Ensemble MusikFabrik Live with Varijasree Venugopal (vocal) BC Manjunat (Mridangam) Guru Prasanna (Canjira). Conducted by Peter Rundel. 

mahAbhArata (mantras, fights and threnody) Kunti Mantra

Terraferma - Giorgio Colombo Taccani

Piano: Daniele Nava
Flute: Tommaso Binini
Violin: Eleonora Liuzzi
Viola: Yana Prokudovich

Recorded at Casa della Musica San Michele (cdmsanmichele.com/)
sound engineer: Alessandro Baldessari

Mix: Alessandro Baldessari
Master: Luca Guidarini

Terraferma - Giorgio Colombo Taccani

Marco Momi - Reloading Vanishing (2012)
for solo flute

Collettivo_21:
Lorenzo Di Marco - flute

Recorded at Casa della Musica San Michele https://www.cdmsanmichele.com
12/03/2023
Sound Engineer: Davide Martini
Mix&Mastering: Luca Guidarini and Davide Martini

https://www.collettivo21.com/

Reloading Vanishing - Marco Momi

Giorgio Colombo Taccani GOLEM  for contrabass clarinet (2004)
dedicated to: Sebastian Borsch - Germany
EDIZIONI SUVINI ZERBONI - MILANO
Sebastian Borsch, contrabass clarinet
More on www.colombotaccani.it/golem.html


"Golem" for contrabass clarinet (2004) - (Sebastian Borsch)

"The Secret Door Opens if You Crawl Beneath" tells of a paradoxical and hidden concept, a precious heirloom for those who own it, a nuisance for those who don't. 
"The Secret Door" is the entrance to self-discovery, which is characterized by its infinite and often bizarre facets. 
Its achievement does not follow conventional paths, and is often distrusted by those who look at it from the outside. 
But with making ourself uncomfortable, aware of possible injuries, so "if You Crawl Beneath", the secret door magically opens, without the keys.

The Secret Door Opens if You Crawl Beneath (2022-23), for Maurice Quartet and electronics

"ANTIFRAGILE” is something that grow in the disorder. 
Uncertainty, stress and risk are all factors which antifragility seeks. 
Like nature, also humans can be “antifragile” by running into disasters, intercepting it and using it as a springboard.
Why protecting from disaster if  “disaster” is the way life is?

ANTIFRAGILE (2023), for large orchestra

Discorsivo è il mio primo lavoro per chitarra e mi ha condotto attraverso un percorso di " esplorazione e scoperta" dello strumento che è stato entusiasmante: nel constatare le sue possibilità - in senso lato - mi sono meravigliato più e più volte, ricordandomi dell'amore per la scrittura. 
Molto tempo è stato dedicato alla selezione dei materiali strumentali e sonori, tutti accomunati da una forte gestualità, orizzontalità e da possibilità polifoniche. Per possibilità polifoniche intendo la coesistenza simultanea di più gesti. 
Il carattere di questo lavoro è discorsivo, esattamente come il titolo suggerisce.
Discorsivo vuol dire che l'avvicendarsi degli eventi musicali ha un incedere "non comandato dall'alto", bensì più istintivo: se vogliamo, più naturale e colmo di nessi di consequenzialità fra un evento e l'altro.
Questi nessi spesso sono il risultato non di calcoli ma di pura immaginazione e di un approccio alla scrittura immediato che, contrariamente a come sono solito comporre, in Discorsivo è molto evidente.

Discorsivo - for guitar - 2024

Giorgio Colombo Taccani  RESTLESS WHITE  for flute (2012)
dedicated to: Roberto Fabbriciani - Italy
EDIZIONI SUVINI ZERBONI - MILANO
Andrea Biagini, flute
More on www.colombotaccani.it/restlesswhite.html

"Restless White" for flute (A. Biagini) (2012)

Giorgio Colombo Taccani WHY EAT WHY KILL for voice and piano on a poem by Abraham Smith (2016)
dedicated to: Akiko Kozato and Adele D'Aronzo
EDIZIONI SUVINI ZERBONI - MILANO
Akiko Kozato, voice - Adele D'Aronzo, piano
More at www.colombotaccani.it/whyeatwhykill.html

"Why Eat Why Kill" for voice and piano on a poem by Abraham Smith (2016)

Guitar: Ondrej Veselý

Traduzione: Maurizio Pisati
Graphic: Peter Šulavík

Rights belong to SRO-RTVS Slovakia / Shared for archive purposes.

Salvatore Sciarrino - L´addio a trachis II

Armando Gentilucci

Le clessidre di Dührer (Per clarinetto, violino, violoncello e pianoforte)

Giorgio Colombo Taccani was born in Milan in 1961. He pursued a classical education, graduating from the University of Milan with a thesis in Music History devoted to Bruno Maderna's Hyperion.
At the same time he also studied music, earning a degree in Piano and in Composition at the "G. Verdi" Conservatory in Milan, studying with Pippo Molino and Azio Corghi. He subsequently earned a diploma from the two-year advanced program in Composition taught by Franco Donatoni at the Santa Cecilia Academy of Rome, where he won a S.I.A.E. fellowship; he also took advanced courses with Azio Corghi and György Ligeti and in 1995 was chosen to attend a Summer workshop organized by IRCAM and dedicated to electronic music.
Colombo Taccani's music has won awards and honorable mentions in competitions of both national and international scope, has been regularly presented in concert seasons and music Festivals, has been broadcast by National Radios, and is published by Edizioni Suvini Zerboni, Milan.
Since 1991 to 2001 he has been working with electronic music at AGON acustica informatica musica. 
He assisted Azio Corghi during the advanced course of Composition at the "A. Toscanini" Academy in Parma. Since 1992 to 1999 he taught Composition at the "Civica Scuola di Musica" in Milan. 
Since 2005 he collaborates with the Conducting course (that focuses primarily on contemporary repertoire) taught by Giorgio Bernasconi and Arturo Tamayo at the Conservatorio della Svizzera Italiana, Lugano.
He teaches Composition at the G. Verdi Conservatory in Turin. 

"Golem" for contrabass clarinet (2004) - (Sebastian Borsch)

Giorgio Colombo Taccani

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