A Motor City, Berlin, London hybrid, Ryan Crosson is a complex artistic creature. Equal parts energetic, down to earth Detroit native and ultra-refined, musical aesthete, Ryan has one ear to the club and one ear far, far beyond. Known the world over for shape shifting, shoulder shaking tracks on groundbreaking labels including M_nus, Supplement Facts, Spectral, Wagon Repair, and his own Visionquest, Ryan’s production and sampling practices depart from the worlds of house or techno by referencing musique concrète, Downtown New York funk, and East African jazz. Born and raised on a steady diet of post-apocalyptic landscapes, dark warehouses, and the sounds of Plastikman, Matthew Dear, Magda, and Villalobos, Ryan’s DJ sets aim to expand the horizon of possibility without sacrificing dance music’s core element of sweaty, hedonistic fun. His unique musical vocabulary and tireless dedication insure him a place in the dynasty of forward-thinking techno transplants.

Alongside Lee Curtiss and Shaun Reeves, Ryan is responsible for the day-to-day running of Visionquest, one of dance music’s most cherished and eclectic imprints. Ryan and his partners in Visionquest have honed a whole new landscape of lush, organic techno and esoteric leftfield electronica. In 2014, Ryan oversaw the construction of Visionquest’s newest venture—their digital arm and sub-label Brachtune. Full of off-kilter, loopy and positively circus vibes, the tracks showcased on Brachtune will remind long-time friends and fans of Ryan’s early morning sets in the notorious “Tesh Club” basement.

In addition to his work with Visionquest, 2014 was Ryan’s most prolific production career yet, with a staggering number of releases on labels such as Darkroom Dubs, Mobilee, and . Highlights include Bricolage, Ryan’s hotly anticipated first EP for Visionquest, especially the labyrinthine, twisted “Club Chimes,” a heady collaboration with long-time friend and fellow Visionquest artist Cesar Merveille. The year also saw Don’t Be Left Out, a mix CD with another fellow traveler Matt Tolfrey, which has been described as “deep, diverse, and exciting all the way through.”

	Over the last two years Lee Curtiss has made a name for himself creating primal, exquisitely deep and emotional dance tracks that pulse with life, sex, and humour, incorporating countless influences and genres but beholden to none. With his broad shoulders, even wider grin and keen sense of humour, Lee may give off the straight-shooting air of a Midwestern woodsman, but he’s got the ear, plain and simple. Lee Curtiss is an eccentric, an original, an innovator, a ten-year veteran of the electronic-music scene. His love of his craft shines through in his tracks’ every bump and shudder. From last year’s Visionquest remix of Kiki’s ‘Good Voodoo’, sighted by many as the underground smash of the year, to his ‘Black Door EP’ on Spectral (Mixmag’s techno ‘Tune of the Month’, October 09), Lee has an innate ability to create instantly memorable lead riffs that will stand the test of time.



Lee grew up in Western Michigan and eventually moved to Detroit, living the guitars-to-turntables, concerts-to-underground-parties arc shared by so many other children of the electronic music revolution. The similarities end there though. Lee displayed an immediate knack and passion for dance music that translated his love of Prince, Quincy Jones, and good old underground disco into a production and DJ style noted for its sensuality and effortlessness. Recently back in Detroit after an extended stay in Berlin (where he swapped ideas and lived with his close friends and partners-in-crime Seth Troxler, Ryan Crosson and Shaun Reeves), Lee continues to produce vital releases and remixes on labels including Spectral Sound, Get Physical, Dumb-Unit, Wolf+Lamb, Esperanza, and Mothership, and play DJ gigs the world over.



Lee’s previous trans-Atlantic tours have seen him play at some of Europe’s most important clubbing institutions including, Fabric in London, Watergate in Berlin, City Fox in Zurich, Kiss Klub in Nurnberg and the UK’s Bloc Weekender Festival. He tore up the Toilets in East London for Kubicle, supported long standing friends Wolf+Lamb in Paris and look his, as Resident Advisor described it, ‘libidinous tech funk’ to Bristol, Leeds, Cardiff and Aberdeen.



Lee’s live debut at Fabric earlier this year was met with universal praise and Matthew Dear was so impressed with his live show at the Spectral party at the Miami WMC that, he immediately invited Lee to join him as the live face of Spectral Sound, touring alongside Matt over the coming months. In June Lee is set to follow up his Beatport chart topping ‘Love In The Key of Freak’ EP on Get Physical with ‘I Can Hear You Arthur’, his tribute to Arthur Russel on Guy Gerber’s Supplemental Facts label which is set to be one of the summer’s biggest underground anthems.

Bookings:
Worldwide requests: georgia@radiusartists.com  
Italy: alex@oltrebooking.com
Germany/Austria/Switzerland: Andre Quaas, andre.quaas@timesartists.com


Timo Maas is a storyteller. For him, it's never about back-to-back bangers or brainless hits, but 
about crafting, building, teasing and eventually pleasing. From hefty concrete funk to stripped-
back and brain-altering techno via psychedelic synths stronger than any drug, he knows exactly 
what to play and when. He has done so at every major club and festival on the planet from 
Tomorrowland to Kazantip, Creamfields to Coachella, while for 17 years during the golden years 
of Ibiza's Circoloco party at DC10 he was a regular guest, which is a testament to the fact that 
he has always stayed ahead of the times. 
Two-time Grammy Award-nominated Timo has made every shade of electronic music from 
famous remixes of Azzido Da Bass and Depeche Mode, leftfield reworks of Afro-Peruvian group 
Novalima and Indonesian all-female heavy metal band Voice of Baceprot via work with pop 
greats like Paul McCartney, Madonna and Placebo. But his pure love of techno keeps him 
coming back to his most famous sound. It's all united by his ability to craft weighty bass and 
rolling drums that lock you in. To dream up unusual breakdowns, freaky vocal treatments and 
deftly designed details that sound like nothing else. He has released on majors like Warner and 
Virgin and underground staples like Stripped Down Records, Cocoon, Mobilee, Tenampa and 
Last Night On Earth. But whatever he does and wherever he does it, Timo is always 
investigating new musical grounds.

Deep Beats, Soulful After Hours Vibe. I live in NYC and available for bookings. Email me for bookings DjNickCorea@gmail.com

A health & wellness podcast. Just two Latina woman, unboxing social norms & inspiring others to share their truths & owning it!

https://dubfire.komi.io/

From global success in the commercial domain, to equal accomplishments within the underground scene, Dubfire (aka Ali Shirazinia) is an artist whose drive, talent and intuition have placed him in the top tier of electronic music artists in the world. He maintains this position within the industry with an unrelenting work ethic and a determination to innovate, evolve, and entertain. Whether it’s his involvement with Deep Dish, his solo performances at an extensive list of the world’s most influential clubs and festivals, his dubfire:live HYBRID show, running his label SCI+TEC, or simply his exploration of audio and visual technology, Dubfire is in a class of his own.

Booking
North America: 
julian@thebullittagency.com 

Central / South America: 
diego@analog-a.com

Europe:
jmac@paramountartists.com
tom@paramountartists.com

Asia / Australia / New Zealand / MENA:  
ross@tboasia.com
kenny@tboasia.com

gina milano is following