Following releases on Eternal Dragonz and Gãy, ONY’s Children of the Apocalypse was produced after a return from Vietnam in late 2019, through multiple lockdowns, up until the present day. 

Children of the Apocalypse takes its name from a documentary about the enduring multigenerational destruction caused by the US military, who dumped Agent Orange herbicide over a third of Vietnam during the War. Circling personal narratives and family migration throughout the EP, the cover artwork is a portrait taken by ONY of his grandmother in her old flat in Montpellier, where she moved to as a refugee alongside his grandfather and their seven children. Defined by its heavily textural atmospherics and cinematic composition, Children of the Apocalypse serves as an attempt to in ONY’s words: “soundtrack the video game I will never create and a reflection on my family history, what it means to be Vietnamese in the south of France.”

ONY (Thierry Phung) is a DJ and producer who has been crafting stories on his genre-bending monthly NTS show since 2015. He mines whatever he finds to craft an immersive and strange musical environment. His shows are by turn dark, ethereal and uncanny, often all at once.

Children of the Apocalypse is written and produced by ONY 
Mastering by Harry Murdoch

ONY - Mưa Nửa Đêm

xquisite releases is proud to present ‘Enter Silicon’ the new release by American Sound. @americansound

over 8 songs American Sound (a sister project to the london based Design A Wave) plunges the listener into a swirling vortex of synthetic memories. 

like an oraboros eating its own tail the project cannibalises familiar synthesised soundscapes into something that satisfies a deep desire while leaving you uncertain.

like an America that cannot dream except in images of itself ‘Enter Silicon’ produces a fever dream which is captivating to witness.

mixed and mastered by American Sound
cover by Moritz Smid

American Sound - Intentions

Echoes

From Boli Group "N.P.D.S" LP/DL 
Posh Isolation 208 
Out May 4th, 2018

"Via negativa, not a collection of skills but an eradication of (mental) blocks
Meme sonate, winter sun fails but 'spirits bright'
Matiné meditation
A picture of fresh moringa leaves
The sound of NSA listening in on your most intimate moments.
Early 21st Century Music”

Boli Group is a new ensemble spearheaded by Copenhagen based composer and producer Asger Hartvig. Responsible for some of the most fearless and intriguing works to come from the city in recent years, Hartvig is as imposing as he is mysterious, and his debut release for Posh Isolation makes no concessions.

Hartvig is perhaps best known for his work with the group Synd Og Skam. And though less known, Brynje 1&2 is just as exceptional. Taking both technology and classicism as allegories, each group charts routes in and out of pop music, somehow arriving at an observer's distance to the distinct stylistic choices in the process. The label Visage has published the best of this, and the logic has certainly been carried into 'Boli Group LP,' the latest offering from Hartvig and his distinguished ensemble of Nina Cristante, Holger Hartvig, Thea Thorborg, and Cæcilie Trier.

There is a nearly unendurable fragility to 'Boli Group LP.' It's as if Hartvig has let the complexities of his themes stand in mourning; his narrator taking a moment to themselves behind sunglasses, exhausted for the rose-tinted lens of the prepared script. The album is willingly dramatic, though it never plateaus into melancholia. Hartvig pirouettes at the edge with the sorrowful string arrangements and the pristine timbre of the piano, the immediacy of the acoustics always binding the listener tightly to the risk. Pastoral and meditative, the electronics don't tamper with the delicate fabric being woven. They always register as supportive and understated. The synthetic hum, occasionally yielding a doleful melody as it does, manages to imbue a naiveté to this contemporary and subtly idiosyncratic chamber music.

Though the track titles lead us on, in time the examination the album provokes is that of the tension in transparency. The album's secret, barely kept through the minimalism, is its distinct folk noir quality in holding it.

"boli group creating new chamber folklore embracing the playing of instruments, not the played, but that which is playing for the sake of future focus and edit into the very minerals of instrument, intuition, emotion, fragility underlying, the warning, always pulsating acts of drama, wet leaves, asphalt, pan to right, agriculture and electricity poles a container ship, lonely in horizon hoping for a clear thought, but everything existing as conspiracy the sound of a search, uncertain and always asking, for certainty is false, showing sceneries changing permanently and forever narrating, like a panorama of grey clouds, keeping humidity levels high, heating up before the release of water and lightning investigation for folk instruments. What are their songs and where will they go, over time, woven together like a piece of fabric created to stand against the lethal winds”

A1. Overture 04:36
A2. How To Play 03:12
A3. Monsanto Folk Song 02:46
A4. Toxica 03:15
A5. Moringa 03:15
A6. Garden Picture 02:28

B1. Tension In Three Stages (Drama) 06:28
B2. Tension In Three Stages (Country) 03:18
B3. Tension In Three Stages (Nautic) 05:39
B4. Summit 01:35

