HIGH

Heavy low-end pressure meets sharp UK garage-inspired drums in this new dubstep heater. Can’t Stay Still rides the line between underground minimalism and dancefloor energy—built for late-night sound systems and heads who live for the wobble.
Fans of Hamdi, Skrillex, and the new wave of UK bass will feel this one. Turn it up, share it around, and let the subs do the talking

Can't Stay Still

PRAYER w/ BAU

Vampyroteuthia is an ongoing composition project by Nick James Scavo and Xander Seren. Art by Kyselina. Concept by Vilém Flusser and Louis Bec. Text by Nick James Scavo.

https://theactualschool.com/#/initiative/1617/701

Vampyroteuthia

Placentnihil

https://planet.mu/releases/delphi/
http://smarturl.it/AntwoodDelphi

Tristan Douglas returns to Planet Mu with his third Antwood album, the epic ’Delphi’.

Tristan has always used conceptual frameworks to facilitate the writing process and ‘Delphi’ is no exception. This time Tristan worked with his girlfriend Olivia Dreisinger to develop a fictional character: the young lovelorn Delphi. She is represented throughout by a recurring melody, with the album developing the story around her. Deeper than this however, ‘Delphi’ represents the hurdles faced by modern lovers, and those felt personally by Tristan, as the album encompasses a wide range of his emotions. The character ’Delphi’ finds solace in escaping to a place, her namesake, the ancient Greek city. She gets lost in her fantasy, realising it is not as she had idealised.   

“Olivia and I started making the album cover as soon as I knew what direction ‘Delphi’ was headed in. I took objects that had significance to me at the time of production and physically recreated them as “Delphi world” objects, so that the album’s narrative and each track are represented in the cover photo. If you flip the album over, there is a computer rendering by Paulin Rogues of the two landmarks in the ancient city of Delphi - not quite ancient or modern Delphi, somehow real life but also fantastical.” 

Delphi is an album where the real and the fantastic combine, where functional club music meets evocative piano miniatures. “I ended up working on ‘Delphi’ for over a year, where it developed and grew in parallel to my own life. It became story-like, and I embraced the story-like quality of it.” Perhaps the story of ‘Delphi’ is the story of our own lives.

Delphi

Antwood - Castalian Fountain

H014 | SEIF G – MEDIA DREAMS PIRATE RADIO 
Sketches from the secret interferential dimension… 
X1. En Mode / X2. Archeo / Y1. Cobra Tat / Y2. Rototone

All music written, played and recorded by Seif G. 
polonius1.bandcamp.com 
Mastered by Giancarlo Brambilla 
soundcloud.com/kuthijin 
Design by Gianluca Lonigro 
www.gianlucalonigro.net 
#00FF00 © 2019 HEEL.ZONE RECORDS 
www.heel.zone | heel.records@gmail.com

H014 | SEIF G - EN MODE

Temporary Titles in Fixed Media

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Track Premiere: 'Navarte' by @dilian, out on SØVN Records
Read more: https://www.paynomindtous.it/dilian-navarte-sovn/
***
 @s-vn is a collective of sound designers, musicians, and multimedia artists releasing limited-edition records coming with exclusive packaging. Displaced between several European cities over the years, the outcome collects works from artists from all over the world that are mainly focused on ambient, noise, drone, and digital sound exploration. House of 90 Portents is their upcoming outing, recorded by the Brooklyn-based award-winning children movie and documentary soundtrack composer, DJ, live performer, radio host, and producer Dilian.

Making music under his own name and also with the GAP moniker, he is mainly interested in dancefloor-oriented, experimental dance music that draws inspiration from a huge variety of influences, from sampling and cut-up techniques all the way to post-Internet, conceptual laptop electronics and Chicago's juke. His rather nervous yet organic mixture of sounds has been displayed on his London's Threads Radio and Montreal's n10.as radio residencies, as well as hectically brought on stages all over NYC and Europe, which he has been touring annually since '15.

Composed of six tracks (Lassoed, Navarte, Pin, Excuse, Esca, Red Program), House of 90 Portents will see the light of the day later this week in digital and limited cassette edition. The record employes a multitude of fast-paced rhythmic and sonic solutions that translate to tracks that are totally unpredictables, thoroughly entertaining, and sometimes even borderline dissonant. However, thanks to its unlimited library of samples brilliantly juxtaposed in multilayered pieces of agitated dancefloor music, Dilian's latest work is surely one of the few recent examples of the more the better.

