aprils_fool

somSusse

SunSonneSol

Power Playlist 21/4/2014

Filipe

hafen1

Tenha fé que amanha um lindo dia vai nascer Originais do Samba

For those of you struggling to find something to mix into Morgenblätter.. How about a nice Space Ghetto Waltz.. with added whomp??

1,2,3.. 1,2,3

Compere - Jay Wilbur, 
Keyboards & Programming Alex Rizzo

Skeewiff - Space Ghetto Waltz

http://www.youtube.com/watch?v=OzRBr-eBxkA&feature=youtu.be
Free Download: https://michaellener.bandcamp.com/track/dean-martin-mambo-italiano-michael-lener-remix


Dean Martin - Mambo Italiano (Michael Lener remix)

Cametá, a historical little Amazonian town on the shores of the river Tocantins, is the birthplace of the scorching music known as “Siriá”; a cross pollination between the music of the inhabitants of the quilombos, a Brazilian hinterland settlement founded by escaped slaves of African origins, and the indigenous people of the Amazon rainforest. It is a breathing, pulsing, emphatic beat, and the modernised version of this local music, created by Mestre Cupijó, has been igniting street parties and traditional festivals across the state of Pará in Northern Brazil for decades. And at last in 2014, the combustible sound of Siriá will be celebrated internationally as the feverish, tropical sound of the summer!

Foretelling his talent to flow between cultures, Cupijó was named after a local river when he was born in 1936, into a family of musicians. His father, Mestre Vicente Castro, was also known as Mestre Sicudera, the musical director of Centennial Euterpe, one of Brazil ́s oldest bands, founded in 1874. 

At 12, Cupijó started to play the clarinet. He also became proficient at the piano, mandolin and guitar, although the instrument that came to personify his sound was the alto saxophone. Waltz, bolero, cha cha cha and an assortment of dance hall music became part of Cupijó's repertoire, but it was Carimbó and Siriá, the music played by the black communities of Pará, that had the strongest impact on the young musician.

To grasp the soul of this music, Cupijó went to its source and lived with the quilombolas (maroon) community of the Amazon. Upon his return, enriched by this life-changing experience, he founded the band "Jazz Orquestra os Azes do Ritmo" with the goal of reinventing Siriá and modernising Samba de Cacete, Banguê and other folkloric music of the state of Pará. Airwaves from the Caribbean and Latin America had also brought the cumbia sound of the mighty Colombian orchestras, Merengue from the Dominican republic and Cuban music to the Amazon, all of which had an impact on the music of Northern Brazil, Mambo especially! Mestre Cupijó took these influences and mixed them in with the ingredients he had studied in the Quilombos. That fusion – as we are witnessing on this record – had explosive effects.

His fresh new sound became the soundtrack to Cametá's legendary Carnival and soon his troupe were invited to other festivals along the river. Transportation to these concerts was via small boats, where three or four musicians would share a vessel with their instruments tucked between their legs. In those days there were no posters or radio adverts to promote the shows in any way, yet Cupijó’s shows became notorious. In an interview one of his band members explains: "Whenever there was a party – on a Saturday for example – and it was known that Mestre Cupijó would play, the news would spread incredibly fast, just by word of mouth. We didn’t understand how that was possible, but it certainly was amazing."

After the initial wave of enthusiasm, the first two LPs were recorded with rudimentary equipment in a dance club in Cametá. However, it was the third attempt, recorded in a studio in Belém, which would trigger a phenomenal success. "Caboclinha Do Igapo" and "Mambo do Martela", included on this record, became instant hits. A year later, "Mingau de Açai", one of Cupijo ́s most popular tunes, took the region by storm. In total six LPs were recorded by Mestre Cupijó.