Posh Isolation 208

04 05 2018

Boli Group - Toxica

Various Artists "All The Same Dream Remixes"
Posh Isolation 218
2019

Kyo - To All My Future Lovers (oqbqbo remix)

Following releases with Curl Recordings as a member of Lol K, TT are proud to present @juniorxl's debut EP Fervour Wharf, out on Friday 12th April

Artwork - Insta: @um_destinyhalo__

Fervour Wharf

Junior XL - It felt like moving forward, but you've been going round in circles

Workng With Artists :) from the album Summits
Avalible here on bandcamp - 
https://recsund.bandcamp.com/album/summits

Working With Artists

Taken from @iptpf's new EP 'Obsession' (G&P014), remixed by @ornine
buy: ginandplatonic.bandcamp.com/album/obsession

ptpf is an acronym derived from the surname of Russian producer Ilya Potapov. Coming from Saint Petersburg, Potapov has been self-releasing comprehensive collections of sorely wrenched music for the past couple years. His first two projects under the ptpf moniker - '1935' and 'G.D. ' (dating back to 2015 and 2016, respectively) somewhat resemble the formula fundamental for the haunting atmosphere of an early witch house or other industrial offshots. Although the experimental nature of ptpf's works is evident throughout these releases, the transition towards more abstract realms manifests utterly on his 2019 album 'Salivation'. Coming out via the already-cult label Quantum Natives, 'Salivation' sees ptpf embracing the disorder and the tensity that was previously tamed and now has been let loose entirely. Gin&Platonic are now pleased to present ptpf's follow-up musical instalment - 'obsession'.

On 'obsession', Potapov's signature distant muttering collides with abraded power electronics, together creating a four-track EP full of dreadful emotional confession not everybody is ready to hear out loud. The disturbing nature of the project evokes a gradual dissociation from a long-forgotten tenderness into an emotional imbalance and urgent confusion. What once felt like affection, now feels like an obsession.
The leading single 'Shibari' is remixed by Rina Priduvalova, a Ukrainian interdisciplinary artist who released her first EP 'The Tears Of Things' in 2019. She is now in the process of preparing multiple audiovisual projects together with Diana Azzuz as Ximena. We also reached out to Greek rhythmic alchemists Ice_Eyes, whose releases we have on heavy rotation, having received a slamming remix of 'Nobody´s Fault'. Last but not least, the endlessly creative brain behind Quantum Natives themselves - ornine - closes the release with a sublime rework of 'Last Record'.

releases July 5, 2020

Written and produced by Ilya Potapov
@iptpf

Mastered by Wim Dehaen
@wimdehaen

Artwork by Jiri Macku
jirimacku.tumblr.com

📜

ptpf - Last Record (Ornine remix)

Read more about Sprælle' single on CxC: https://couvrexchefs.com/en/tangible-spraelle/

Article

[PREMIERE] Sprælle - Tangible [self-released]

* Announcing CANVAS010 *

Alpha Maid - CHUCKLE 

Format: Digital/Vinyl
Cat.No: CANVAS010
Release Date: 19th of March 2021

Alpha Maid - SUM1  (VIDEO):
https://thewire.co.uk/video/watch-alpha-maid-sum1

Pre-order available at canvas-index.bandcamp.com/album/chuckle

CHUCKLE is the first solo release by Leisha Thomas as Alpha Maid on the C.A.N.V.A.S. label, following a contribution to the recent Apocope compilation LP. The signature Alpha Maid genre prevails—the sincere, strong vocal style, aligned with a UK indignant and iconoclastic artistic lineage, set against dredging, grungy instrumentals reminiscent of North American open plains or urban sprawl. As if desert rock had occurred in mundane and claustrophobic South London rather than the Southern States. Alpha Maid observes and reflects on an urban, smoggy, UK surrounding, although appears to drive through it on an open interstate highway in a really wide car.

Alpha Maid's vocals vacillate between sometimes candid, close and unclouded, then drifting towards fragmentary, cutting and pasting in the manner of unstable media or limited bandwidth.

Opening with a quote—found footage from broadcasted media—‘i knew the figures’, pointing to a setting of British media harassment and scrutiny, WOWOWOW conveys amazement and disbelief, faced with the bare and flagrant injustices of the time and place. Vocals are swallowed by the cavernous reverberation, while slow paced stoner rock-like drifting instrumentals amble underneath.

CHUCKLE follows Alpha Maid's debut EP Spy, released via the ever-transforming collective and label CURL, of which Alpha Maid is a member, alongside the founders Coby Sey, Mica Levi and Brother May. Whilst Spy expressed revulsion in the face of creeping surveillance and the increasingly concealed and deceptive nature of power, CHUCKLE embodies the spirit of internal disorientation and realisations, exacerbated by a backdrop of social crises and injustices reaching levels beyond our grasp or comprehension.

