🙏🏻 Thanks to open so WIDE my AESTHETIC CONTEMPLATION FACULTY. CONCRATS MAESTRO for this SALVATIVE MASTER PIECE of ART 🙏🏻

Space Riksha

Taken from the album 'Sky Dice / Mapping the Studio' released as LP and Digital

Marcus Schmickler 'Sky Dice / Mapping the Studio (excerpt)'  (EMEGO 296)

Asemix is the collaborative project of Mari Maurice (aka more eaze) and Nick Zanca (fka Mister Lies) exploring the blurry space between pop abstraction, electro-acoustic zones and sound collage. Their self-titled debut record is the culmination of a year of remote collaboration, stem-swapping, blind trust and an almost telepathic creative process. 

“I really had no idea what form it would take. It seemed equally likely to manifest itself through song-form or collage,” shares Mari Maurice about her (lack of) expectations at the beginning of the creative process. Nick Zanca continues: “…she sent over a few sketches with a few overdubbed layers of edited improvisations for me to work with, which quickly evolved into a reciprocal back-and-forth.” By the summer of 2020, the duo racked up quite a lot of material, a combination of heavily processed and treated acoustic performances, synth work, field recordings and found sounds. Over the next few months, this material was refined, spliced and moulded into the duo's debut album. Across five tracks and 41 minutes of we’re introduced to a sound world that feels granular yet fluid, and one that is somehow both half-awake and fully immersive. 

Whether it’s the mysterious atmospheres and deep bass rumblings of the opening “Phantom Lung”, the more noisy meanderings of “Rehearsal Earthquake” or the glitchy, fully fledged euphoria of the closing “Communal Nude”, 'Asemix' draws you in. There’s something very welcoming about these sounds, it’s like you’re on the verge of remembering them; a half-forgotten dream, a memory you only have an old image to thank for, in aural form. 

The kinship, shared artistic sensibility and chemistry between Maurice and Zanca is strikingly obvious. The latter calls Asemix “one of the most fruitful and careful collaborations” he’s ever been involved in and the former continues to be in awe of the results: “It still blows my mind how much these pieces feel like they're occupying the same physical space despite recording these tracks on opposite sides of the country.” If this is the spirit and energy they can create remotely, it’s very exciting to imagine what Asemix can make when they finally meet.  

Pre-order cassettes or digital files: https://asemix.bandcamp.com/album/asemix

Asemix - Phantom Lung

https://embalminglately.bandcamp.com/album/backward-el-egy

proceeds will be sent to www.spilka.link , a local (brooklyn/new york city) relief fund supporting the people of Ukraine

backward el.egy

Brandon Juhans - Gradually

generated from fine-tuning musika generative AI music model on random fm dataset

tmp2f8mu8dp

ftwr

Atlas, the label debut EP by Foxconn Suicide, is a dense ocean of dilated, murky industrial grooves, shimmering trance-derived arpeggios and sporadic noisy, deteriorating assaults.

In a swamp steeped in digital pitfalls, the duo's mechanical contortions turn a stern gaze to the mournful march of the industrial world and the cold rave nostalgia of centuries past, guiding us to the stake of an old and painful path, favoring under their breath an unknown and present torment.

Exploring the dangerous limits of the senses, the EP's five tracks accompany us on this violent immersion into the human ego, accepting the intimate and dark boundaries of self-processing and finally rebelling through an uneasy, neuromantic but necessary reaction.

1. Stigma
2. Levitation Down
3. Suspension III
4. Advena
5. Becoming-light

Produced by Alessandro Biselli & Mirco Ercoli
Mastered by Giancarlo Brambilla
Artwork by Carmine Laurenza
Guitars on Becoming-light by Loris Cericola
AFN010 - A Flooded Need, 2023

Atlas

Foxconn Suicide - Stigma

59.197611, 17.739410

Brannten Schnüre - Wann Kommst Du Geschneit

______ __ ________ ‘Ad Cue’ __ _ ________ _ ___ ‘cadeu’. _______ _____ __ Berlin, _______ _ _______________ - __________ ___. __________ _ _____ / __________ __ ____________. __________ ____ _______ __ _ _____________________. __ ___-_____ un & de, _____ ___ _____ 2017 ___ 2018 ___ ___ ________ , _____ ____ ______ _____ __ _____ __________ __ __ _____ Hyperboloid Records, __ ________ ___________ Bias to Abyss __. __ ___ ___ _______ ________ ________ ___ ___ ____-______ _______ ____ ____ ____ __Temporary Titles in Fixed Media. Brand new album on Gin&Platonic. ____ _____ _______ ____ _____ ___ . Coming out next month!

G&P011 _______ __ 4 _____, ______Temporary Titles in Fixed Media _____ _ __ _____ ______ _____ 38 ______. _____ __________ ____ __ _________ - _____________. ____ _______ ______ - ___ _ ___ _ ________- Temporary Title 001. ____ ______ ________________ ______ __ ____ ______, ____ ________ ______ __ future, ________ _____ ____ __ ___, _________ __ present. ___ 002 ________, __________ _______ ____ _________ ______ _____. _________________ _____ 03 ___ inherent temporality. _________ __________ ________. ____ _________ __ __, 04 ________ ___ ___________ subjects to change.  