He then created "Concurso de Musicas Carnavalesco de Compositores Cametaenses”, a contest for carnival music composers. The songs composed expressly for these contests in the 70s are still performed today during carnival season. In addition to evolving the Pará music culture in this way, he also owned a makeshift soundsystem, "Musicolor", to spin the discs of local artists before his own shows to the frenzied crowds. Mestre Cupijó proved himself a philanthropist as well as a conductor for the people’s music, and acted as a provisional lawyer for the city of Cametá, specialising in help for the poor. He also had a short spell in politics and was elected by a vast majority to the station of Municipal Councillor of Cametá.
Master Cupjó, the pillar of Pará's festive culture, and a humble pop icon who was ushered prominently into the country’s history books, passed away on 25 September 2012, at the age of 76.

We at Analog Africa are ferociously proud and honoured to have the chance to present these carefully selected tracks from Mestre Cupijó’s six studio albums. We hope that his music captivates you with the magic and bewilderment that is has us. We recognise his compositions as true anthems of life and vitality, vibrantly encouraging all to drink and dance until sunrise! Let go of your inhibitions and immerse yourself in the wonderful world of Mestre Cupijó........ Segura!!!

Mingau de Açai - Mestre Cupijo (OUT NOW)

O Circo Chegou - Jorge Ben Jor

Composição: Jorge Ben
Álbum: Música para tocar no elevador

Se liga na letra:

"quem cochicha o rabo espicha
o rabo espicha, o rabo espicha
não fique esperando o que jesus prometeu
porque ele também está esperando
que você tome vergonha na cara
e saia por aí pelo mundo afora
fazendo amizades, conquistando vitórias
em vez de ficar pelas esquinas
cochichando e contando prosas
quem cochicha o rabo espicha, o rabo espicha
também não fique pensando
que essas vitórias serão fáceis
pois nesta vida de perde e ganha
ganha quem sabe perder
e perde, perde quem não sabe ganhar
por isso você precisa aprender a jogar
em vez de ficar cochichando
olhando o bonde passar"

Jorge Ben Jor - Quem Cochicha O Rabo Espicha (Com Barão Vermelho E Serginho Trombone)

Radio Spectrum (Compilation). Out now on CD and e-bundle by Cobalt Music under exclusive license by The Sound Of Everything Records Ltd.
Track Listing:
1. DUSK - WHAT ARE THE CHANCES 
2. NAYRA - WHILE THE YEARS ARE PASSING BY 
3. MONTAGE13 - SWAY 
4. COMMON SENSE - TIME STOOD STILL
5. MONSIEUR MINIMAL - LOVE STORY
6. BLANKCANVAS - MY LIFE'S CHAIN
7. BROTHERS IN PLUGS - CAN'T FIND A SHELTER
8. THE MIGHTY N - RAYS OF LIGHT
9. VINYL SUICIDE - 6.40 A.M. (ON LYCABETTUS)
10. GAD. - WAVES
11. SILLYBOY - PLAYED
12. NO COLOR RAINBOW - FADE AWAY
13. KLED MONE - TWO SUNS (FEAT RUBE)
14. GAD. - BIG BROWN EYES
15. EXPERT MEDICINE - PERFECT MANIAC
16. MONSIEUR MINIMAL - BITTER (FEAT. HIRAS)
17. SOLIFER - JUST A STRANGER (FEAT. GADLESS)
18. POP EYE - THE DEEPEST SEA

BlankCanvas: My Life's Chain (The Sound Of Everything)

Edit with some rearrangement, new beats, percussion and effects...
Original released on 'Tim Maia Vol. 8' (1980)

*Update (08.01.2025): This edit has been on my SoundCloud since 2011. It's now finally remastered and available on Bandcamp:
https://neyfaustini.bandcamp.com/track/tim-maia-voc-e-eu-eu-e-voc-ney-faustini-edit

Free Download

Tim Maia - Você e Eu, Eu e Você (Ney Faustini Edit)

Herb Alpert's Tijuana Brass - Bittersweet Samba (George T Edit)

release date: 21st of April 2014

iTunes http://bit.ly/NTEIBINTnever 
Beatport http://bit.ly/NTEIBINTneverBP 
juno http://bit.ly/NTEIBINTneverJuno 

NTEIBINT is the alter ego of the talented Greek producer George Bakalakos. Following EP’s on Bang Gang and Kitsuné and remixes for Jamie Lidell and Alex Gopher, Eskimo Recordings is proud to present his Never Without You EP.
 
