Commodore 69 is a San Francisco–based DJ and producer who channels the raw spirit of underground rave culture into a forward-thinking sound for today’s dancefloors. His music fuses pounding techno with acid-soaked energy, breaks, and bass-heavy rhythms, creating sets and productions that are as immersive as they are explosive. With roots in the early 2000s underground scene and releases on respected labels like UKR, Hot N Heavy Recordings, and THaF Records UK, Commodore 69 has built a reputation for pushing boundaries while staying true to the underground.

https://open.spotify.com/playlist/37i9dQZF1E4yzNrOA3hVGM?si=UPScpsd7RSKxvkZsHAbyWw

https://www.junodownload.com/charts/dj/714152-Commodore_69/13328925-Chart/

Double Helix is an electronic music project founded by Shaun Whitcher, a seasoned raver from Seattle, and Rob Ali, a dynamic new-school artist from New York. With over 30 years of combined DJ experience, they are masters of the eternal groove and have a profound connection to the dance floor. Their shared passion for music, dance, and the underground scene sparked the creation of Double Helix—a project dedicated to producing four-on-the-floor house music that’s always fresh, bold, and deeply immersive. Known for their distinctive sound that blends moody undertones, crisp percussion, and psychedelic accents, Double Helix invites listeners to experience music that’s more than just sound; it’s an invitation to move, connect, and lose yourself in the beat.

General inquiries: voxsinistra@gmail.com

Host of dark synth club night @Strict_Tempo and formerly radio show Secret Meaning of Things at KHUH 104.9 FM, shortlisted for Best Music Show - Alternative in the 2018 Mixcloud Online Radio Awards. She has also been featured in Mixcloud's 'One to Watch' series with chart-topping mixes in over 20 genres.

https://linktr.ee/VoxSinistra

The tale of Danny Tenaglia's love affair with music, and the world's subsequent romance with him, is one of the critical veins in the body of dance music. He is every dancer's secret discovery; a random purchase at the record store, a reluctant night out that unexpectedly turned magic. Explosive success came not behind a major label release, or a world tour, or a radio hit remix: It happened when enough people had the private Tenaglia experience for themselves.

The momentum started building in early '70s New York, when a barely 10-year-old Danny first got the feel of vinyl in his hands. Enthralled by the music of artists like Philly Soul's The Trammps, Motown's Marvin Gaye, African trumpeter Hugh Masekela, and disco producer Giorgio Moroder, he started to collect records, plumbing the depths of each one, and frequently finding that he preferred the B-side to the A. It was 1979 when he discovered legendary nightclub Paradise Garage, where DJ Larry Levan's rich, genre-less blend of music seemed to mirror his own "no boundaries" policy. It was here where Danny found the club model he would one day emulate: Levan's bold style, the venue's plain décor, and the party's warmth and inclusiveness.

Danny left New York in 1985 and launched a successful DJ-ing career in Miami as a resident at Cheers nightclub. There he schooled the locals in classic New York and Chicago house, but five years later he returned home, tired of only playing other people's music. He started to assemble an impressive roster of remixes, including Right Said Fred's "I'm Too Sexy" (1991), Jamiroquai's "Emergency on Planet Earth" (1993), and Madonna's "Human Nature" (1994). But his first epic was The Daou's "Surrender Yourself" (1993): With the kick in the bass and the underlying rhythm as the foundation, Tenaglia blanketed Vanessa Daou's wispy vocal with grand, thick chords, a combination of classic groove and modern club-ready depth that was, at the time, entirely new. The title of his 1995 debut artist album on New York's Tribal Records described it perfectly: Hard & Soul. But even if the cocktail was his own, Tenaglia never hesitated to declare how heavily his influences weighed in his productions - everyone from Patti LaBelle to Kraftwerk, with countless lesser-known Soul, R&B, Latin, Samba, and Disco artists in between.

