Classical doesn't mean old

Antonin Dvorak - Serenade for strings
Mov. 4 - Larghetto
Chamber Orchestra of Belgium - conducted by Benjamin Haemhouts
Live recording @ Concertgebouw Amsterdam
20-03-'13

Dvorak - Serenade for strings - Mov. 4

Felipe Gutierrez, Klavier/Piano
Aufnahme/Recording: Ecamusik Escuela Colombo Alemana de Música Bogotá © Colombia 2014

Mozart Sonate In C I Mov

Mozart Sonate no. 17 in D Dur - Mvt 1 -

Liszt, Hungarian Rhapsody No.2

Violons virtuoses - Virtuosic violon
Interprètes :
Nikki Chooi, violon/violin
Timothy Chooi, violon/violin
Philip Chiu, piano

P.SARASATE Navarra, Opus 33

Chopin Polonaise Opus 53 Heroisch - Korg Kronos 2 Berlin Grand

Although the “Kreutzer” Sonata, Op. 47, is dedicated to Rodolphe Kreutzer, the original dedication was to George P. Bridgetower (1779-1860), for whom the piece was written. Bridgetower, an African-Polish violinist who lived in London.
Rodolphe Kreutzer (1766-1831) was a French violinist of great renown whom Beethoven met in Vienna in 1798.

Beethoven’s decision to dedicate the sonata to Kreutzer instead of Bridgetower was probably related to his intended move to Paris and a wish to ingratiate himself with French musical luminaries. Legend has it that Beethoven changed the dedication because he and Bridgetower quarreled over a woman. Kreutzer most likely never knew of the dedication, and it is almost certain that he never played the piece.

The “Kreutzer” Sonata was published in 1805. Beethoven described the piece as “written in a very concertante style, like that of a concerto,” explaining the internal conflict generally associated with his larger works.

Beethoven’s “new path” is everywhere evident in the first movement of the “Kreutzer” Sonata. The only slow introduction Beethoven ever wrote for a violin sonata is actually the only portion of the movement in A major, which gives way to A minor at the beginning of the Presto sonata-form section. Development of the first theme does not occur until the lengthy, weighty coda, which is much more symphonic than chamber-style in conception.

Ludwig van Beethoven. Sonata No. 9 "Kreutzer" for violin and piano, op. 47

20 Famous Female Ballet Variations, Part One of Female Variations Volume Three. Beautifully recorded on a grand piano and tempo checked by a panel of ex professional ballerinas from some of the best companies in the world.

16 Swan Lake Op 20 Act III - Pas De Six Variation V (Odile's Variation) [Tchaikovsky - Drigo]

Caprive Viennois

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Ravel Gaspard de la nuit

Chopin Nocturne No. 10 In A - Flat Major Op 32/2.

I just put the mic into my piano and played the Sonata G-major from Mozart. I played it when I was young but I haven´t played it for a long time...



Marko Kustic plays W.A. Mozart Sonate G-Dur KV 283

I produced this track using midi and EW Gold Pianos in order to perfection the performance as I imagine it.

Mozart Sonate no. 17 in D Dur - Mvt 1 -

Giao Linh

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