блять ну какой же бангер нахуй я балдею

Dans Ta Gueule

smack a bitch and kill her

@user-581049524
XUSTRIST
TOXIC
ART BY MENU

XUSTRIST - TOXiC #RAVEMAIL

frmthaJngle w/ rasdrewby

hit p on nuke

heard in FranzJ's "blooba..." at around 7 minutes: https://youtu.be/kbdq4vQsU7U?t=418

Evaboy - Beat The Shit Of The Person (LazyLow Custom FranzJ Nightcore Remix)

AUTOGUN (AMORE)

listen on spotify: https://open.spotify.com/album/2bORlKDvtT4YQyjtRQMcRe?si=BR4fbhUwSVeQYIV5vwXvqQ

work them achilles

bandcamp: https://hmlss.bandcamp.com/

beatstore: beatstars.com/h0meless
twit: twitter.com/hm_lss
instagram: instagram.com/hm_lss/

disassociate

+perc

Taken from Patricia "Side Piece" EP out August 25, 2014 on Spectral Sound. 

Pre-order the 12" through The Ghostly Store: http://www.theghostlystore.com/products/patricia-side-piece

Patricia - Drip Dawn

NICOL - La Klepto - Chapitre IV

NICOL-DISCO GIRL

Steve Mulder - Kusesai - Intec

A cold minimal triptych at 126 BPM: distorted kicks, sub-bass drone and glitch textures. No melodies, no warmth. Three surgical cuts by BxAxCxHxI.

116_AT_Dungeon_Drum_-_Paradox_126_Full-2

walkin cut off

Tracklist + download available here: http://boilerroom.tv/upfront/036-50weapons/

"In the techno scene, especially in the 90s, a really good track was known as a "Brett“ (editors note: a "plank"). We also used to say "that track is a weapon!" That's how we ended up with the name 50WEAPONS for our label back then. We only wanted to do 50 releases, and here we are now with our 50WEAPONS finale: catalogue numbers #040 to #050, 10 years (2005-2015) and 10 final label parties all over the world. And, last but not least, a final mix solely made up of techno weapons from our label catalogue and its awesome artists. Enjoy!" - @Modeselektor

Tracklist + Download

Upfront 036: 50WEAPONS

Here's Alex's and my oral history of this track..

Alex:  "The idea for ‘Eve’ came about from a short session in my studio where I sketched out some very rough 16 bar loops and sent them over to Max to play with, deliberately stopping myself from developing them too far at this stage in order to leave space the collaborative process to evolve."

Max:  "I almost un-wrote a track for this one. Alex started off with the main bulk of the ideas for the track, and I initially chopped it all back to a couple of key elements.   I then experimented with some FFT effects and building some chaotic randomising manipulations of the basic elements, and sliding drum rhythms so that one drum element would slip relative to another and then back in - all an attempt to generate some movement and variation from the simple building blocks."

Alex:   "It was interesting to hear the rough ideas I had created, developed in a totally different way to how they would have had I been writing the track by myself. Inspired by the new direction the track was going in - "

Max:  "I'd made a mess.  Alex helped tidy it all up and bring it enough back into line to work as a dancefloor track"

Alex:  "- I layered some more percussion hits and string textures.  We continued the process of sending stems back and forth, refining each others ideas as well and creating new ones until the track was ready."

Max:  "The quotient series has been a nice opportunity to experiment with new music outside of the restrictions of record labels and their need to sell product.  This freedom has left me open to put out a piano solo and feedback matrix, a 10 minute ambient to drum and bass glitch remix, a track scored to a video, a one off club collab and more - all projects that I wanted to try, and am glad I did, but that wouldn't easily fit into the usual EP/LP formats. 

It's been a sort of sketch and experiment project, much of it tied to the Emergence visual shows, where I've been experimenting with how I can perform music and visual in sync in a live format. "


Patricia - Drip Dawn

ghostly

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