Electronic interventions, eclectic instrumentation and found footage intersperse Alpha Maid's trademark sound. Brief interludes reminiscent of Scandinavian metal themes, undistorted but purveying doom—opening MILD WEATHER and closing NEWLY WOKE & THOUGHT PROVOKED—contribute to the creation of an atmosphere of eerie dread. Within that, there is regular respite to be found—NEWLY WOKE & THOUGHT PROVOKED feels light, rural, nearly folk, delivered with clarity of mind and of pace amongst the otherwise smoggy and moody overlying theme of the EP. The title of the track, however points to a familiar context of confusion amongst cosmopolitan and globalised socio-political contagion. NEWLY WOKE & THOUGHT PROVOKED, in harmony with the nature of the whole release, is fresh, melodically simple, optimistic and yet suspended within a murky atmosphere of cataclysm and wonder.

Lugh O'Neill

Music by Leisha Thomas
Trumpet on 'MILD WEATHER' and 'NEWLY WOKE & THOUGHT PROVOKED' performed by Jovis Lane
Flute on 'DOGGY' performed by Niazy Hazeldine
Drums for 'SUM1' recorded by Ben Vince at Roundhouse, February 2020

Mastered by Chris Pawlusek

Artwork by Fennella McCallum
Graphic Design by Zuzana Pabisova



www.c-a-n-v-a-s.com

Buy DL/LP

Alpha Maid - SUM1

@clarissaconnelly

https://petrola80.bandcamp.com/album/exchange
https://www.instagram.com/petrola_80/

Clarissa Connelly & Johan Polder - The Rider

systematic overcoming of longing since 2016
/ record label, collective & common spirit 

http://ginandplatonic.online

~ press ~

Unlimited Editions: Gin&Platonic (The Wire)
https://www.thewire.co.uk/audio/tracks/unlimited-editions-gin-platonic

aircode's Surface Tension on The Quietus:
https://thequietus.com/articles/33450-tenniscoats-ryosuke-kiyasu-spykidelic-aircode-cassette-high-bias

aircode's Surface Tension on SilenceAndSound:
https://silenceandsound.me/2023/10/26/aircode/

aircode on Crucial Listening podcast:
https://www.attnmagazine.co.uk/crucial-listening-141-aircode/

SINERAW's MIMETIC FAUNA on SilenceAndSound:
https://silenceandsound.me/2023/08/28/sineraw/

paszka's lapton on The Quietus:
https://thequietus.com/articles/33125-the-quietus-best-albums-of-2023-so-far

Somaticae's Kleis among the best albums of 2022 on The Quietus:
https://thequietus.com/articles/32400-the-quietus-top-100-albums-of-2022-norman-records

Oroboro's SPIKYMEMORY video on If-Only:
https://ifonlyuk.com/video-premiere-oroboro-spikymemory/

Ursula Sereghy on SHAPE:
https://shapeplatform.eu/2023/ursula-sereghy-i-cant-hear-myself-in-a-city

Ursula Sereghy interviewed for The Wire Magazine: www.thewire.co.uk/in-writing/interviews/thinking-outside-the-box-milos-hroch-interviews-ursula-sereghy

Ursula Sereghy's OK Box among the best albums of 2021 on The Quietus:
https://thequietus.com/articles/30903-the-quietus-top-100-albums-of-2021

hmurd's Flower Knight reviewed on RA:
https://ra.co/reviews/34044

toiret status' liquid house on The Quietus:
https://thequietus.com/articles/30921-best-tapes-of-2021

toiret status' liquid house on Juno:
https://www.juno.co.uk/junodaily/2021/02/19/this-weeks-best-new-albums-7/

toiret status' liquid house on Paynomindtous:
https://paynomindtous.it/toiretstatus-sabiwa-gnp/

Kindohm's Deserted / Reclaimed on Boomkat:
https://boomkat.com/products/deserted-reclaimed

Forces' Epoch on SBVRSV.press:
http://sbvrsv.press/premiere-forces-world-is-going-to-burn-gp012/

julek ploski's śpie on toneshift.net:
https://toneshift.net/2019/11/25/spie-by-julek-ploski/

julek ploski's śpie on nowamuzyka.pl:
https://www.nowamuzyka.pl/2019/11/13/julek-ploski-spie/

Queimada's Eremocene on Paynomindtous:
https://www.paynomindtous.it/ginplatonic-queimada-eremocene/

trngs' RLLY INTENSE .WAV FILES on Threshold:
https://www.thresholdmagazine.pt/2019/07/a-tecnologia-experimental-de-trngs-e.html

HIMERA featured on Ersa Magazine: http://ersamagazine.com/popnotes-penpals-three/

Strachkvas‘ mix of the month on A2larm: a2larm.cz/2018/11/mix-mesice-strachkvas/  

Kagami Smile’s Four Selves reviewed on RA: https://www.residentadvisor.net/reviews/23134

ptpf - Last Record (Ornine remix)

Gin&Platonic

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