The original version of the song Dixie's Land from the album, Abraham Lincoln In Song on Gin Ridge Records.  www.chrisvallillo.com

Abraham Lincoln in Song

Dixie's Land

I just heard from Andy Wiesenhoff, that our mutual friend Tim Runyan passed away. Tim was an exceptional musician on guitar, fiddle and mandolin.  In the 1990s, Tim, along with Bob Applegate, and Carol Jean Trolsen made up the house band for Rural Route 3.  This track was recorded as part of the 11/12/95 show with the Sandriods and Paul Geremia.  They all joined in on this Wickem Porteous song, the Cumberland Waltz. Tim always said it was his favorite of all the songs we did together. That's Tim on Mandolin warming up with Norman  Blake, Carol Jean Trolsen on bass and I think that's Crow Johnson as well.  Godspeed my friend. Keep playing wherever you are.

Cumberland Waltz, Rural Route 3

This wonderful song was written by Garnet Rodgers years ago.  During a very difficult time in my life, this is one of the songs that kept me going.  Hope it does the same for you.

The Dance

Small Victory

This is Chris Vallillo's arrangement of "Let The Band Play Dixie" a song written by Bob Gibson from the album Abraham Lincoln In Song.

www.chrisvallillo.com

Abraham Lincoln in Song
“With Abraham Lincoln in Song, Vallillo takes the audience on a musical journey, making history come alive with his excellent blending of music and storytelling.”   
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-Phil Funkenbusch, Director of Theaters, Abraham Lincoln Presidential Museum
The life of Abraham Lincoln spanned a period of change, growth and struggle in our young nation, and the music of his era movingly characterizes these remarkable times. From his days as a flat-boater, through his time at New Salem, his years as a circuit lawyer and on up through his presidency, Lincoln’s life is a microcosm of the development of Illinois during that period.
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Abraham Lincoln in Song helps shed light on one of history’s most beloved figures “not only as a remarkable leader, but as a man,” who knew and loved many of these very songs himself. Special emphasis is placed on showing Lincoln ‘s unique bond with the common man and his desire for reconciliation, not revenge. It is an extensively researched, historically accurate program Chris uses period music Lincoln may well have known and sung, and Lincoln ‘s own stories to illustrate his life and put it into context.
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The show is designed to be an interactive, accessible, program that educates as well as entertains. It covers Lincoln ‘s life from his birth on the big south fork of Nolan’s Creek in Kentucky in 1809 through his death in 1865. It has been performed in association with the Abraham Lincoln Presidential Museum, The Gerald R.Ford Presidential Museum, The Lincoln Home National Historic site, Gettysburg National Battlefield Museum and various touring exhibits including Forever Free from the Huntington Library and “Lincoln, the Constitution and the Civil War” from the Library of Congress and the American Library Association.  Abraham Lincoln in Song has recently been endorsed by the Illinois Lincoln Bicentennial Commission. The show works well for both school audiences (grade 3 and up) and adult audiences.​

13 Let The Band Play Dixie

 Chris Vallillo and Rich Renik share a conversation about folks music and Chris's New show Forgottonia.  https://www.chrisvallillo.com/forgottonia-show


Chris Vallillo with Rich Renik on WJOL FM (5-7-24)

An Ohio River flatboat work song from the early 1800's That Lincoln may well have know and sung himself.  Performed by Chris Vallillo, from the CD Abraham Lincoln in Song on Gin Ridge Records.

Shawneetown

Chris Vallillo is a nationally acclaimed singer/songwriter and folk musician who makes the people and places of “unmetropolitan” America come to life in song. Having spent the last 30 years in the rural Midwest, he has a natural affinity for American roots music.  Performing on six-string and bottleneck slide guitars and harmonica, Vallillo weaves original, contemporary, and traditional songs and narratives into a compelling and entertaining portrait of the history and lifestyles of the Midwest. Dirty Linen magazine described the music as, “vivid, original story songs” delivered with an “eye for detail and a sense of history” while Folk Wax Magazine Editor, Arthur Wood  said “Vallillo’s guitar playing flows like warm honey and is a true aural delight.”

For Chris, a good song is as much a work of art as any painting or sculpture. His music has a timeless quality about it, with one foot in the past and one foot in the future.  Perhaps the archaeology degree Vallillo earned at Beloit College (BA Anthropology, 1976) helped him see the important little details of life which imbue his songs with a sense of history.  His prairie poet style has been compared to Edgar Lee Masters and Vachel Lindsay and you can hear the strains of the Carter Family and Jimmy Rogers reflected in his writing.  It’s roots based original and contemporary folk with the rich acoustic textures of bottleneck slide, finger style and flatpicked guitars that echo the influences of Mississippi John Hurt, Norman Blake, Doc Watson and John Fahey.

A recipient of a 1986 Illinois Arts Council Artist Fellowship Award for music composition, Chris was also a nominee for the Illinois Arts Council’s 1987 Governor’s Award for Individual Artist. In 1987 he conducted the Schuyler Arts Folk Music Project to document the last of the pre-radio generation.  These recordings were accepted into the American Folklife Collection at the Library of Congress.

From 1990 through 1998 he served as the performing host and co-producer of the nationally distributed, award-winning public radio performance series Rural Route 3 where he performed next to (and with) a virtual who’s who of contemporary and traditional folk musicians. His most recent project, a one man show titled Abraham Lincoln in Song, received the endorsement of the Abraham Lincoln Bicentennial Commission and the accompanying CD of music reached #10 on Billboard’s Bluegrass Album Chart in March of 2008.

His latest album “The Last Day of Winter” was released in January, 2013.

Shawneetown

Gin Ridge Records

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