Produced by Ad Cue
soundcloud.com/ccaaddeeuu

Mastered by A.Fruit
soundcloud.com/annafruit

Artwork by Jiri Macku
jirimacku.tumblr.com

💧

Ad Cue - Temporary Title 005 (bonus track)

EE3 is a suggestive succession of strangely assembled pieces of micromondo miscellanea as small bizarre objects and surreal items right for Artetetra’s continuously metastasizing outré wunderkammer. 

A showcase of heterogeneous materials that cover an entire imaginal ecosystem going from the grotesque to the hazy, to the hypnagogic and absurd til the utterly whimsical; often resulting in non-linear audio experiences with humoristic and paradoxical outcomes. Abstract exotica, amphibian footwork, compositional audio-jokes, brutal counterpoint metal, aquatic sci-fi shredding, steel-cold cognitive fado, glossolalia madrigals, metaphysical hip-hop, sunitty conglomerations, abrasive warfare cartoon OSTs. All and all, let’s just call it Quinto Mondo. 

But let's get down to the nitty-gritty: 
STILL NOT MUCH 3 SAY 
NEO°GEO 3.0 
30 TRACKS 
30 IMAGINAL FAMILY SUPERSTARS 
2H OF HAILE MUZAK FROM THE FLOATING WORLD 
FUN IS THE MF GUN 

Compiled and curated by Artetetra 
Illustrations and design by RIccardo Redeghieri 
Mastered by Giancarlo Brambilla

The nitty-gritty

AIR Krew - Lair Of The White Worm Scam

systematic overcoming of longing since 2016
/ record label, collective & common spirit 

http://ginandplatonic.online

~ press ~

Unlimited Editions: Gin&Platonic (The Wire)
https://www.thewire.co.uk/audio/tracks/unlimited-editions-gin-platonic

aircode's Surface Tension on The Quietus:
https://thequietus.com/articles/33450-tenniscoats-ryosuke-kiyasu-spykidelic-aircode-cassette-high-bias

aircode's Surface Tension on SilenceAndSound:
https://silenceandsound.me/2023/10/26/aircode/

aircode on Crucial Listening podcast:
https://www.attnmagazine.co.uk/crucial-listening-141-aircode/

SINERAW's MIMETIC FAUNA on SilenceAndSound:
https://silenceandsound.me/2023/08/28/sineraw/

paszka's lapton on The Quietus:
https://thequietus.com/articles/33125-the-quietus-best-albums-of-2023-so-far

Somaticae's Kleis among the best albums of 2022 on The Quietus:
https://thequietus.com/articles/32400-the-quietus-top-100-albums-of-2022-norman-records

Oroboro's SPIKYMEMORY video on If-Only:
https://ifonlyuk.com/video-premiere-oroboro-spikymemory/

Ursula Sereghy on SHAPE:
https://shapeplatform.eu/2023/ursula-sereghy-i-cant-hear-myself-in-a-city

Ursula Sereghy interviewed for The Wire Magazine: www.thewire.co.uk/in-writing/interviews/thinking-outside-the-box-milos-hroch-interviews-ursula-sereghy

Ursula Sereghy's OK Box among the best albums of 2021 on The Quietus:
https://thequietus.com/articles/30903-the-quietus-top-100-albums-of-2021

hmurd's Flower Knight reviewed on RA:
https://ra.co/reviews/34044

toiret status' liquid house on The Quietus:
https://thequietus.com/articles/30921-best-tapes-of-2021

toiret status' liquid house on Juno:
https://www.juno.co.uk/junodaily/2021/02/19/this-weeks-best-new-albums-7/

toiret status' liquid house on Paynomindtous:
https://paynomindtous.it/toiretstatus-sabiwa-gnp/

Kindohm's Deserted / Reclaimed on Boomkat:
https://boomkat.com/products/deserted-reclaimed

Forces' Epoch on SBVRSV.press:
http://sbvrsv.press/premiere-forces-world-is-going-to-burn-gp012/

julek ploski's śpie on toneshift.net:
https://toneshift.net/2019/11/25/spie-by-julek-ploski/

julek ploski's śpie on nowamuzyka.pl:
https://www.nowamuzyka.pl/2019/11/13/julek-ploski-spie/

Queimada's Eremocene on Paynomindtous:
https://www.paynomindtous.it/ginplatonic-queimada-eremocene/

trngs' RLLY INTENSE .WAV FILES on Threshold:
https://www.thresholdmagazine.pt/2019/07/a-tecnologia-experimental-de-trngs-e.html

HIMERA featured on Ersa Magazine: http://ersamagazine.com/popnotes-penpals-three/

Strachkvas‘ mix of the month on A2larm: a2larm.cz/2018/11/mix-mesice-strachkvas/  

Kagami Smile’s Four Selves reviewed on RA: https://www.residentadvisor.net/reviews/23134

Ad Cue - Temporary Title 005 (bonus track)

Gin&Platonic

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