In 1996, after a brief stint at New York superclub Roxy, Danny landed a Saturday night residency at white-hot Twilo, a position that upped his profile but didn't satisfy his expanding artistry as a DJ and producer. While New York swooned for big-room diva anthems, Danny was turning his ear toward the more minimal, tech-y grooves originating in European production studios. This period produced solid remixes like Grace's "Not Over Yet" (1996) and Janet Jackson's "The Pleasure Principle" (1996), but by the time he moved to Tunnel in 1998, Danny had already created "Elements," an instant classic that caused the dance scene's collective jaw to drop. With his own warped voice providing the narration, "Elements" (one track off full-length Tourism) walked the listener through the different components of a dance track in real time, going from kick to drum loop to snare hit, letting each layer over the other until the track exploded with dark, drum-heavy energy. Next to ostentatious radio anthems, its simplicity was a revelation. 

It was around this time that the murmurs started to get louder: Who is this Danny Tenaglia, and just what does he do to people? Clubbers reported seemingly inhuman mixing capabilities, booth-to-floor telepathy, and the grittiest "modern yet classic" grooves they had ever heard come out of a speaker. A trio of label compilations - Mix This Pussy (1994) and Can Your Pussy Do The Dog? (1995) for Tribal, and Gag Me With A Tune (1996) for Maxi - were the first Tenaglia sets clued-in clubbers could take home to dissect, but the release of his first installment in the UK-based Global Underground series of DJ mixes, titled Athens (2000), lit the international fire. Athens (meant to reflect the set he played at the Greek capital's club King Size) remains one of the darkest, strangest, sexiest sets ever released, and its tame cover photo of a gentle-looking man in a Yankee cap just didn't seem to fit. DJ dates across Europe dispelled the mystery and started the spread of the infectious Tenaglia fever.

Back in New York, Tenaglia was tiring of the cavernous gloom of Tunnel and longed for a weekly home that better resembled where the DJ bug first bit him - the Paradise Garage. He landed at Vinyl, a black-walled, single-environment, no-liquor club about one-quarter the size of Tunnel. He named the night "Be Yourself," after the self-affirming, heavy-bottomed vocal track he had recently recorded with Chicago's Celeda. And he took the name to heart: Without the pressure of bar minimums or an expectant crowd, Tenaglia spread his DJ wings. Next to new tracks by young producers like Rui Da Silva, Peace Division, and Saeed & Palash, he played the artists of his youth, with nary a beat dropped. If he wanted to launch into a two-hour set of straight-up techno, he did. If he wanted to play old Michael Jackson records, he did. If he wanted to get on the mic and tell the crowd the name of the sound he was about to play, or who next week's guest opening DJ would be, or just give everyone a "verbal handshake" to welcome them to the club, he did. And a city tired of drama embraced the barebones, music-centered night. 

The world caught up to Tenaglia in 2000. His annual party during Miami's Winter Music Conference outgrew its home at the cramped Groovejet and moved to just-opened superclub Space. DJ giants like Carl Cox danced on top of the speakers with the Deep Dish boys, Fatboy Slim mingled on the patio, and for a day the ego inherent to DJ culture evaporated: Tenaglia was hailed as the undisputed king, the "DJ's DJ." His roof-raising revamp of Green Velvet's "Flash" won "Best Remix" at the UK's Muzik Awards, where he was also awarded the "Best International DJ" prize. 

In the two years that followed, Tenaglia released another Global Underground installment (London); toured the world, took the party island of Ibiza by storm, remixed Billy Nichols' "Give Your Body Up To The Music" (a Garage anthem); got nominated for a Grammy (for his remix of Depeche Mode's "I Feel Loved," also nominated for Best Dance Song); returned to Twilo for two special gigs - a President's Day marathon with Carl Cox that shattered all its attendance records, and the club's sixth anniversary party with John Digweed, which turned out to be even more meaningful than it seemed at the time (Twilo was shut down permanently a week later); graced the cover of every major dance music magazine; and won a Dancestar Lifetime Achievement award... all while keeping Be Yourself buzzing every Friday. 

