A music all in lightness .... like the flight of a hummingbird.... Yes! it's quite that, and very representative of the subject of this beautiful photo..

Very cool ... wonderful melodic treatment... capturing the fast wing movements of a humming bird - great work.

Lovely piece of music Gina 😁💖😻🍺

Being happy and playing creates wonderful results : ) Love this beautiful piece of music!

A few gems of May 2021

Notification
Bass and Mastering: Paploviante
https://soundcloud.com/paul-racle
Piano: Jeff Lorber
Sax : Jack Stafford
Tenor Sax: Keenlyside
Guitar: Jack Pearson
Vocals: Sophia and James
 www.Ghosthack.de
Lillithe: Mix, Arrangement, Production

NOTIFICATION  (Collab LIllithe & Paploviante)

For song and album art visit Wou-Wou & the Wormling at:
https://www.facebook.com/wouwouandthewormling

This is the second song posted from the album Bitzone, Stricknice, Wou-Wou & the Wormling, and I have been working on together with a number of other friends on SoundCloud. The first song shared was the late 80s indie American underground inspired song, Ghosting Out, that include Bonetender joining with his transistor organ and guitar. The Show / The Shrike Pt. 3 is one of the 4 songs on the album inspired by Wou-Wou & the Wormling’s graphic novel, the Shrike, which inspired this project. 

Massive thanks to Carlos Vivanco and Belial Pelegrim for joining us on this track. This is the 2nd song Belial has joined me on and the first song I have had the privilege of working with Carlos on. It is amazing to have them both on the same track together. I feel so lucky to get to work with all my favorite musicians.

Carlos Vivanco: Keys, Horns, Synth
https://soundcloud.com/carlosvivanco-1
https://carlosvivanco1.bandcamp.com
Belial Pelegrim: Guitar, Synth, Treated Chimes
https://soundcloud.com/belial-pelegrim
https://belialpelegrim.bandcamp.com
Stricknice: Samples, Production, Intro and Outro
https://soundcloud.com/j-nice-6
Bitzone: Drums, Mix and Master
https://soundcloud.com/bitzone
Wou-Wou & the Wormling: Lyrics, Vocals, Bass, Guitar, Keys, Drums, Samples, Original Demo Track, Song Art
https://soundcloud.com/wouwouandthewormling
https://wouwouandthewormling.bandcamp.com
the Couch King: Lyrics, Vocals, Production
https://musiciselation.bandcamp.com

Lyrics:
Slowly the room will fill with smoke 
Mirrors help occupy the hoax 
Laughing when no one gets the joke
Millions waiting for the quote
Tell me what would you do for fame
How do you plan to win the game
Can you fit in the mould they make
If I asked would you scream my name
For the show

Simon says I will take the lead
Stick with me and you will succeed 
Come and get it come and chase this dream
All you need is a sob story
Like a moth to a flame so bright
Your a slave to the stark spotlight
Cheshire cat with her teeth so white
Tune in and see it all tonight
In the show

In the show

Later that evening as smoke from the chimney was pelted by the rain
Slain and dismembered my head fully severed and mounted and displayed 
It’s hard to explain I’m awake with no pain and hallowed out in the brain
I wouldn’t complain, a life that’s mundane, is all I could hope to attain
except i was detained by bird with a man and this is what he was saying  

Are you having me on?

In the show

You are out all day and this sorry excuse is all that you bring back?
This second rate stag you decided to bag isn’t worthy of a plaque 
Did I make my self clear I can’t tell from your sneer are we still on same track
Our collection is nearly complete I conceit but there is only one thing that we lack

One human head 
One human head
Don’t disappoint me now
In the show
You’re a freak, an animal and most importantly a killer
You’re a freak, an animal and most importantly a killer
A killer
A killer
A killer

The Show / The Shrike Pt. 3

Carlos Vivanco, Belial Pelegrim, Stricknice, Bitzone, Wou-Wou & Couch - The Show / The Shrike Pt. 3

This is just a short one more upbeat at least for me:-)) just being happy and playing 

