Name: I’m Twice The Side I Need To Be by Giant Pussies
Duration: 2 min 30 s
Description: A short, improvisational piece following 12 bar standard 1 4 5

A short, improvisational piece following 12 bar standard 1 4 5

I’m Twice The Side I Need To Be

Summer Pudding

“Strawberry Wine 2” is a slow-burning, nostalgic track that drips with warmth and melancholy. Built on gentle instrumentation and open space, it invites the listener to linger in a hazy memory — part sweetness, part ache. The production leaves room to breathe, capturing the feeling of a late summer evening when time slows down and every small detail feels vivid and loaded with meaning.

Strawberry Wine

"Movers and Shakers" is a high-energy, groove-infused jam in a live studio recording. Blending elements of funk, rock, and improvisational jazz, this track captures the raw, spontaneous spirit of a real-time session. Perfect for fans of jam bands, experimental fusion, and live instrumental music. Whether you're into The Meters, Medeski Martin & Wood, or Phish, you'll find something to vibe with here. Hit play and let the rhythm move you.

Movers and Shakers

“Hop and Step” is a feel-good instrumental groove born from a live jam. Featuring tight rhythmic interplay, funky basslines, and spontaneous melodic leads, this track brings the bounce and flow of live improvisation to life. Ideal for fans of jazz fusion, funk, and jam band energy, it's perfect for background vibes, live set inspiration, or just zoning into the pocket. Recorded live in studio.

Hop and Step

This laid-back 91 BPM jam blends midi pad programmed drums, warm bass, and textured guitar into a groove. This track delivers that analog feel with musicality. Drums, pocketed bass, and ambient guitar for a groove that feels alive. Perfect for lo-fi heads, hip-hoppers, or anyone looking to feel themselves with on a warm, analog groove.

Hot Jag


⚡ A full-length indie instrumental built to move.

“Gutter Funk” is a 145 BPM jam packed with live energy — crunchy guitars, tight drums, and locked-in bass. Designed to ride from start to finish or be sampled in parts.

Perfect for video editors, beatmakers, or anyone who needs a bright, driving track with real dynamics.

🎸 Full Band Instrumental

5:38 total runtime

Structured for looping, sampling, or sync

WAV quality · No vocals

🎯 Great for:

YouTube, Reels, vlogs

Indie games or trailers

Backing track for live acts or freestyle

Sync & licensing

Holler at us if you flip it, chop it, or drop vocals on it.

#indierockinstrumental #145bpm #guitarjam #vlogmusic #syncfriendly #instrumentaltrack  #musicforcreators






Gutter Funk

Ambient / drone / experimental track using static pulses and textural soundscapes.
#ambient #drone #electronic #soundscape #experimental #minimal #lofi #atmospheric #meditationmusic #cinematic #headphonemusic #darkambient

Despite the second name, this was created by a human—an attempt to capture the current surreal and at times distant emotional experience of being a musician in a world increasingly filled with creatively competent artificial intelligence.

Performed on electric guitar, shaped entirely through analog effects pedals and a volume pedal, without MIDI or sequencers. The piece uses a non-traditional metronome: a repeating pulse of static. I then cut parts of the audio to create a grid of a static beat.

There are no strong transient peaks—just evolving textures that blur the line between rhythm and tone.

The composition unfolds in three slow-moving phases:

A beginning grounded by static pulse

A middle section that subtly lifts in texture and pace

An ending that dissolves into layered, minimal ambience. 

If you connect with artists like Grouper, William Basinski, Fennesz, or Oneohtrix Point Never, you might feel something here.

 Also considered were projects like Harmony Cloak, Poisonify - others like those discussed in Benn Jordans, "The Art of Poison Pilling Music Files" found at https://www.youtube.com/watch?v=xMYm2d9bmEA. This manifests in the use a non traditional metronome of static noise. 

No strong transient peaks to distinguish a pulse from texture. A slow-moving composition in three phases. Begins with a static pulse, evolving into deeper textures and eventually dissolving into layered, minimal ambience. 

The full piece tempo feels like it moves from ~72 to ~82 BPM, as the beat is there and yet not there. 

