Specializing in quality roots and Americana music since 1978.

Cantora is a music company that invests in and develops artists, startup technologies and live entertainment experiences. Cantora is known for signing bands like MGMT and Bear Hands, investing in and executing the music industry strategy for startups like Sonic Notify and BioBeats, and for creating live event properties like Smartwater’s Music Tech Smartlounge and the immersive events brain trust Mainframe Group.

World Circuit Records has made its reputation by producing some of the finest albums of the past three decades. The label’s prestigious roster includes the Grammy-winning Buena Vista Social Club and associated solo artists (including Ibrahim Ferrer, Rubén González, Omara Portuondo and Orlando ‘Cachaíto’ López), Malian blues pioneer and Grammy-winner Ali Farka Touré, Malian divas and social activists Oumou Sangaré and Fatoumata Diawara, master kora player Toumani Diabaté, the illustrious Orchestra Baobab, musical iconoclast Cheikh Lô, and Fela Kuti’s legendary drummer and co-creator of Afrobeat Tony Allen. 
 
With reissues and brand new releases coming soon, World Circuit continues to bring diverse, genre-defying music to a wider audience.

Creative Commons project. New digital single every monday since 2009. Stimulating people to listen, download, share and remix.

RocketNumberNine (UK), Ocelote Rojo (CHI), Monster Rally (USA), Delicate Steve (USA), Great Lake Swimmers (CAN), Frederik Teige from Efterklang (DK), Barzin (CAN), Anders Ilar (SWE), CIVIL CIVIC (AUS), Venice (IT), Southern Shores (CAN), 1-Speed Bike from Godspeed You! Black Emperor (CAN), A Weather (USA), Yawn (USA), Beat Culture (US), Gareth Dickson (UK), worriedaboutsatan (UK), golau glau (UK), Gaspar Claus (FR), Teamforest (DE), The American Dollar (USA),  Fuji Kureta (TUR), Possimiste (EST), memotone (UK), Ricky Eat Acid (US), Falcon Lake (UK), Louis Aguilar (FR), American Green (JP), NQ (DE), Good Weather For An Airstrike (UK), Desmond &amp; the Tutus (ZA), Symfoniorkestern (SWE), Talvihorros (UK), junior85 (IRL), Foxes In Fiction (CAN), BABY JAZZ (USA), All India Radio (AUS), Bomarr (US), Inca Gold (UK), Bing &amp; Ruth (USA), endsnotnear (JP), Útidúr (IS), Johnny Hawaii (FR),  The Echelon Effect (UK), James Irwin (CAN), Ergo Phizmiz (UK), Populous (IT), Kira Kira (IS), James Yates (UK), Ori (ISR), Boy Without God (US), Le Chevalier (CA), a.damned.age (DE), trog'low (CAN), Lost Boy? (USA), Berlinist (ESP), Errnois (IT), The Great Red Shark (US), The Parish Of Little Clifton (CA) and many more.&#13;
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Slumberland began operations in 1989 as a collective effort consisting of members of DC area bands Velocity Girl, Big Jesus Trash Can/Whorl, Black Tambourine and Powderburns. We were inspired by such musical happenings as C86, early Creation, Postcard, K, Bus Stop, lower East Side noise, and also the renegade art aesthetics & methods of people like Cage, Burroughs and Duchamp. The explosion of punk had left behind a thriving network of 'zines, labels and distributors and we felt that there was room for our noise-loving, pop-obsessed aesthetic. While there were loads of US indie labels releasing a steady stream of 7"s, there wasn't much pop going on. Notable exceptions included Bus Stop, K and Picture Book, and we hoped to join that group and help chisel out some space for melodies amongst the noise.

Early releases from Velocity Girl, Whorl and Black Tambourine struck a note, and we found like-minded popsters getting in touch from all over the world. As we expanded the label roster and our own horizons, the goal was always to share great songs and interesting sounds from a range of styles. Our first burst of activity through the 1990s and early 2000s brought seminal records by legendary bands like Stereolab, Rocketship, The Ropers, Lorelei, The Aislers Set, Hood and Boyracer.

By the mid 2000s we were seeing a resurgence of interest in guitar pop and the start of the ongoing vinyl revival: the perfect environment for Slumberland! We launched into our latest phase of activity with as string of classic releases from The Pains of Being Pure At Heart, Crystal Stilts, Frankie Rose, Veronica Falls, Allo Darlin', Joanna Gruesome and so many more.

2025 is our thirty-sixth (!) year we are still at it, ploughing our own furrow and bringing you unique, genre-defining (and genre-defying!) releases from bands like The Laughing Chimes, Humdrum, The Cords, Autocamper, Jeanines, The Umbrellas, Neutrals, Artsick, Kids On A Crime Spree, Papercuts, Lightheaded, Tony Jay, Chime School, Lunchbox and many, many more. Indie fashions come and go but we're still thrilled by great songs and the new ways that pop can be rejuvenated to fit the times.

We're not the best, but we're pretty good.

Epitaph Records is an independent music label founded in Los Angeles by Bad Religion guitarist Brett Gurewitz. Early releases from a variety of punk heavyweights spawned what became known as the 90s punk explosion. 

Along the way Epitaph proudly launched its sister label ANTI-, representing unique and distinguished acts. From the beginning Epitaph’s mission has been to serve the musicians on its diverse and creative roster - an artist-first model, radical twenty years ago, and much imitated today. 

Bivouac Recording is a sound label based in Hong Kong.
Bivouac Recording是一个录音品牌且提供录音服务的公司，致力于推进独立现场录音项目。

For a richer experience of the field recordings and audio please read the descriptions for each track. 

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