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Cesco - Move Too Slow - PNP015

A Breakbeat tune I made with @sensasounds featuring on the 'Together' Moon Dance Album 
Buy/Stream - https://cygnusmusic.link/mqxvevq

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Sam Deeley & Sensa - Take Me Away

SEASON THREE
Sam Deeley - Believe Me Boy

Track 1: @samdeeley - Believe Me Boy

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Sam Deeley - Believe Me Boy

Crying at the Tote

So so gassed to finally get this one out, thanks everyone for being so patient!

Hamdi - Skanka VIP

Two tracks from me to you 💘
Whilst I've been working on some other music projects and trying to develop my own 'sound', I've decided to free up 'Hot Take' + 'I Did' as two offshoots. Made with dancefloors & soundsystems in mind. Lively percs & big on bass; aka just how I like it. Hope you enjoy!

Written, produced & mixed by Mia Koden
Mastered by Liam McLean

Hot Take / I Did

Fonzo - Boy Don't Waste My Time
@fonzox

HARD14-B1
Hardline ©
2023

BUY: hardlinesounds.bandcamp.com/album/hard14

Fonzo - How We Feelin' (HARD14)

Swing King

VINYL

Auramatic - Talk 2 The Deejay
@auramaticmcr

NOSMOKING01-A1
Hardline ©
2024

BUY: hardlinesounds.bandcamp.com/album/nosmoking01

Auramatic - Talk 2 The Deejay (NOSMOKING01)

In a dramatic turn of events the headquarters of Cómeme have moved to the world’s cultural capital of today (Mexico City) and are now announcing a massive series of killer releases that will purvey the planetary underground dance floors with at the highest and deepest levels.

“Cómeme Mucho” is born!

This is a series of digitally released Singles focussing on one track and a corresponding version or remix! Cómeme commits to providing hits from a perfect parallel world - always in line with the label’s strict quality control it is famous for.
Knowledgeably crafted dance floor jewels that are developed in community and dialogue between artists, sound engineers, and our rare and exquisite mastering skills provided by “MUSIC MATTERS MASTERING”.

We will drop these exciting jams from musicians all over Latin America but also the rest of the planet on a regular base. Our politics of artist and remixer relations will create new unforeseen and unexpected connections that will confuse and irritate the algorithm we’ve been fighting against since 2009!

COMEME MUCHO 001 - DJ Maxicat - 123

Whitney Weiss - Gimme (Christian S 4am Remix)

Spirit of Da Underground - Way I Are
@oldboytrax & @silvabumpa

HARDLINE01
Hardline ©
2023

BUY: hardlinesounds.bandcamp.com/album/hardline01

Spirit Of Da Underground - Way I Are (HARDLINE01)

Big Fi Dem

Brace for the fourth installment of the wonderful Cómeme Mucho series. None other than the incredible Diego Morales, aka Diegors, leads the way with his “Terapia House.” Diegors was one of the first artists to release on Cómeme, back in 2009, with his seminal “Osea … Hello” on Cómeme 002. He is very much responsible for the creation of the sound of Cómeme, which later would have a huge influence on Latin American dance music and the rest of the planet.

One cannot understate his breathtaking DJ skills which have made him a classic of Santiago de Chile’s nightlife - a true DJ who knows how to magically open a party, destroy the dance floor on primetime, and move the crowd to joyful tears in unforgettable moments when closing a night. His track manifests his unique style, raw dirtiness, slamming grooves, House vibe, and Champeta rhythms he created when others long before the hype machines of the mainstream turned an eye onto Latin America. Diegors is the original to the copies we can hear today!

So who could be a better fit than the Chilean new school’s Syntrovert for the remix? We can’t think of anyone! Hailing from the city of Valparaíso, they stand for a new approach to what was starting to emerge about 15 years ago. Their version is faster, yet as groove-driven, with pumping and thrashing percussion, giving the original a twist towards other outer worldly moments of dance floor experience, a heavy for late night frenzy or daytime soundsystem block party craze. Syntrovert has established their name as one of the essential figures of the Chilean underground today - alongside the wonderful Paltamango they release countless tracks under mysterious monikers and collaborate alongside our beloved DJ Maxicat on one of the most essential Chilean underground raves of today: Quimera.

Enjoy these two dance floor-approved killer grooves delivered to you by one of the finest dance labels of our time.

Terapia House

Diegors - Terapia House

Is anyone in France keyed into the sound of UK funky as sharply as Kaval? Sneaker sets out a strong case with this four-tracker of cool and deadly shufflers which take that insistent groove and give it a different lick.

Kaval has got plenty going on in Toulouse, where he’s riding the online airwaves with the Egregore Collective and got his name all over the Riddim Supplies series 12”s. Those with their sticky fingers on all the best bits of wax the past few years might have stumbled across those records in the racks. Elsewhere, he’s also locked in with the Ruff Club crew who are bringing the DIY free party vibe to Toulouse under railway lines, in abandoned buildings and anywhere they can sneak a genny, a system, some lights and a vibe. All this is to say Kaval is the real deal, doing things the proper way, and it shows in his tunes.