Part charming pop, part organic disco, the original version of ‘Never Without You’ is one of many stunning tracks on our latest compilation The Blue Collection. This ode to love and longing now gets a full single release, including three fresh remixes and the brand new original ‘Baby’.
 
First remix comes from Bluford Duck, who’s featured on quality deep house labels like Jeudi, Suara and Sleazy Deep. His surprising take on the original creates a mood that’s perfect for any dance-floor.
 
Domestic Technology is a sunkissed musical project, heavily influenced by the sounds of the 80s and disco in general. Excellent rework by this Russian producer, approved by Aeroplane.
 
We discovered Gespleu through Satin Jackets. It is the alter-ego production guise of Anton Lanski who started producing at the turn of the millennium. Lanski's affair with sound "through heart, hands and computer tools" have led to a raft of successful releases and remixes, and this is no exception.

TRACKLIST
1. NTEIBINT feat. Stella - Never Without You (Original Mix)
2. NTEIBINT feat. Stella - Never Without You (Bluford Duck Remix)
3. NTEIBINT feat. Stella - Never Without You (Domestic Technology Remix)
4. NTEIBINT feat. Stella - Never Without You (Gespleu Remix)
5. NTEIBINT - Baby (Original Mix)

Never Without You is also featured on The Blue Collection.

iTunes http://bit.ly/TheBlueCollection 
Beatport http://bit.ly/TheBlueCollectionBP 

Eskimo Recordings brings you 'The Blue Collection', the second installment in a new compilation series on Eskimo based around colours. It’s the follow-up to last year’s lauded 'The Pink Collection’. Once again, the acclaimed Ghent based imprint selected 12 brand new songs with exquisite care. An  effortless  journey  encompassing  a  range  of  sounds  through  indie  dance,  nu  disco  and electronica, it’s reassuring to find that Eskimo still stands for timeless quality and originality.

TRACKLIST
1. Atella - The Monster
2. Freeform Five feat. Róisín Murphy - Leviathan
3. Deadbots - UFRST
4. Julian Sanza feat. Future Feelings - The Feeling
5. Blende - Rikki (Le Crayon Remix)
6. Volta Cab - Smoke Some Kill
7. Michoacan - The Kingdom Of Heaven Is At Hand
8. Satin Jackets - Night Keys
9. Blamma! Blamma! feat. Kristina Train - Zsa Zsa
10. NTEIBINT feat. Stella - Never Without You
11. Pete Oak feat. Emeron & Fox - N.O.V.A.
12. Eelke Kleijn - A Tale Of Two Lovers

http://www.facebook.com/eskimorecordings
http://www.eskimorecordings.be
http://www.newsrecords.be/
http://www.facebook.com/NEWSrecords

Never Without You

NTEIBINT feat. Stella - Never Without You

http://www.REGGAEVILLE.com

Extract from the album REGGAE LOVES SOUL available the 10 Feb 2014 with Chezidek & Skarra Mucci, Turbulence, Glen Washington, Ranking Joe, Maikal X on iTunes, Amazon

BUY IT @ https://itunes.apple.com/album/reggae-loves-soul/id806115884

Chezidek & Skarra Mucci - Sunny [Undisputed Records | Brimstone 2014]

From the INN POP compilation. Buy here: 
http://www.inner-ear.gr/gr/releases/compilations/101-inn-pop/ http://innerear.bandcamp.com/album/inn-pop

Beginning Of The Endless

Release: http://www.traxsource.com/title/313083/perspective @ Taste The Music!
OFFICIAL VIDEO: https://www.youtube.com/watch?v=7DTy7Jyj_mc

https://www.facebook.com/petegraceofficial
https://www.facebook.com/MAYAOfficialFanPage

Pete Grace & MAYA - Perspective(Radio Mix)

