𝐍𝐄𝐎 𝟐.𝟎 - Storytelling by ShANkAri

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𝐍𝐄𝐎 𝟐.𝟎 - Storytelling by ShANkAri

༄༄༄༄༄༄༄🔸𝑾𝒊𝒏𝒅𝒄𝒂𝒔𝒕#19 : LOST IN REVERIES🔸༄༄༄༄༄༄༄༄༄

The first Windcast of 2023 and we are getting lost in ShankAri's Reveries... Enjoy the ride..

༄༄ Support the artist
𝑺𝑪 : @djshankari

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Blow Blow Blow ...

#Downtempo #Organic #Chillrave #Electronica #ketapop #Minimal

𝗪𝗶𝗻𝗱𝗰𝗮𝘀𝘁 𝟭𝟵 : ShAnkAri  ༄ LOST IN REVERIES

My live set @ Fairy Power camp. 
Holodok - official regional burning man event

make love not war
peace

live set Fairy Power camp @Holodok'23  )'(

It is only when we realize that life is taking us nowhere that it begins to have meaning ⌛

Something Beautiful

Here’s Kantocast 019 Diereva - “Human Nature Machines” 

Diereva is the downtempo electronic music project of Gigi Giustiniani. Over the last 15 years he has made several documentaries, and has always played the violin, only coming to electronic music a few years ago.

*What pushed you towards music production? Where did the inspiration come from?
I found very stimulating in electronic music the greater expression of sensations rather than concepts, often contrary to cinema, and the possibility, e and that's why I favor livesets, is not having to define each track in a single product, but rather sharing the process that goes through them.

* Do you think music interconnects with culture? How does the environment you live in affect your music?
I believe that music is the best way to communicate between different cultures, to communicate the essence of a culture even just through sensations.
What I then see, and what I really like, is that, since I started with electronic music, many of the relationships that have been created are with musicians, DJs and labels from all over the world, and often finding a lot of empathy even if the only point of contact is the music.

* Do you get inspired by any other form of art?
Yes, the cinema instead. It’s always one of my first influences, trying to make cinema but without image, without one only defined image. Now I find more cinema in electronic music than in cinema.
And sometimes I'm stimulated by a single picture, as in the case of the eruption of Mount St. Helens.
I often also use poems. I am attracted above all by the sound, and by the images they create, then with the music around me it seems to me to better understand their meaning.

* What makes a set a good one?
A liveset like a dj set lives on the influences of the situation, which is the real stage of the performance. I think the dj is not the performer but the director, the engine that activates the scene that happens on the dance floor. 
Recording him at home, I'm always afraid that he'll sound cold and unlived, and in this case the scene I try to activate is more intimate and often follows more introspective dynamics.

* What’s the process you follow when bringing tunes together? Is it instinctive only or do you plan ahead?
Usually I prepare a set list which I then modify during the live. Trying to figure out what I'm going to do serves me as a general guideline, but then becomes a comparison between what I expected and what is happening.

* What would you like to say about your podcast?
This podcast is a studio recorded liveset.
Reasoning with a little detachment on the themes I touch on, I realize that I always move between human, nature and machines, and their relationships. Just as I believe that electronic music is one of the ways of managing the human/machine relationship by seeking an almost micellar communicative system, the themes that I naturally find myself touching often concern the relationship between these three entities.

The list of materials I used:
Chiusa di vento, Antonella Anedda, 1992, read by Mele Ferrarini
Eruption of Mount St. Helens, directed by Derek w. Meriden, 1980
War of the World, from H. G. Wells novel, on the radio broadcast by Orson Welles,1938

Kantocast 019: Diereva - “Human Nature Machines”

Once upon a time the Shabernak Crew chose to set sail. After a long and stormy journey we stranded on a desert island.
What would you do?
We decided to embrace the moment to be alive.

Wir Stechen In See || 2023

I've been away for a while ... working hard and doing [Envision] festival things.  💜

I have always been influenced by various genres of music, which inspires my need to [somehow] incorporate as many sounds, styles, and moods as possible into my mixes.  

This mini-mix is a sample of what I love to play and is also inspired by all the amazing music and artists I had the pleasure to experience at this year's Envision Festival.

Somewhat of a Tracklist:
1. Ohxala- Araueh
2. Ego Dissolve- Jewu
3. Xande (IT)- Unreleased [Amselcom]
4. Yaxche (Tree of life) - GAIAZULA
5. Basher Toe- Mahalo
6. Russliquid- Sugarplumbfairy RMX
7. KAALMA- Patakess

Sampling 2024

Santi & Tugçe - Respira  
Zuma Dionys - Amor Fati 
Turu Anasi - Bouzouki Song 
Omerar Nanda - Hebele Hubulu 
Kapoor - Trigon 
Jarl Flamar - Medusa 
Landikhan/MoM - Power Of Life 
SEVN (CA) - Nightwatch (Daniel Okum remix) 
Pulli & Chomba - Cabrestero 
MoM/Anut - Madera (Just Emma remix) 
Tunnelvisions - Raga 
Landikhan/Nina Indigo - Santa medicina 
Goyanu - Nomad Trip 
Rey&Kjavik - Akya (Dogu Civicik remix) 
Jaza - Hermano 
Jacob Groening - Kanun

GAYATRI

𝐏𝐑𝐄𝐌𝐈𝐄𝐑𝐄: Tom Nikso - Bows of the Dust (Atarrayo Remix) [Camel VIP Records]

Buy on Beatport
https://www.beatport.com/release/bows-of-the-dust/5365310

Wir Stechen In See || 2023

Raphi Giraphi