www.thetrilogytapes.com

Skogar – Dark Fantasy
Skogar – City Morgue
Semilanceata – Swunnen
Ildjarn – Succumb...
Schändermond – Er Wird Alles Schänden
Schändermond – Novemberfrost
Taqbir – Tfou 3lik
Civil Defence Programme – Track 2 (Tape 7)
Civil Defence Programme – Track 3 (Tape 7)
Metalvarefabrikken – Eksempler Nummer Tre
Hilozoizmo – Extravagancias
Hilozoizmo – El Árabe Loco
Hilozoizmo – Expanciones
Hilozoizmo – Fantasías
Hilozoizmo – Entonación
SHXCXCHCXSH – SWSWWWSSWSW
SHXCXCHCXSH – Nges
Fleckentarn – Le Temps Ne Guérit Rien
Vaurien – Biture Tiède
Fleckentarn – Une lame de flammes et de rancœur
Excrement – Respectable Living
Yellowcake – When Night Comes
Asmus Tietchens – Medienlandschaft 6
Asmus Tietchens – Fron
Giovanni Bignone – Maschinengewehr
Urfalı Cemil Cankat – Sultan Süleyman'a Kalmayan Dünya
Bill Orcutt – And Lenny Bruce Made Love
Orchestre De La Paillote – La Guinée Moussolou
A LARGE SHEET OF MUSCLE – GO W THE GHOST
A LARGE SHEET OF MUSCLE – SADDLE IAN
John Grzinich – Spruce

TTT NTS 21.07.25

2025年8月11日 21:00-22:30 JST 

yolabmi 
Madpia
VAAGNER DJ

https://instagram.com/yolabmi
https://instagram.com/madpia_____
https://instagram.com/vaagner.archive

#ambient #leftfield #experimental

ヨラビミとヴァーグナーの関係は、約8年前に始まりました。年月を経て、ヨラビミはヴァーグナーを通じて数多くの作品をリリースしてきました。そして、このつながりが今もなお堅固であることを嬉しく思っています。

The relationship between yolabmi and VAAGNER began around 8years ago. Over the years, yolabmi has released numerous works through VAAGNER, and we’re happy to say that the connection is still going strong. 

Room 303 ・三○三号室 
https://instagram.com/room303radio

@ WPÜ HOTEL SHINJUKU 
https://www.instagram.com/wpu_shinjuku

MADPIA w/ Vaagner DJ｜2025年8月11日｜#ambient #leftfield #experimental

Living Room n°88 ~ @user-195275547

q. pls introduce yourself…
Hello, we are forest.exe (Sven and Silvan). We run a label that focuses on ambient, avant-garde and experimental music. It is called Jurassic Ambient Records. The name is inspired by the Jura forests in Switzerland, where we live and grew up. We create our own mixes and also release guest mixes as well as music from friends and anyone interested. We started about four years ago. Over time, we gradually moved away from technoid sounds and club culture, and began experimenting and mixing together within the genres of ambient, experimental and drone, where we felt more at home. For us, it is essential to connect music with the wellbeing in nature, which is also the origin of everything.

q. is there a story behind the mix?
This time we created the mix with Ableton in Sven’s home studio, nestled near the Jurassic forest — not, as we usually do, in a rehearsal room with a Pioneer setup. It was a warm and luminous day at the very beginning of summer. Surrounded by nature, we let the atmosphere guide us, working spontaneously and intuitively. Instead of CDJs, we wanted to explore a new approach, giving ourselves more time and space to shape the flow. This allowed us to engage more deeply with each track and to sculpt the transitions with greater precision.
The result is a mix that feels reduced and calming, almost dreamlike, yet still carries a quiet strength. It mirrors the uncertainties and concerns we feel about the world, and the question of how we might navigate through them. We dedicated an entire day to the process, with pauses, a few beers, and long conversations about the value of music and the character we wanted this mix to embody.

q. what’s the best way to enjoy your mix?
Step into the forest, put on your headphones, leave the world behind and sink into natural, calming sounds. You might wander along the paths and lose yourself in the embrace of nature, or sit quietly on a tree stump, listening to the mix while observing the subtle life unfolding around you. This is, in essence, what our name forest.exe is meant to evoke.