Premiering today on our pages is the second track of the lotto, called Navarte.  Narrowly 3 minutes long, the suspenseful track features videogame-like synth stabs, rich rhythmic textures, and fragmented audio sources amongst which figures chopped vocals that are displaced all over the stereo spectrum. Navarte, as well as the entire House of 90 Portents, is the lively, exciting product of a child-like, playful approach to composition that is Dilian's peculiar m.o.. Have fun!

Dilian - Navarte [PAYNOMINDTOUS Premiere / SØVN]

* Announcing CANVAS007 *

Lugh - Re Munus (LP)

Format: Digital/Vinyl
Cat.No: CANVAS007
Release Date: 23rd of October 2020

Vinyl and Digital pre-order:
canvas-index.bandcamp.com/album/re-munus

‘
There is grief, exultation and relief inherent in belonging to community. Re Munus reflects on the tone of deep gravity with which the re munisation of the de munised is unravelling. The generations which dismantled their social contract, achieved immunity, revoked solidarity.

Severe circumstances foment collectivity, suffering and empathy, interrupting the ethereal dream of social weightlessness. Re Munus sketches sensations and observations during a time of reorientation, rediscovery of lived sensibility on a relational scale. An encounter with sensations which we had said defined us—the tangibility of which we had forgotten, believed to be confined to the past. There is tension between the physical withdrawal and lived intensity which permeates these works.
’ Lugh

Personal drift. There is a multitude of presences guiding you through this record as a listener, not without their own doubts as to where they are leading you. A murky social space. Time-compressed club experiences within layered acoustic dimensions; consolidated, captured and played back into the same space. I am sitting in several rooms simultaneously. Death metal screams in an Animal Crossing world modelled on our own.

The choral rush of ‘Million Dollar Cowboy’ from Lugh’s Hélico EP (2018) re-appears again in ‘Braises’ and ‘Free Fall’, deeper and re-figured. Sometimes the record also haunts itself—each element heard having been through a process so long and many-staged, it’s as though it has already lived.

These compositions hold within them a flawed attempt to communicate on every level. The desire of language as expressed through music—towards shared meaning. Paradoxically voiced and voiceless, it denies textual, verbal description, instead crying out through the cracks in forming its own liquid tongue. Clone choirs simultaneously rehearse in an open space below. A slow walk through this spectacle. It’s an anguished record as much as it is at times tranquil. The movement between voices detached and embodied becomes playful—often warping them far beyond recognisability.

Beautiful artefacts. Stomach churns in the face of a burnt-out horizon. Cantering & sneezing. Air is driven into the corners and creases of a gold-plated, reverberant structure. The neural network claps to keep itself in time. Gutter Synthesis organ lament; tears of the duffing oscillators. There are moments on this release when tensely divergent fragments are barely held together. The prominent human voice mixing with the heavily re-sampled voice—it’s an incredible lift. Superimposed night and day. Sonic creatures living within the material, sharing time and space. Tenderness and together-ness.

Michael Speers and Olan Monk

Music by Lugh O'Neill

Vocals on ‘Vertiginous Leap’ and 'Free Fall' performed by Marie Requa Gailey

Artwork, graphic and product designed by Zuzana Pabisova

Mastered by Ali Najafi

Underwater recordings from Zuzana Pabisova's underwater sports camera feature on 'El Rocio'

The ‘Gutter Synth’ designed by Tom Mudd features on 'Americans', 'Irony, Chastity, Obedience' and 'Index Veri'

@lu_gh

www.c-a-n-v-a-s.com

Re Munus

Buy DL/LP

Lugh - Irony, Chastity, Obedience

R79 – Philip Corner – “Through Mysterious Barricades with George Maciunas” LP
http://www.recitalprogram.com/through-mysterious-barricades/
out Sept. 18th, 2020

-Limited Edition of 250 LPs
-12-page pamphlet of scores and an essay by Corner

Purchase

R79 - Philip Corner - "Side 1" excerpt from Through Mysterious Barricades with George Maciunas LP

EMOTIVAX - WOUWIUWA | Root Radio 21/01/2021

systematic overcoming of longing since 2016
record label, collective & common spirit 

http://ginandplatonic.online

~ press ~

Gin&Platonic: Sounds plucked off the floor after dripping through a black hole (Easterndaze)
https://easterndaze.net/ginplatonic-sounds-seemingly-plucked-off-the-floor-after-dripping-through-a-black-hole/

