You know Dirtybird for dropping basslines and creating smiles on the dance floor since January 2005.

The fun family vibe of the Dirtybird label can be traced back to a free event started in Golden Gate Park, San Francisco. This new kind of house music went against the smooth vocal house that was popular at the time and derived its influences mostly from hip-hop, drum n bass, and American funk. The free outdoor BBQ party was very rough around the edges but eventually became legendary amongst the people of San Francisco. This event was also a very influential factor in the decision by Claude VonStroke to start the record label in 2005.

Today, Dirtybird has offices in San Francisco and Los Angeles and has expanded into events and tour production. As it grows, the brand continues to expand beyond music into merchandise, licensing and artist management. In 2015, Dirtybird launched the inaugural Dirtybird Campout festival, which has been dubbed “Summer Camp For Adults”, and Dirtybird has been recognized from their achievements by being awarded "Underground Label of the Year" at the International Dance Music Awards, “Label of the Decade” by Mixmag, “Best North American Label” by DJ Mag, and Billboard’s "Top 5 Independent Dance Labels".

#SLOTHACID ® 👑🌑☀️
Sacha @ Komi: https://sacharobotti.komi.io
SLOTHACID Label & Apparel: www.slothacid.com
Sacha Web: www.sacharobotti.com 
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Mgmt: mgmt@industrymusic.la
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1/2 of THIRD CULTURE w/ Sian
THIRD CULTURE @ Komi: https://thirdculture.komi.io
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>> To send us demos SLOTHACID please use https://tstack.app/slothacid . Thank you XO S

Married to House.
Deep House, Progressive House, Tech House, Bass House, Melodic House, Afro House, Disco, 90's House, Tribal House 🏡

Bookings: peter@minttalentgroup.com
313-513-6677 

https://biglink.to/GolfClapDet

Label: https://soundcloud.com/country-club-disco
Facebook Group: https://www.facebook.com/groups/CountryClubDisco
Weekly Radio Show: https://soundcloud.com/countryclubdiscoradio
Promos: golfclappromos@gmail.com


Detroit has long been a hub for electronic beat lovers and speaker freakers, but Golf Clap’s Hugh Cleal aims to lead a new generation. For nearly a decade, he’s hustled the project and its Country Club Disco label to the forefront of house music’s funkiest dimensions. The project (formerly a duo with Bryan Jones), works tirelessly to conjure a palpable energy, one fans can feel at every gig, be it a hot-and-heavy club set or an energetic takeover of a festival stage. Golf Clap feeds off the crowd, spinning the hottest songs of the moment while breaking new records - and this isn’t any press play, hands in the air fair. You're likely to hear a lot of cutting up between facefulls of funk and bass. 

Fueled by a relentless passion, when Cleal isn’t behind the decks, he’s likely pulling all-nighters in the studio. Bodies dancing in real-time is an addiction, but when it comes to original productions or high-profile remixes, Golf Clap wants to create something for every moment. Recent singles “Freak It Out” [Country Club Disco] “Mystery Scene” [mau5trap/Insomniac] and “Gravitate” [Toolroom] showcase their deft and dark grooves, while 2018 EPs  Vices  and  Machines  showcase club-ready attitudes. High-profile remixes for Zeds Dead and Illenium, Zhu and Tame Impala, Louis The Child, and Hotel Garuda give the music makers a chance to showcase stylistic variety. 

While 2020 has been a year of great change, Cleal has never stopped working. With loads of new tunes in the wings and a dedication to the Country Club community, Golf Clap is and always will be, in his own words, “about creating a community.”

Founder: @upthestuss
Alias: @acrossboundaries

Bookings & Management: nick@meanwhile.nl

Bandcamp:
https://chrisstussy.bandcamp.com

Resident Advisor: 
https://www.residentadvisor.net/dj/chrisstussy

Bookings: matt@slntmachine.com
Mgmt: matt@slntmachine.com

RECORD LABEL BY @ShibaSan
How to send demos : 
1 - On souncloud :
Soundcloud link + Download + Email Address.
2 - By email :
 music@basementleak.fr

North/South America and Asia:
lhughes@teamwass.com
dhoffman@teamwass.com

Australia:
paul@posterchild.com.au

MANAGEMENT:
walkerandroyce@jet-mgmt.com

For Sam Walker and Gavin Royce, the question is the fundamental test of their studio output. Simple as it may sound, for this perfectionist pair it’s anything but. Their innate dance floor intuition, combined with years of experience behind the decks, drives them to create music that isn’t just playable — it’s irresistible.

