Record label based in Los Angeles
Reissue label ~New Islands~
Co-run by Dino Soccio & Patrick Billard

demos, questions, inquiries pleasureoflovela at gmail dot com

for all booking contact:
scrnobrnja@gmail.com


In Flagranti (Sasa Crnobrnja & Alex Gloor)

The duo has always made a great case demonstrating how “inspiration” from the creative works of others can truly be made into something new and totally distinct from the source material.  But whether you know the source material bears major influence on what their interpretation is going to even sound like to you.  In other words, you could be hearing the same song as another listener is, but if you’re familiar with the source material, you’re going to also be hearing that, while someone who isn’t familiar with it won’t.  Most of their listeners have no idea this is even going on, or could even be allowed.
I figure I follow In Flagranti quite closely, but I only make a connection here, or a connection there.  Sometimes this happens immediately, other times it’s taken years to notice.  Most connections I will never even be aware of, and I don’t listen for them, they just stand out to me or they don’t.  Sometimes I only discover the source material long after I’ve been familar with In Flagranti’s take on it, which you’d think would detract from the latter, but for me, it only adds to it.  In Flagranti’s musical interpretations show a certain ethic and a philosophy that parallels their approach to visual content.  It’s so “meta” that I’m at a loss to describe it, except to say what I often do:  Warhol would be In Flagranti’s biggest fan if he was around to witness them. – truckerdisco.wordpress.com

Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is nonexistent. And don’t bother concealing your thievery—celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: “It’s not where you take things from—it’s where you take them to.”

Jim Jarmusch’s Golden Rule #5

WWW.KON1200.COM 

STOP TRYING TO CHANGE MY PASSWORD AND GET A LIFE.
Been here for years. 
Thank you all for the support, much Love.

PLEASE NOTE ALL SOUND FX ARE AUDIO WATERMARKS TO PREVENT RIPPING !!
Bookings: joe@remoteartists.co.uk

Moulton Music is a collaboration of artists obsessed with both the future and past of house music.  Being run by producers and music-makers, our output is varied, ranging from deep house to soul to jackin' disco, but always with a sense of historical perspective and an ear for fine-tuned production, as well as a deep connection to the dancefloor.  We're based around San Francisco's legendary Moulton Studios, where most of the production takes place, but our friends and collaborators stretch far and wide.  

There are many people involved, but our core consists of Chris Lum and David Harness (who together form Harlum Muziq), as well as Homero Espinosa and Allen Craig (both formerly of Yerba Buena Discos), along with San Francisco cult favorite DJ's Sergio Fedasz and Ivan Ruiz, and producer and marketing guru Anish Acharya (of Dream In Audio).  Of course, we have many more friends and compatriots when you include all the people involved in our regular Molton Sessions underground house party, our various club nights, and the rest of the artists and remixers on the label, but it's that spirit of collaboration, along with our past-meets-future musical values, which defines Moulton Music.

Press: info@streetmeatrecords.com
Booking: booking@streetmeatrecords.com

All things funk, soul, disco, jazz and house! Most recent releases have been with Outcross Records, Bubblegum Pop, Editorial and Too Slow To Disco. 

A large number of Matt's works have been released under the MAM project with Miguel Campbell remixing the likesof the Climbers, Deadmau5 and Flight Facilities, as well as putting out releases via Wolf+Lamb, Future Classic, Hot Creations, Outcross Records, BPitch Control and Editorial Records to name a few.

For bookings please contact and remix enquiries contact matt@outcrossrecords.com

The Patchouli Brothers are best friends bound together by oddities. They share an affinity for the esoteric side of disco, house, and all other forms of soulful dance music. They hold down a residency at Beam Me Up, a disco night in Toronto & Montreal, and have had releases on some of their favourite labels like Defected, Nervous, Razor-n-Tape, Soundway, GAMM, Soul Clap, Star Creature, Pleasure of Love & Basic Fingers.

La Funky French League est un crew de DJ/producteur/musiciens intergénérationel
composé entre autre de Young Pulse (Gamm rds) , Dabeull (roche musique), 
, Arthur Chaps, Woody Braun (malka family), Mr Willy (générations fm & FG), DJ Asko (nova & generations fm/ hypnotic dj) et Uncle T ( Groove Deluxe), issus de divers horizons ( du hip hop a la musique électronique ) mais uni par l'amour du groove et du funk leur  but est de promouvoir le funk et ses dérivés par le biais de soirées, de mixes, de remix/edits, emission radio etc etc. Mais bien plus qu'un style musical ils défendent surtout un état d’esprit, "la fête", le bon goût et le mélange des gens et des genres

Bookings, Licensing, remixing: 
info@moultonsf.com

Ghosts of Venice is following