Watch the video here: https://www.youtube.com/watch?v=Din_eWjJWe0

Todd Terje - Johnny And Mary (feat. Bryan Ferry)

SoulChef - Genie In Disguise

Cametá, a historical little Amazonian town on the shores of the river Tocantins, is the birthplace of the scorching music known as “Siriá”; a cross pollination between the music of the inhabitants of the quilombos, a Brazilian hinterland settlement founded by escaped slaves of African origins, and the indigenous people of the Amazon rainforest. It is a breathing, pulsing, emphatic beat, and the modernised version of this local music, created by Mestre Cupijó, has been igniting street parties and traditional festivals across the state of Pará in Northern Brazil for decades. And at last in 2014, the combustible sound of Siriá will be celebrated internationally as the feverish, tropical sound of the summer!

Foretelling his talent to flow between cultures, Cupijó was named after a local river when he was born in 1936, into a family of musicians. His father, Mestre Vicente Castro, was also known as Mestre Sicudera, the musical director of Centennial Euterpe, one of Brazil ́s oldest bands, founded in 1874.

At 12, Cupijó started to play the clarinet. He also became proficient at the piano, mandolin and guitar, although the instrument that came to personify his sound was the alto saxophone. Waltz, bolero, cha cha cha and an assortment of dance hall music became part of Cupijó's repertoire, but it was Carimbó and Siriá, the music played by the black communities of Pará, that had the strongest impact on the young musician.

To grasp the soul of this music, Cupijó went to its source and lived with the quilombolas (maroon) community of the Amazon. Upon his return, enriched by this life-changing experience, he founded the band "Jazz Orquestra os Azes do Ritmo" with the goal of reinventing Siriá and modernising Samba de Cacete, Banguê and other folkloric music of the state of Pará. Airwaves from the Caribbean and Latin America had also brought the cumbia sound of the mighty Colombian orchestras, Merengue from the Dominican republic and Cuban music to the Amazon, all of which had an impact on the music of Northern Brazil, Mambo especially! Mestre Cupijó took these influences and mixed them in with the ingredients he had studied in the Quilombos. That fusion – as we are witnessing on this record – had explosive effects.

His fresh new sound became the soundtrack to Cametá's legendary Carnival and soon his troupe were invited to other festivals along the river. Transportation to these concerts was via small boats, where three or four musicians would share a vessel with their instruments tucked between their legs. In those days there were no posters or radio adverts to promote the shows in any way, yet Cupijó’s shows became notorious. In an interview one of his band members explains: "Whenever there was a party – on a Saturday for example – and it was known that Mestre Cupijó would play, the news would spread incredibly fast, just by word of mouth. We didn’t understand how that was possible, but it certainly was amazing."

After the initial wave of enthusiasm, the first two LPs were recorded with rudimentary equipment in a dance club in Cametá. However, it was the third attempt, recorded in a studio in Belém, which would trigger a phenomenal success. "Caboclinha Do Igapo" and "Mambo do Martela", included on this record, became instant hits. A year later, "Mingau de Açai", one of Cupijo ́s most popular tunes, took the region by storm. In total six LPs were recorded by Mestre Cupijó.

He then created "Concurso de Musicas Carnavalesco de Compositores Cametaenses”, a contest for carnival music composers. The songs composed expressly for these contests in the 70s are still performed today during carnival season. In addition to evolving the Pará music culture in this way, he also owned a makeshift soundsystem, "Musicolor", to spin the discs of local artists before his own shows to the frenzied crowds. Mestre Cupijó proved himself a philanthropist as well as a conductor for the people’s music, and acted as a provisional lawyer for the city of Cametá, specialising in help for the poor. He also had a short spell in politics and was elected by a vast majority to the station of Municipal Councillor of Cametá.
Master Cupjó, the pillar of Pará's festive culture, and a humble pop icon who was ushered prominently into the country’s history books, passed away on 25 September 2012, at the age of 76.