In 2003, Danny came full circle with the release of Choice: A Collection Of Classics, a two-CD mixed compilation that let him pay direct tribute to many of the artists who had influenced his sound and style. It featured everyone from Blaze to Adeva to Imagination, as well as hefty liner notes explaining the significance of each track, penned by the man himself. He also remixed another Garage classic (Yoko Ono's "Walking On Thin Ice," which became her first Billboard number one ever), opened another Space during Winter Music Conference (the new location down the block), and took another Dancestar award, this time "Best Party" for Be Yourself. 

Be Yourself took the same honor again in 2004, but this time the win was bittersweet. At the time of the ceremony, Vinyl, now called Arc, had already been sold to developers. Danny closed the classic club on Sunday, April 25, 2004, with an emotional set that lasted well into Monday afternoon, and culminated with his mix of Kings Of Tomorrow's paean to unending love, "Finally."

And as in every year since his DJ odyssey began, all across the globe, from Acapulco to Tokyo, more people experienced their first night with Danny Tenaglia, that clubber rite-of-passage that forever changes how you listen to music, go out to nightclubs, and think about DJs. 


In a competitive environment, no less choosing a genre with heavy handed, world renown DJs,
Destinee Cone, AKA Des from Seattle has delicately started to carve her own legacy with all things deep, inspiring and melodic.

Starting in 2019, breaking into the scene with charm, delightful ability and overall wit, its no surprise Des has been able to share the dancefloor with some of the most notable artists in her realm such as Spencer Brown, Madeon, Joseph Ray, Marsh, Grum, and even dabbling in her more house persona with legends such as JackLndn, Amtrac, + Santé.

Showcasing her talents over all of Seattle, at iconic spots such as The Underground, Q Nightclub, Monkey Loft and Kremwerk to just list a few, any time you see Des on a lineup, be prepared to dip into a mystical journey full of beauty that only her drive, ambition and knowledge of music could deliver.

Now in our 30th year, the longest running house music weekly in the country can be found every Sunday night at Chop Suey on Capitol Hill, Seattle. Come on down & see why the heads call it church!
In the meantime, enjoy a mix or 20 from our loaded catalogue of friends & Flammily :) <3 Flammable

Over the last year, Simone BG has made some serious waves in the Seattle music scene. Drawn to the deeper side of house and techno, Simone is known for her dark, moody energy woven seamlessly with haunting, ethereal melodies. Her style is evocative and captivating, highlighting the intricate elements of her selections. She joined the Studio 4/4 family in 2021 as one of their newest residents and has played for many local events including Habitat, Flammable, LOST, Uniting Souls, Shameless, Noise Complaint, and Depth. 

Simone has also had the pleasure of supporting many international headliners, including Green Velvet, Sultan & Shepard, Andrew Bayer, Friend Within, Nala, Denney, Lubelski, Pleasurekraft, Juliet Fox, Guy Mantzur, and Jeremy Olander. She also opened Insomniac's first Day Trip music festival in Seattle in 2022, featuring Tony H, Anabel Englund, Anna Lunoe, James Hype, Lee Foss, Purple Disco Machine, Duke Dumont, and Kaytranada,

Born and raised on Capitol Hill, Simone’s love for Seattle is matched only by her love of dance music, and she is dedicated to bringing the two together in new and exciting ways.

Preview our upcoming releases. Listen to full tracks of our past releases. Free downloads from our Shameless Audio producers. DJ Mixes from our Shameless DJ roster and the Shameless Audiocast. A monthly Podcast featuring recordings from our events. All on the Shameless Audio Soundcloud. Shame off, game on!

After more than ten years of offering Seattle a near constant stream of forward-thinking electronic music, dance floor debauchery and party rocking good times...We are now pleased to bring you Shameless Audio.

Bass Boss of www.soundcloud.com/playmerecords  /  DJ / producer / extreme cat enthusiast





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