q. describe a favourite object in your living room...
Silvan: My favourite object in my living room is a handmade ceramic piece with an organic, natural design. I discovered it in Krakow last year during my visit to the Unsound Festival.
Sven: Hehe… epic indeed. My favorite object in my living room is a triptych of three Japanese woodblock prints. In the first, several farmers brandishing katanas burst forth with fierce cries. In the second, a lone farmer leaps dramatically over a waterfall, sword in hand. And in the third, a bear flees from the oncoming attackers. The imagery is raw and powerful, yet strangely inspiring. I don’t know the artist or when the pieces were created — but stumbling upon them in an antique shop felt like a stroke of fortune, as if they had been waiting there for me.

q. are you working on any projects right now (music or not music)?
We are both working on new music, though it often takes a lot of time — which can be challenging, since we both work more or less full-time as social workers, and Sven also has children. Still, we meet regularly to create ambient mixes, discuss musical developments, and continue shaping our vision for the label. Through it, we keep releasing new mixes as well as music (EPs) from ourselves and from other artists.
What we love is that this project has been with us for quite some time, and we can move at our own pace — deciding how much energy to put in, or when to slow things down. That way, it never becomes stressful, because we are not chasing success, but rather sharing our musical principles and offering others a fresh listening experience. We are also searching for a spot in the forest where we can record outdoor mixes, letting nature inspire our music even more directly.

Living Room n°88 ~ forest.exe

‘When we refuse… we create dissonance and more importantly, we allow dissonance to continue.’ - from Jack Halberstam’s introduction to the Undercommons.

Disruptive music for broken times curated by Nymity. Queering, Unlearning, Fragments and Imaginings.

Artwork by [Harry King](https://www.instagram.com/harryking1/?hl=en-gb)

 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/debt-refuge/episodes/debt-refuge-29th-august-2025

Debt & Refuge w/ Digital Hell 290825

Many Worlds w/ secret getii - 15/09/2025

Enjoy an hour of twisty, creative techno from XEN CHRON - alias of musician/producer/DJ/visual artist Chris Leamy, mostly from Weymouth MA USA but also Norfolk UK. His scattered musical trajectory stretches back to the early 90s, spanning noise, ambient, grindcore, jazz / improv, hardcore, death metal, drum’n’bass, techno, breakbeat, & IDM

ANXIETY PODCAST 019 - XEN CHRON

It’s been a while since the last split EP on the label, but the wait is finally over: we present a striking combination of dry, functional modular techno and tech-infused dub cuts from none other than Berlin’s Endmodell and NYC’s Connor Wrong.
On the A-side, Endmodell delivers 0210, which wastes no time in setting the pace. A stomping techno rumbler with frantic synth shots and arpeggios, it just keeps rolling, leaving no one behind. His second track, 0704, is a breaky, melodic techno tool layered with mysterious vocals and searing noise FX. It floats forward effortlessly, providing the perfect transition to the more dub-driven B-side, where Connor Wrong’s tracks shine brightly.
Things kick off with Paws Up, creeping in with slightly dissonant chords before easing into a smooth, tech-dubby groove. Its already iconic “Put your Paws Up” vocal makes the track instantly memorable; a true roller that never loses its cool while keeping the groove alive. Closing the record is Pleroma Dub, the slowest and most heavyweight dub piece of the release. With jazzy melodies and a mesmerising low-end, it draws the EP to a deep and hypnotic close.
W133012 will be released on 10.10.2025 as a limited 25-copy vinyl edition alongside a digital version, accompanied by analogue photographic artwork by Philipp Roth.


W133012 Connor Wrong x Endmodell - Snippets

M TAG

RIVERS

Ghost Warrior - False memory

PRE-SAVE: https://distrokid.com/hyperfollow/satarkuul/nameless-king

Satarkuul (@satarkuul):
Instagram: www.instagram.com/satarkuul/

Ghost Warrior - False memory

Ghost Warrior

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