First introduced by way of New York City's early-aughts dance music scene, Sam Walker and Gavin Royce first teamed up for a remix in 2011. The duo found early success on tastemaker labels like Crosstown Rebels, OFF Recordings, and Moda Black, scoring an Essential New Tune nod from Pete Tong with 2014’s “Sister.”  The indie dance and deep house sounds that informed Walker & Royce’s earliest work soon gave way to something different. Quirky accents and bouncy synths, previously deeper in the mix, leapt to the forefront, backed by a propulsive new energy. The success of their November 2015 “Bright Lights” remix was a clear indication that they were onto something.

In October 2017, Walker & Royce released their debut album Self Help on Dirtybird, which both showcased and expanded upon their now-signature sound. The guys enlisted numerous vocalists, including Green Velvet, Dances With White Girls, and Sophiegrophy, to make Self Help feel like a packed house party – while leaving no doubt about who was hosting.  Self Help was followed by further experimentation and growth. Sam and Gavin have collaborated with Claude Vonstroke, Ardalan, Chris Lake and VNSSA just to name a few as well as remixed Channel Tres, LP Giobbi, The Knocks, Justin Jay, Gorgon City, Mindchatter; and put out music on Relief, Black Book, HotBOi Records and more. Their Rave Grave EP was the inaugural release on Diplo’s house-focused imprint Higher Ground.  Continuing to push boundaries, they have launched their own label Rules Don’t Apply Records, with the ethos just as the name states…No Rules, just good music.

Walker & Royce have spent years honing in on their one-of-a-kind style, meticulously crafting the sounds they want their fans to hear in clubs, at festivals and in their headphones. The result is a cohesive, career-defining body of work that firmly places the duo at the forefront of dance music's future.

Bookings: dan@xmixproductions.com
PR: masha@xmixproductions.com
Grammy Award nominated DJ/Producer Todd Terry has been engulfed in dance music since he first started listening to European dance music records while growing up in Brooklyn. Already devoted to turntables, he heard something different in those tracks, and he “went for the difference. I never got a break in New York, but England happened right away, so I catered to them.” In any event, the Todd Terry sound was born.

By 1988, Todd Terry hit big in England and Europe, and his notoriety was making its way back to the U.S. In addition to DJ appearances, Todd was cutting his classic underground tracks A Day In The Life, Weekend, and Can You Party, released under monikers such as the Todd Terry Project, House Of Gypsies, and Royal House, all considered essential and ground breaking.

In the mid 90’s, the Ministry of Sound’s eponymous UK label released A Day In The Life, a collection of Todd Terry tracks that had been causing dance floor panic. That then led the way to a deal with Mercury Records allowing him to set up a context in which to work with his favourite singers and performers. The first release, Keep On Jumpin’ on featured a vocal workout from super-divas Martha Wash and Jocelyn Brown, together for the first time ever. The song became a top 10 UK crossover pop hit and worldwide smash. Todd followed with the anthem ‘Somethin Going On’, a top 5 UK crossover pop hit.

All the while, Todd continued to break new ground as a Producer/Remixer. From SNAP to Annie Lennox to George Michael to Bjork, Todd’s mixes bridge the ground between club cool and commercial accessibility. In 1995, his remix for Everything But The Girl’s Missing became a worldwide smash, giving the British duo their first ever hit. He then rode the charts with mixes for Garbage (Stupid Girl), The Cardigans (Love Fool), Everything But The Girl (Wrong), 10,000 Maniacs (More Than This), Jamiroquai (Alright), The Cardigans (Been It), and The Lightning Seeds (You Showed Me),.among others. He also produced a Robin S track (Givin’ You All That I’ve Got) for the multi-platinum Space Jam soundtrack.

INK/Distinctive Records 2005 release The Todd Terry Trilogy: Past, Present & Future on 3 x CD & 10 x 12” vinyl has inspired Todd fans both old and new with over 30 Todd classics and 10 new Todd songs. Todd is also releasing a barrage of new singles on Blanco y Negro, Elementary Group, and Manifesto/Mercury (who are also re-releasing the ‘Keep On Jumpin’ and ‘Somethin Going On’ in 2006). Ministry of Sound has licensed Philippe B Vs. Todd Terry ‘Can You Feel It (Can You Party)’ for a major 2006 release, a new version of the Todd classic Royal House ‘Can You Party’.

Todd Terry All Stars feat. Kenny Dope, DJ Sneak, Terry Hunter, & Tara McDonald’s ‘Get Down’ will be released in 2007 on Strictly Rhythm. This red hot single is the first proper original release on the re-launched legendary label.

‘Strictly Todd Terry’ compilation mixed by Todd Terry will be released in 2007 on Strictly Rhythm. Todd’s mix follows installments by Masters at Work and Tiefschwarz in this newly launched series.

Todd is one of the world’s most celebrated figures in dance music. With almost two decades of dance floor domination under Todd’s belt the quality of his productions goes from strength to strength. Welcome to the church of house music presided over by Todd the God. Are you a believer?

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