Slow-burning ambient track built around evolving textures, layered static, and minimal drone elements. This experimental composition blends ambient electronic sounds with a steady pulse in the opening, gradually transitioning into atmospheric soundscapes and immersive sonic environments.

Perfect for deep focus, meditation, late-night listening, or cinematic background sound. Influenced by ambient, drone, lo-fi, and post-electronic aesthetics.

If you like artists like Tim Hecker, Fennesz, Grouper, William Basinski, or Oneohtrix Point Never, you might connect with this.

#ambient #drone #electronic #soundscape #experimental #minimal #lofi #atmospheric #meditationmusic #cinematic #headphonemusic #darkambient

Project 2 - 11:30:24 5.18 PM (The Artificial Technology Song)

“05.16.2025 1630.2150” is a deep-listening instrumental for fans of bass-forward, meditative groove music. Built from a live jam, the track unfurls like a ritual — loose, syncopated, and richly textured. It invites you to sink into rhythm without needing to chase it.

You’ll hear the fingerprints of Thundercat’s virtuosic low-end, the reverb-drenched soul of Khruangbin, and the modular weirdness of early Flying Lotus, all blended into something looser — less produced, more lived-in.

Set at a steady 120 BPM in A major, it walks the line between clarity and haze. It grooves but never hurries. There’s no chorus, no climax — just the hypnotic pull of repetition, variation, and small decisions made in real time. Think: music for walking in fog, for driving nowhere, for cooking with your phone on Do Not Disturb.

🌀 Perfect for:

Fans of psychedelic soul, ambient funk, lo-fi groove

Playlists like Brain Food, Pollen, Jazz Vibes, Late Night Drive

Background music that doesn’t fade into the background 

Looping while you sketch

Long walks in strange weather

Headphone-only late night listening

Fans of dusty synths, analog warmth, and subtle syncopation

✨ Similar Artists:
#Thundercat #Khruangbin #BADBADNOTGOOD #FloatingPoints #TameImpala #DâmFunk #MonoNeon #Mndsgn

🎧 Instrumental. No loops. Just groove, breath, and intuition.

💬 Drop a comment or DM if it hit you a certain way. Always curious what people hear in this.

🎚️ Recorded live, then lightly sculpted — imperfections intact. Let the groove breathe.

05.16.2025 1630.2150

“05.16.2025 1630.2150” and “05.16.2025 2150.30” are two parts of a continuous instrumental suite — a slow-burning, bass-led exploration of groove, memory, and musical intuition.

Recorded live in one take and split into two evolving halves, the suite flows at a steady 120 BPM but shifts key and mood over time:

Part 1 (A Major): grounded, meditative, hypnotic — like the start of a night drive.

Part 2 (D minor): airier, more abstract — the road opens up and things get cosmic.

No looping, no quantization — just raw improvisation. The bass leads, but textures drift in and out like thought fragments.

There are no loops, edits, or overdubs — just human hands working in real time with machine rhythm. It’s groove-led improvisation with the loose form of a jam and the intentionality of composition.

Recommended if you like:
Khruangbin, Thundercat, MonoNeon, BADBADNOTGOOD, Tortoise, Floating Points

Playlists it fits:
Jazztronica / Chillhop / Beats to Think To

Late Night Vibes / Brain Food / Psychedelic Soul

Lo-Fi Grooves / Ambient Funk / Modular Synth Spaces

Perfect for:
walking at night with nowhere to be

thinking without words

cooking slow food

healing from digital overload

"05.16.2025" is a two-part instrumental suite that drifts between ambient funk and psychedelic jazz.

Part 1 sets the foundation — a locked-in, live-recorded bass groove in A major. Part 2 expands the sonic space, shifting to G♯ with more ambient textures and off-axis rhythms.

Inspired by artists like Thundercat, Floating Points, and Khruangbin, this is music for headphone listening, deep thought, and subtle movement.

No loops. No overdubs. Just a real-time conversation between rhythm and intuition.

05.16.2025 2150.30 (May Sixteenth Part 2)

Around 12

Just two people becoming the persons we were meant to become.

I’m Twice The Side I Need To Be

Giant Pussies

Related tracks