Unlimited Editions: Gin&Platonic (The Wire)
https://www.thewire.co.uk/audio/tracks/unlimited-editions-gin-platonic

nesso premiere on IA:
https://inverted-audio.com/premiere-nesso-bouncer-toss/

sorbitol drops' Remízek Music on Foxy Digitalis:
https://foxydigitalis.zone/2024/08/23/the-capsule-garden-vol-3-17-august-23-2024/

Remízek Music on SilenceAndSound:
https://silenceandsound.me/2024/09/10/sorbitol-drops/

sorbitol drops video premiere on Swine Daily:
https://swinedaily.com/swine-premiere-sorbitol-drops/

Racine interviewed for Full Moon Magazine:
https://www.fullmoonzine.cz/julien-racine-hudba-vznika-skoro-vzdycky-v-izolaci-music-is-created-almost-always-in-isolation

Racine's Boue on SilenceAndSound:
https://silenceandsound.me/2024/05/15/racine/

Racine premiere on IA:
https://inverted-audio.com/premiere-racine-boue-iv/

aircode's Surface Tension among the best albums of 2023 on ATTN:
https://www.attnmagazine.co.uk/feature-review-of-2023/

Surface Tension on The Quietus:
https://thequietus.com/articles/33450-tenniscoats-ryosuke-kiyasu-spykidelic-aircode-cassette-high-bias

Surface Tension on SilenceAndSound:
https://silenceandsound.me/2023/10/26/aircode/

aircode on Crucial Listening podcast:
https://www.attnmagazine.co.uk/crucial-listening-141-aircode/

SINERAW's MIMETIC FAUNA on SilenceAndSound:
https://silenceandsound.me/2023/08/28/sineraw/

paszka's lapton on The Quietus:
https://thequietus.com/articles/33125-the-quietus-best-albums-of-2023-so-far

Somaticae's Kleis among the best albums of 2022 on The Quietus:
https://thequietus.com/articles/32400-the-quietus-top-100-albums-of-2022-norman-records

Oroboro's SPIKYMEMORY video on If-Only:
https://ifonlyuk.com/video-premiere-oroboro-spikymemory/

Ursula Sereghy on SHAPE:
https://shapeplatform.eu/2023/ursula-sereghy-i-cant-hear-myself-in-a-city

Ursula Sereghy interviewed for The Wire Magazine: www.thewire.co.uk/in-writing/interviews/thinking-outside-the-box-milos-hroch-interviews-ursula-sereghy

Ursula Sereghy's OK Box among the best albums of 2021 on The Quietus:
https://thequietus.com/articles/30903-the-quietus-top-100-albums-of-2021

hmurd's Flower Knight reviewed on RA:
https://ra.co/reviews/34044

toiret status' liquid house on The Quietus:
https://thequietus.com/articles/30921-best-tapes-of-2021

liquid house on Juno:
https://www.juno.co.uk/junodaily/2021/02/19/this-weeks-best-new-albums-7/

liquid house on Paynomindtous:
https://paynomindtous.it/toiretstatus-sabiwa-gnp/

Kindohm's Deserted / Reclaimed on Boomkat:
https://boomkat.com/products/deserted-reclaimed

Forces' Epoch on SBVRSV.press:
http://sbvrsv.press/premiere-forces-world-is-going-to-burn-gp012/

julek ploski's śpie on toneshift.net:
https://toneshift.net/2019/11/25/spie-by-julek-ploski/

śpie on nowamuzyka.pl:
https://www.nowamuzyka.pl/2019/11/13/julek-ploski-spie/

Queimada's Eremocene on Paynomindtous:
https://www.paynomindtous.it/ginplatonic-queimada-eremocene/

trngs' RLLY INTENSE .WAV FILES on Threshold:
https://www.thresholdmagazine.pt/2019/07/a-tecnologia-experimental-de-trngs-e.html

HIMERA featured on Ersa Magazine: http://ersamagazine.com/popnotes-penpals-three/

Strachkvas‘ mix of the month on A2larm: a2larm.cz/2018/11/mix-mesice-strachkvas/  

Kagami Smile’s Four Selves reviewed on RA: https://www.residentadvisor.net/reviews/23134

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Gin&Platonic

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