#See you in our stars

Catch Me If You Can

Music video here: https://www.youtube.com/watch?v=dxGOsGtivJY
Humans seem to think they need to 'tame' nature, that it needs to be controlled,  and things like trees, insects, wildlife, animals are ranked on their 'usefulness' to humans, but they should not have to have a reason or purpose to exist- they should just live and be because why should their existence be measured to suit humans?
Be the person who sees all life as important, all the way from the grass you walk on, to the insects that we can't live without, to what you are eating, and the journey of how it got there.
Please think twice about what chemicals you put on your lawn just to rid so- called 'weeds', which happen to be so so beautiful if you can alter your way of thinking. My happeist times are sitting in my garden watching buzzing bees and insects flying round, I don't need to interfere in their homes, I want them to thrive. 
Most people continue doing what they do, because they've always done it. but it's a really good idea to educate yourself about the environment, its good to change your mind and see things differently, just because everyone is doing it, doesn't mean they are right.

Lyrics

Pretty and pretty wild
When you leave it alone
Yellow and lilac and absolute

Let the weeds grow
Let the flowers grow
Just leave it alone
Put the chemicals away
And watch it all grow
Let the weeds grow

Hello I am noticing you
Just being and being and being
Existence doens't need to be justified
A joy and a love not confound

Let the weeds grow
Let the flowers grow
Just leave it alone
Put the chemicals away
And watch it all grow
Let the weeds grow

Pretty is so pretty can be wise
Dancing in all kinds of lights
Intuitive this magic never ends
You don't need to control anything

Let the weeds grow
Let the flowers grow
Just leave it alone
Put the chemicals away
And watch it all grow
Let the weeds grow

Let The Weeds Grow | RosesAreBlue (Music video on youtube)

HOME TONIGHT
Backing Track: Splash
https://soundcloud.com/paploviante-and-friends/splash-paploviante-open-collab
Vocal : Ghosthack - Mechi
 www.Ghosthack.de
Lillithe adding : Organ, Conga, Vocals,  Elephant Trumpet, Guitar

HOME TONIGHT (Collab Paploviante - SPLASH)

Happy For No Reason | RosesAreBlue

"Song of the Open Road" is a poem by Walt Whitman from his 1856 collection “Leaves of Grass”. It has 15 sections, each with 3-4 stanzas. For the lyrics of the song that I have composed, I have chosen the most famous of these sections, which is the first. At the end of this introduction I have attached the lyrics of this section.

The intention has been to compose a small song to continue delving into the use of the singing voice synthesis software, Vocaloid. Since this software only sings in the English language (which is not one of my usual languages) I thought that it might be interesting to use a poem by an author of that language as a text and I decided on this American poet.

On the other hand, the most important issue in the harmonic-melodic aspect has been that I have considered it as an exercise in Modal Harmony. I have used a different mode for each of the stanzas of the poem and in this order: Phrygian, Dorian, Mixolydian and Lydian. It is an order that fulfills the elementary principle of going from less to more musical "brightness." I have also dispensed with the Ionian and Aeolian modes to get away from the tonal environment and enhance the modal color. In the use of each of these modes I have introduced a "strange" note, that is, it does not belong to the scale of the mode. In all cases this note is the one that corresponds to a semitone lower than the base note of the scale of the mode; it is also located in the last position of the melody of each stanza, closing it and coincides with the first note of the following stanza, but in this case it is not strange, on the contrary, it coincides with the characteristic note of the new mode. This is the way the different modes are chained together.

I attach the lyrics of the poem to facilitate your understanding: 


Song of the Open Road

Afoot and light hearted I take to the open road,
Healthy, free, the world before me,
The long brown path before me leading wherever I choose.

Henceforth I ask not good-fortune, I myself am good-fortune,
Henceforth I whimper no more, postpone no more, need nothing,
Done with indoor complaints, libraries, querulous criticisms,
Strong and content I travel the open road.

The earth, that is sufficient,
I do not want the constellations any nearer,
I know they are very well where they are,
I know they suffice for those who belong to them.