The cuts on this record are absolutely built for the dance, functional like a DJ record should be but not at the expense of the flair. ‘Combo II’ has fun slipping snatches of MCs around utopian synth licks, while ‘Pistolaser’ is spilling over with crafty micro edits and snappy samples that bring the limber groove to life. The crooked beat and rounded square wave bass is a given, and Kaval wields the rhythm section with poise, but it’s the playful energy he brings to the top end which really lifts his gear. It’s no wonder his tracks have been bumped by the likes of Nick Léon, perfectly bridging the gap from funky into the deft Latin-tinged zones explored by the Miami heavyweight.

It’s records like this that prove exploration of UK funky, like so many club genres, has so much more to give to the dance. 

Kaval - Combo II [SNKR055]

A raw fusion of rhythm and bass, this EP blends hypnotic grooves with percussive intensity. Stripped-down yet relentless, it moves between deep pulses, accelerated beats, and nostalgic echoes, crafting a sound both familiar and forward-thinking built for movement and immersion.

Produced by Kaval. Funk Tambor remix by Pluralist.
Master by Andrea Comparin.
Artwork by BSR.
Edited and Published by Burro Studio SRL.

Bandcamp

Funk Tambor

Numerous Bootings (Bro in a Coffee Shop)

Numerous Bootings (Bro in a Coffee Shop) (Allstars Remix)

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Klaxon (FREE DOWNLOAD)

J-Cut & Kolt Siewerts - The Flute Tune (Soulpride Remix)

artist: Matias Aguayo
title: The Visitor
label: Cómeme
format: CD / 2LP + CD / DIGITAL 

-       Matias Aguayo is one of today’s most respected underground dance acts thanks to his own solo work and as a part of the legendary Kompakt act Closer Musik. Recent times have found him working together with artists such as Battles and Chris Baio (of Vampire Weekend). “The Visitor” is his third album - a major leap forward for this talented producer.

-       “The Visitor” is very much a collaborative project featuring Juliana Gattas (Miranda!) and  Aérea Negrot (Hercules & Love Affair), Daniel Maloso, Jorge González (Los Prisioneros), Philipp Gorbachev, Daniel Maloso and many others. The album was co-produced and mixed by Deadbeat.

-       Extensive world tour to start this summer through 2014 with focused PR campaigns and promotion in major territories worldwide.

-       Limited vinyl deluxe version features limited 2LP 180 gram vinyl in gatefold vinyl with EXCLUSIVE free CD of instrumental versions plus a copy of the CD!!

"As a travelling musician, and throughout my whole life, I have been a visitor…"
 
This year, the Cómeme label brings you its third, solo artist album - Matias Aguayo ‘The Visitor’.
 
His early music production days started as half of the legendary techno duo, Closer Musik, then two stellar albums, as Matias Aguayo, for Kompakt records: 2005’s ‘Are You Really Lost’ and then 2009’s stunning ‘Ay Ay Ay’. Aguayo is one of the most open-minded and versatile artists working in electronic music today. A big part of this comes from the Chilean/German, Aguayo, continually proving his ability to adapt to the creative frequencies of others; in 2011 he performed vocals with math-rock trio Battles for their hit ‘Ice Cream“ and in 2012 sung on "Tonto“ by Baio (of Vampire Weekend).
 
‘The Visitor’ was recorded over a period of 5 years in various places around the world: Buenos Aires, Ciudad de México, Vitry-Sur-Seine, Rionegro (Antioquia, Colombia), Sternhagen Gut (Germany) and his Berlin studio, The District Union.
 
As with his previous albums, Aguayo unveils the unexpected rather than appeasing fans of the genre specific. For this album, he considers his roots in proto-house, new wave, techno and other indigenous body music styles that he has discovered throughout his travels. These primal elements make up the core of the album; the music is harder, provocative more up-tempo and psychedelic than it’s been before. ‘The Visitor’ is his most direct album release to date.
 
Artists who have recorded for the label have had some level of creative input on ‘The Visitor’. Cómeme has a loyal lineage, Philipp Gorbachev, Ana Helder, Daniel Maloso, Alejandro Paz – all Cómeme artists – have contributed. Collaboration is the essence of this album and a pool of shared creativity is a vital part of the label’s creed. "The Visitor" also features a multitude of differing artistic voices like Juliana Gattas (Miranda!), Aérea Negrot, Liset Alea and Jorge González (Los Prisioneros). Aguayo spent the month of January 2013 near Medellín, Colombia recording with friends and Cómeme artists, Sano and Gladkazuka. Percussionist, Luis Miguel ‘Cucharita’ Jaramillo, adds a warmth and humanity to the essence of some of the final recordings. The album was mixed by Scott Monteith aka Deadbeat.
 
"Music is about dialog and communicating on other levels, that's why it is more fun and more challenging to involve people in the process, and learn from one another."
 
‘The Visitor’ opens with ‘RRRRR’, detonating like a technicolour rocket; bass licks collide with the frenzied, intertwining vocals of Argentinian Juliana Gattas and Venezuelan singer Aérea Negrot. Matias Aguayo co-wrote this with Chilean vocalist Jorge González (of legendary 1980’s Chilean new wave group Los Prisioneros) who also contributed on‘Las Cruces’ and ‘Una Fiesta Diferente’.
 



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