://www.beatport.com/artist/tonbe/111065
Traxsource : http://www.traxsource.com/artist/25403/tonbe

Bandcamp

Tonbe - Café Dreams 4

Explorer EP

Cavernosa

Intimate Listening Session @ Hosoi December 3 2017

>> https://sohaso.bandcamp.com/album/wit-blad-ep

A Eefje De Visser & Nuno Dos Santos - Wit Blad (808 Edit) 
B Eefje De Visser & Nuno Dos Santos - Wit Blad (Mattheis Remix)  

@sohaso 
www.somethinghappeningsomewhere.com

Artist: Eefje De Visser & Nuno Dos Santos
  https://soundcloud.com/eefje-de-visser  
https://soundcloud.com/nunodossantos
Title: Wit Blad 
cat nr.: SoHaSo 019 
12” vinyl (limited to 300 copies) (28-09-2018)
Artwork: Joost Stokhof 
Mastered by Norman @ Calyx 
Distribution: Kompakt

Wit Bad is the result of a beautiful collaborative project that started with illustrator Joost Stokhof. He was asked as an artist in residence for Amsterdam’s Hortus Botanicus, a place where Joost locked himself up for a week alongside the finest biodiversity in the city. Joost asked Eefje de visser to join him for a day and Eefje asked Nuno dos Santos to form a powerful trinity of which Wit Blad is the unmistakable evidence.

The original version was released in April of 2018 and we finally have a vinyl (only) version to go along with it. On the A side we find an 808 version, which is an extended version by Nuno of the ‘Wit Blad’ original. Zooming in on the drums and bass line while leaving even more space for Eefjes haunting voice. Eefje is one of Holland’s best kept music secrets, her voice is soothing and her presence like a siren song seducing you in. Immersing the music with field recordings, you can hear the birds and surroundings the piece was recorded and even some whispering voices that only add to the atmosphere.
Flipping to the other side we find our dear friend Mattheis remixing Wit Blad in a strong hypnotic vibe. Containing Mattheis’ trademark synth swirls, it’s as soothing as it is driving with spine tingling harmonics slowly creeping in and out.

This all comes packaged in a silkscreen printed cover containing the illustrations that Joost Stokhof made during their time together. The vinyl also includes a small poster including extra images by Joost and the lyrics of Wit Blad. Adding up to a beautiful feast for both the eyes and ears.

Written & recorded at the Hortus Botanicus Amsterdam by Eefje de Visser & Nuno dos Santos on July 16, 2017. Remix by Matthijs Verschuure

Eefje De Visser & Nuno Dos Santos - Wit Blad (Mattheis Remix) (vinyl only)

Tiger's Adventures in Middle East

Ghostly International and Spectral Sound. Of Art & Artifice since 1999.

GhostlyCast #47: Moderna - Kill With Kindness

ghostly