(Still here I carry my old delicious burdens,
I carry them, men and women, I carry them with me wherever I go,
I swear it is impossible for me to get rid of them,
I am fill’d with them, and I will fill them in return.)




Esta introducción en castellano:
https://drive.google.com/file/d/1OqX5rUbuEkHBFP8MlUnpJfH2LaJIynP9/view?usp=sharing

Aquesta introducció en català:
https://drive.google.com/file/d/1fKxXa2Ms5qZES9MdmYOnRT3894_cdC2r/view?usp=sharing

Song Of The Open Road

and for a moment she was mine

**Quiet Nights for Babies:**
Discover charming melodies designed to accompany the little ones in a sweet dream. Our videos are full of calm and tenderness, creating the perfect atmosphere for a restful rest.

Campanas y Risas

Music, Lead and Rhythm Guitars, Bass, Drums Prog: Valentin Loisy
Lyrics, Vocals & Lead Guitar: Fred Offret

© all rights reserved

Enchantress Cadaverous - Harbour Attack

The composer Marcel Gruhn sent me his epic orchestral track, Now and Always (link here: https://on.soundcloud.com/J6jq4cjfZ9aHBBrs7) and asked me if I felt inspired to put some words to it. I certainly did, and this is the result. We hope you like it as much as we do! 

Words and vocals by Annie Dieu-Le-Veut
© Copyright Annie Dieu-Le-Veut, May 2024 

Music by Marcel Gruhn
© Copyright Marcel Gruhn May 2024

Cover Art: Me via AI. 

Words:

He was so tired ...he’d been walking for weeks ...with a leg aching from the wound he’d taken at that last battle ...in which so many had been killed. 

He stopped by a farm gate, and then he leaned on it to light his pipe, and he remembered, once again, the sound of the vultures screaming as they came in to feed on the corpses. It was etched on his soul. 

He was no longer the arrogant young man who’d left his homeland with a cocky spring in his step. His face was now lined like a road map, showing all the places he’d been and all the horrors he’d seen. 

As he drew on his pipe, he looked up to see a lush green valley stretching out before him, and it seemed familiar. The streets and playgrounds of the village below were just like those he’d played in as a child, such a long time ago... Then he gasped as he realised ...he was nearly home! 

He wanted to run, but he could only stumble along the lane, dragging his leg behind him. Full of doubt now, fears for how he’d be received having left them all such a long time ago, and under a cloud...he wondered, would they even recognise him? 

Through eyes blurred with tears, he saw two young boys coming along the lane, with their mother close behind ...but no, surely not? Was this his daughter, now grown and matured?

 The woman smiled in recognition. 

“We’ve been waiting for you,” she cried out as she ran towards him. And it was then that he saw it...The circle of life... and in a flash, he remembered greeting his own father returning along this very lane, as he must have his father before him. 

Then he felt them both in his heart as it dawned on him that they had never been away, that his forefathers had stood guard around him as he had fought to protect his homeland ...just as these two small boys may have to one day... 

"But not yet.. he silently prayed, "please God ...not just yet..." And he clasped his family to his breast.

Hero's Return (ft. Marcel Gruhn)

A personal prayer. 

Words and vocals by Annie Dieu-Le-Veut
© Copyright, Annie Dieu-Le-Veut May 2024 

Music by Paul Foss
© Copyright, Paul Foss May 2024 
Email: paul@paulfossmusic.com 

Cover art: Me via AI. 

Words: 

It is the best of times; it is the worst of times.
It is an age in which great wisdom and love is unfolding in the hearts of many. 
It is an age of great folly in which fools are itching to trigger Armageddon.
It is an epoch of belief, but a belief in what?
When all the theology has been twisted to create division, 
When all the science has been hog-tied by a lack of vision
When the most vacuous weep with passion over trifling affairs
When governments are locked in endless games of musical chairs....

No. It is the best of times because it is when I found You
In the Seven Rishis, the Seven Rays,
The Seven Churches, the Seven Sages 
The Seven Chakras, the Seven Planets,
The Seven Sisters of the Pleiades 
And a star for every day of the week. 

