Midnight Express

The Wheel

Giorgio Moroder - the father of Disco

Casablanca Records

Genres and Styles:
Disco, Electronic, Hi-NRG, Synthesizer, Pop, Rock, Dance, EDM

Moroder is frequently credited with pioneering synth disco and electronic dance music.

Soundtracks: 
Metropolis, Scarface, Midnight Express, Cat People, Electric Dreams, American Gigolo, Flashdance, The NeverEnding Story, Top Gun, Over The Top, Grand Theft Auto III (Flashback FM), Grand Theft Auto: Liberty City Stories (Flashback FM), Racer

Giorgio collaborated with Daft Punk in 2013
(My name is Giovanni Giorgio, but everybody calls me Giorgio - "Giorgio by Moroder"),
he is officially the oldest DJ in the world and currently working on his new album called "Déjà Vu" featuring Britney Spears, Sia, Charli XCX, Kylie Minogue, Mikky Ekko, Foxes, Matthew Koma, Kelis and Marlene.
Stay tuned.

#74isthenew24
#Righthererightnow
#Dejavu
#Diamonds
#Dontletgo

Galactic Being, Musician, Photographer, Artist.  Member of Especially Good
http://www.facebook.com/especiallygood
https://vero.co/josephflis

Music isn’t just something I hear, it’s something I need to feel. From late-night jazz smoke to heavy house and deep techno that rumbles below 30 Hz, sound for me is not background, it’s a space you can live in.

I build my hi-fi system with the care some people reserve for restoring a classic car. Turntables, amps, cables and speakers are chosen for character and the ability to expose every hidden layer. I’m after that playback where a double bass sounds like real wood and a kick drum makes the floor breathe.

Discovering new sounds is a second nature. Fresh releases, forgotten B-sides, obscure live recordings—they all find a place in my digital and vinyl collection. Vinyl stays at the core. The ritual of needle and groove, the soft crackle before the music starts, the warmth only analog can give—that’s home base.

This SoundCloud isn’t a shop window, it’s a sound logbook. Here I share mixes that drift between deep basslines and melodies that reveal themselves only if you let them. No genre police, just a pulse beating in 4/4. Some sets could soundtrack a crowded club; others unfold like a slow sunrise over the city.

Behind the listening is a bigger hunger: understanding how music fits together. How production, mastering and room acoustics make a track breathe. I spend hours shaping subwoofers, amps and acoustics until it feels like the band is in the room.

For me, music isn’t background noise. It’s a landscape to explore, a universe to step into again and again. SoundCloud is where that journey becomes public, a living archive of rhythms and textures that keep surprising.

The Wheel

GiorgioMoroder