We at Analog Africa are ferociously proud and honoured to have the chance to present these carefully selected tracks from Mestre Cupijó’s six studio albums. We hope that his music captivates you with the magic and bewilderment that is has us. We recognise his compositions as true anthems of life and vitality, vibrantly encouraging all to drink and dance until sunrise! Let go of your inhibitions and immerse yourself in the wonderful world of Mestre Cupijó........ Segura!!!



Caboclinha Do Igapo - Mestre Cupijó e Seu Ritmo (OUT NOW)

Os Originais Do Samba - Tenha Fe, Pois Amanha Um Lindo Dia Vai Nascer (George T Edit)

"This song is a vivacious and elevated glitch x trip-hop infusion. Coming in at a soulful 90 bpms, “Dreams Of Love” takes the melodic groove of trip-hop and spices it up with some notable glitch sounds" - EARMILK  

Check Late night radio soundcloud: https://soundcloud.com/late-night-radio

Dreams Of Love (Feat Late Night Radio)

Dave Apollon - Meadowland (George T Edit)

Manu Chao - Clandestino (George T Edit)

Happy Version Samba Rock Instrumental

Mix dos Originais Do Samba...só No Instrumental!!!!
Beats & Edits by Dj Rossy

Originais Do Samba - A Subida Do Morro (Dj Rossy Break Mix)

Trecho do show Musas de Jorge realizado no Teatro Padre Bento no dia 28 de outubro de 2011 na cidade de Guarulhos.

____________________

Ficha Técnica:

Músicos: Jeffão Juliari(Guitarra), Gustavo Juliari(Bateria), Cristhian Massini(Contra-baixo), Thiago Santos(Teclados), Jarbas Cardial(backing vocal), Samuel Rosa(backing vocal), Fabio Ricardo(backing vocal)

Produção: Romina Produções
Direção Artística: Marina Pinto
Direção de Palco: Jessica Bortolatto
Direção de Gravação: Thiago Barreto
Cameras: Thiago Barreto e João Miller
Assistende de Palco: Gabriela Correa
Assitente de camera: Elizeu Costa
Hair stylist e make up: JonatasTecnico de Som: Rubinho( Sec. de Cultura da Prefeitura Municipal de Guarulhos.

Agradecimentos: L3u Comunição, Programa Combo Mix, Solange Malecka, Secretaria de Cultura - Guarulhos, Eco Mundi, Aya Filme e aos queridos amigo e familia sempre juntos.

Domênica - Jorge Ben Jor

Brand new Resense 7inch with me and the mighty Suonho on the other side : https://soundcloud.com/suonho/suonho-its-cool-resense-032
Available very soon in every record stores :http://www.juno.co.uk/products/482966-01.htm/?ref=vdfnk , should be "cool" what do you think ?
(vinyl rip courtesy of @soundcloud.com/dj-federico-f ,-)

"Voodoocuts soaks himself in a Champs flavoured "Tequila" spirit. With a tightly plucked guitar riff and major hand-clap action if this doesn't cause a merry Mexican stand off on the dancefloor you're playing in the wrong venue"
(Juno Records)

" Voodoocuts sacrifices a chicken to the remix/mash-up loa resulting in Git Fonky’s crazy cool latin-garage stomp"
(Monkeyboxing)

"Another banging release from the Resense camp, ready to set the dancefloor on fire with two Latin based Funk jams. Highly recommened!"
(Fat City Records)



"カップリングは、こちらも人気のVoodoocutsによる18番スウィンギン・マッシュ・アップ!!「テキーラ」調のチカーノ・ロックン・ロールにラップを乗せたご機嫌パーティ・チューンでこちらもグレイトです。"
(Jet Set Records/Japan)

Download

Git fonky (Resense 032)

In honor of the first day of Summer.  I always liked Herb Alpert's version of Summertime and Mo Horizons did a nice job of sampling it for their track Bar Rumba.  So I put 'em both together.  Enjoy!

Os Originais Do Samba - Tenha Fe, Pois Amanha Um Lindo Dia Vai Nascer (George T Edit)

George. T.