Beat and melody blend perfectly, (NeXt Sc Pro) boosts exposure 🔥

Oxycodone

From the Nine, we are in your head.

Listen with headphones. Every frequency is intentional.

Fracture Into Stillness

A lyrical nine about nine nine nine. 

Listen with headphones. Every frequency is intentional.

999x999

A recovered transmission from the Contritum cycle, reconstituted under pressure.
What was once absence now beats—161 BPM of collapsing light, each pulse a crack in the ritual seal.
The hunger became rhythm; the void learned repetition.
No choir, no relief—just the machinery of devotion grinding itself smooth.
Headphones required. This is the sound of the Hollow teaching itself to breathe again.

(Filed under: Ghost Orgy / Refringere Protocol III)

Listen with headphones. Every frequency is intentional.

The Hallowing of Hollow; (IX Contritum; Refr. III)

The Hallowed Hollowing: rcv ritual (IX Cont. refringere III)

A recovered transmission from the Contritum cycle, reconstituted under pressure.
What was once absence now beats—161 BPM of collapsing light, each pulse a crack in the ritual seal.
The hunger became rhythm; the void learned repetition.
No choir, no relief—just the machinery of devotion grinding itself smooth.
Headphones required. This is the sound of the Hollow teaching itself to breathe again.

(Filed under: Ghost Orgy / Refringere Protocol III)

The Hallowing of Hollow; (IX Contritum; Refr. III) - Rebreaded

The musical piece combines elements of rock, electronic, pop, classical and folk music. Its soundscape is energetic and danceable with an upbeat rhythm that creates a sense of energy. Emotionally impactful: The song has an infectious beat that keeps the listener engaged throughout its duration. It also features vocal melodies that are both catchy and emotional tones for the audience to connect with on their own terms. Vibe: Overall vibe is meditative, transcendental. 

Listen with headphones. Every frequency is intentional.

The Orchard of Unmaking, Cont. IX; fin. refr.

Ghost Orgy — “I Have Known”

From the Orchard of Unmaking

“I Have Known” is a full litany of remembrance and ruin. Each verse gives voice to a Sister of Sin: Limbo, Lust, Gluttony, Greed, Wrath, Heresy, Violence, Fraud, and Treachery.
Together they recount the anatomy of damnation — not as myth, but as memory and in time eternally endured.

The song is built as a slow collapse. The production balances stillness and violence — ASMR-close vocals press against grinding ambience and bass that lives in the body more than the ear.

Lyrically, “I Have Known” chronicles eternity through confession: each stanza a wound, each refrain an absolution denied. Through their lens, the sisters draw upon the endless abyss of time to weave a narrative of both individual and  collective consciousness before dissolving back into the void.

It’s not revelation.
It’s recognition.
To know everything, and end knowing nothing.

I Have Known Primum (IX Cont. Totum; refr. i-iii)

I Have Known Deus (IX Cont. Totum; refr. i-iii)

As Above, So Below

Produced by: Taz Taylor, Nick Mira, KC Supreme, Repko, Pharaoh Vice

B4 The Storm

Blastoff

Blastoff (Ft. Juice WRLD & Trippie Redd)

Ghost Orgy is an experimental ritual in sound—where noise becomes confession and silence becomes faith. Emerging from the Orchard of Unmaking, each release embodies a ghostly sister: nine echoes of sin, memory, and distortion. The music fuses dark ambient, industrial, and cinematic textures with whispered incantations and heavy low-end designed to be felt as much as heard. There are no performances, no faces—only transmissions from the in-between. Ghost Orgy is not a band. It’s a descent disguised as devotion.

The Orchard of Unmaking, Cont. IX; fin. refr.

Ghost Orgy

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Kristina Driscoll

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