It's the time when you showed me the coding of Your purpose,
And so now as I sit here in Your three-ringed circus, 
Watching mountains of lies towering to incredible heights, 
And the black-hearted judges of the kangaroo courts 
Threatening to tie us all up with red tape and torts
As they tread the crimson carpets of the corridors of power, 
Soaked in the blood of human shields and cannon fodder, 
The band of this Titanic is striking up with “We’ll Meet Again!”
And “There’ll be bluebirds over the white cliffs of Dover, 
Just you wait and see...”

And I can only wonder at a love so great to script this comedy
That pushed me to the edge, and beyond, to put into verse
How I’ve fallen,  once more, for your Beauty and Glory,
Found in every cell and atom of your multiverse.

Inspired by Charles Dickens A Tale of Two Cities.

On the Eve of the Apocalypse (a prayer)

A poetic and exprimental track with Hangpan, trumpet, theremin, double bass.

Clip available here : https://www.instagram.com/reel/C7Wx9TCCMH8/

Weird dancing fairies

According to the alchemists of old, there are four different kinds of fire: celestial fire, earthly fire, elemental fire … and secret fire. This song is about the secret fire. 

I'm very grateful to @APi_ZZ for setting my words to such captivating music. 

Words and vocals: Annie Dieu-Le-Veut
Copyright © Annie Dieu-Le-Veut, May 2024 

Music and cover art: APi_ZZ 
Copyright © APi_ZZ (Andreas Pirner) May 2024 

When Prometheus stole the fire from Olympus, 
It wasn’t a nova that illumined his course, 
Neither peat of hearth, nor flames from forge; 
Or passion smouldering in his phallic horn. 
All these fires already by man were availed. 
No, it was the secret fire, 
That no mortal man ever saw unveiled.

Now the ziggurats are scarlet with blood, 
Inanna's chalice, snatched from her hand, 
Pours into the Tigris, the Euphrates, the Nile, the flood. 
Hierodules torn from purple sheets 
Sold in the market like prostitutes. 
The Mysteries parsed through cost benefit sheets, 
And twisted to fit by men in black suits.

If Forethought was there, what was his reasoning? 
The collapse of His-story, the church and the steeple? 
To bring the Black Swan and open Pandora's Box? 
Now refugees swarm like Sea Peoples of old, 
From the cruel bloodbaths of Masters of War, 
And Lady Victory turns away her cheek, 
Refusing to grace such monstrous cheats.

The moral of His-story? There are no morals anymore.
They quickly followed all sense of decency, 
as it was jettisoned out the door… and yet… 
It is the only boat back to shore.
So take it, or be lost at sea, 
In the deluge sent by those Olympians of old 
And understand, now, all those who can, 
in order to be a god, you must first learn to be a man.

 I speak of the secret fire, flash of enlightenment, 
The wise serpents of divine lightning. 
It made Saul fall from his horse; 
In the Upper Room, struck the twelve apostles. 
The grace, the Shekinah, to us was delivered 
By one chained to a rock, while a crowned eagle 
Pecked away at his liver.

When Prometheus stole the fire from Olympus, 
It wasn’t a nova that illumined his course, 
Neither peat of hearth, nor flames from forge; 
Or passion smouldering in his phallic horn. 
All these fires already by man were availed. 
It was, now you know, the secret fire, 
That no mortal man ever saw unveiled.

Secret Fire

Metal Song "Imsomnia"

Longing

We all are on a musical Journey together
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https://www.facebook.com/gwmusic20
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http://ginawood.bandcamp.com/album/one-more-day
My Collaborations:
Lukowig
Amanda Sanderson 
Andy Bushell
Josef Umo
Stina of Darkness
The 3 M Group
The Gat(s)
Shin*semia
wypernet
The Boilerman
ANNO of UNsoundmind
XITB
Other
UNGUIDED EXPRESS
Franck Douvin /Composer
Tulipe Records
Shin*semia
Idematoa
my music page below
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My music is below
https://soundcloud.com/bluecherrykiss

Catch Me If You Can

Gina Wood

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