roughmix of a piece we recorded in February 24 
Dr Nojoke: https://on.soundcloud.com/xtAXfgV1fnUpVrxTA

Dr.Nojoke_Ginsberg_rough_Sept23

Through a world of sound
the only filter I have
my discerning ear

by: Jason Richardson

Through A World Of Sound - Naviarhaiku562

Alea - Trepidazione

🌞 calm 🌒 flutelight 🌟 alarm 🌎

method: recording an acoustic bass guitar, later time-stretching and adding further instruments and effects - has C major ever sounded less like C major?
narration: some say it's a positive when the rash eventually shows and is not hiding anymore
image: copyright jo richter, made using an illustration on an old ur cassette tape wrapping

poem / copyright jo richter:

those make choleric
and sulky lovers
who conceal despair

their unechoic
used longing hovers
in yesterday's air

like stale, prosaic
camouflage covers
on some bulky chair

still clotting the attic
smelling of septic
mothball aesthetics





bile

Cast of Characters:
Mistermark – @user-432503709 – Mark – drums, VST upright bass, electric vibraphone, horns, high organ in the last section, percussion (shaker, hand claps), production, editing, mix, and composition
TexMex Shaman– @texmex-shaman –Stephen– Fender Custom Shop Tele Thinline electric guitar and mastering
J.J. Terrell-- @j-j-terrell—JJ-- organ, electric piano, synthesizer
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – PRS semi hollow body electric guitar

This song began its life some 20 years ago recorded on Mark's old skool keyboard workstation as a bass line and drum beat, accentuated by a synth melody playing over some electric piano. It sat as that basic version until just recently, when Mark had gotten into horn arrangements, and wanted to try some out, thus creating the impetus for reviving this old tune. Plus, he wanted to get the Eclectic Collective to play the guitar and keys parts on it for a little extra jazzy pizzazz.

He turned it over to the rest of the EC gang with a pretty clear vision of what he wanted structurally. Stephen was first up, adding his driving guitar to the fist part of every verse. Josh deftly chimed in with the response line in every verse. JJ then came into the mix last and sprinkled his magic electric piano and other keys throughout. After all of our parts were in the can, Mark went to work dutifully editing and mixing what you hear as the final product. Stephen then did his pro mastering work on it to add a little bit more shine.

This was a lot of fun to put together. It doesn't feature all of the EC, but the other guys will be on many upcoming creations. We hope you enjoy listening to this as much as we enjoyed creating it.
======================================================

***Just for fun, here is link to just the horns isolated (something I'm going to be occasionally doing on certain songs):
https://soundcloud.com/user-432503709/clydes_horns-isolated

Clyde's Glide (with The Eclectic Collective)

method: actually bowing the lyre and going through the paces in audacity
narration: wysiwyg
image: lyre, bow and pedal-amp, copyright jo richter

poem / copyright jo richter:

calm sylvan spiders
stringing the aeolian
harp of the morning

lyre

Unknownable

Electronics and guitars. A look at possible future worlds. I loved Gil Scott-Heron as a child.

The Code of Silence disquiet0680

More on the 680th weekly Disquiet Junto project, Reverse Resolution — The Assignment: Finish something (musical) you started last year — at https://disquiet.com/0680/

Through A World Of Sound - Naviarhaiku562

Gianantonio Patella