Beautiful melodies, playing, and lovely vocals and harmonies...

Blanket Of Stars - Gitta de Ridder & Martha Bean

In opdracht van Heleen Oude Weernink voor haar boek "Helende adem voor een energiek leven".

Adem (i.o.v. Heleen Oude Weernink)

Gitta de Ridder - 'Lie With Me' 
Second single of upcoming Debut album expected Sept/Oct 2016 

In art we expose ourselves. In music we bare our souls and speak out about the things close to us, the things we feel, the lives we live. We bare that what lies and sometimes hides inside. We dress it up, we dress us up, in dresses and trousers and jumpers and fashions to say; look this is me and how I want you to perceive me. We mould ourselves into a shape and form. 

In simplicity, honesty, naked in song, in word, in sound we bare all. 
To speak our truth. 
For those who want to hear it. 
x Gitta

lyrics
Lie With Me 

Like a child in the dark 
I stay up late 
Like a radio-wave 
A sirens parade 

Lie with me, lie with me tonight 
Lie with me, till all is bright 

Like I'm one of the stars 
Simon said 
I fly from Venus to Mars 
All from my bed 

Oh come here and lie with me, lie with me tonight 
Lie with me, lie with me till all is bright 

Like a falling leaf 
We search for ground 
The silence smothering me 
I need you around 

So come here and lie with me, lie with me tonight 
Lie with me, lie with me till all is bright

released March 11, 2016 
Written, Performed, Produced and Recorded by; Gitta de Ridder 
Mixing and Mastering; Coen Dingemans 
Cover image credits; Wayne Grundy 
Artwork by; Gitta de Ridder

Lie With Me

"Till the Day That I Die", the latest single of Gitta's Debut Album 'Feathers' released 21/09/2016

Website: http://www.gittaderidder.com
Subscribe: http://goo.gl/i6aeW4
Facebook: http://www.facebook.com/gittaderidder
Twitter: http://www.twitter.com/gittaderidder

Song Written, Recorded & Produced by Gitta de Ridder
Mixed & Mastered by Coen Dingemans

Video here: https://www.youtube.com/watch?v=xF25o4j2eiI&t=6s
Directing & Cinematography by Hannah Lovell // http://hannahlovell.co.uk/

- Till The Day That I Die -

How big do you feel when you close your eyes
feel it shrink, feel it grow, feel it’s rise
how far do you feel when you close your eyes
feel the ground fall away from the skies
nevermind all else we are blind

but I don’t mind, I don’t mind
you do whatever you like
oh my handsome it was love at first sight and I will love you till the day that I die

How does it change when you close your eyes
do you feel, do you know, do you try
How can it be that when we close our eyes
we are here yet we’re somewhere else aligned
we are out of our minds

but I don’t mind, I don’t mind
you do whatever you like
oh my handsome it was love at first sight and I will love you till the day that I die

Oh I don’t mind, I don’t mind
we do whatever we like
oh my handsome it was love at first sight and I will love you till the day that I die

Feathers

Till the Day That I Die

Opening track from forthcoming album 'A Polyphonic Life'

'As soon as we heard it, the picture was made: @TobiasbenJacob's '89' is a rich tapestry of songwriting brilliance, and our #UOTW!!' 
BBC Introducing in Devon

Follow Tobias ben Jacob:
https://tobiasbenjacob.com
https://facebook.com/tobiaslampliter
https://twitter.com/TobiasbenJacob
https://www.instagram.com/tobiasbenjacob/

Listen to and Buy 'A Polyphonic Life':
 Bandcamp - https://tobiasbenjacob.bandcamp.com/album/a-polyphonic-life
 Spotify - https://open.spotify.com/album/2Qh2I78p1iY02t89hQxONU

Watch Tobias ben Jacob Live:
https://www.bandsintown.com/en/a/4462764-tobias-ben-jacob
https://www.songkick.com/artists/5732419-tobias-ben-jacob

CREDITS:
Written by Tobias ben Jacob
Tobias ben Jacob: Acoustic guitar, vocals, synth
John Elliott: Piano, synth, percussion, laptop, backing vocals
Lukas Drinkwater: Upright and Fender bass
Phillip Henry: Electric lapsteel, electric guitar, pre-production
Tim Heymerdinger: Drums, percussion

Produced by John Elliott & Tobias ben Jacob
Recorded at Cube Recording, Cornwall 
Engineered by Ross Rothero-Bourge and Gareth Young. 
Mixed by Ross Rothero- Bourge
Mastered at Cube 

LYRICS:
89’
Eighty nine I had a fight with a friend of mine
In the Methodist yard don’t know why we’ve got to act so hard
Sally don’t spray your hair
‘Cause you’ll poison the air with Chloro-flouro-carbons
Eighty nine turn the dial to the FM sign
Its ride on time, this beat is technotronic
In the paper today ninety six names
All they wanted to do was go to a football game
Somewhere a wall falls down
And they’re burning books somewhere in a Yorkshire Town

And the cold war is over if you want it
The cold war is over if you want it

Eight nine you said goodbye for the first time
In the Methodist yard some lessons are a little too hard
Picture on the window sill don’t you know?
Carbon monoxide has reached three-fifty parts per mil
So turn out the light 
Two muffled voices in the kitchen late last night
Somewhere a wall falls down
And you’re burning your bridges somewhere in a Lancashire town

And the cold war is over if you want it
The cold war is over if you want it

Eighty nine.

A Polyphonic Life

The Magic Lantern, the musical moniker of Jamie Doe, is set to release his latest single Holding Hands on 30th October 2017 via Hectic Eclectic Records. 

The single opens with a defiant cry of hope, the lyrics “I’m searching…”, ringing out alone before two saxophones enter, freely weaving around the vocal, at once harmonising and echoing it. This texture builds as a third saxophone joins creating a rich brass warmth through which Doe’s voice glides, effortlessly leaping between the declamatory and the intimate. The  band enter with an infectious groove, and we are introduced to the songs’ key metaphor of a flood and the need for creative destruction - “One day, when all this is washed away, some will remain, full of hope in the pouring rain”. The track resolves with the triumph of hope over doubt.

Holding Hands was written during a moment of desperation, Jamie having travelled half way across the world only to run out of road.  Strung out and alone, he found himself writing this song for the true love he hoped to meet, as much an act of faith in their existence as a beacon to guide himself home.  Originally written for voice and guitar, it was after hearing Bjork’s ‘Anchor Song’ late one night that Jamie decided to arrange the song for saxophone trio. The timbre of the brass, the groove of the band, The Bad Plus style piano solo – it is an arrangement that brings together some of Jamie’s key influences which he describes as “the lyrical directness of folk, the harmonic openness and improvisational freedom of jazz and the craft of great songwriting. It’s a good example of how much more confident I have become as an arranger”. 

Born in Australia, before moving to the UK at 12, Jamie began performing as The Magic Lantern while studying philosophy in Bristol where he met and performed alongside friends This Is The Kit, Rozi Plain and Rachael Dadd. Moving to London in 2007, Jamie expanded The Magic Lantern into a quintet of friends and together they evolved a transporting sound, inspired by the immediacy of Jamie’s lyrics and lilting melodies and a shared love of improvised music. A debut album with the quintet was released in 2011 before Jamie returned to his solo roots with an intimate second album in 2014. The Magic Lantern has received praise from numerous publications including The Guardian, Acoustic Magazine and Folk Radio UK as well as BBC 6Music’s Lauren Laverne, Tom Robinson, BBC Radio 3’s Late Junction and BBC Radio 2’s Mark Radcliffe and Bob Harris among others. His third album, To The Islands from which Holding Hands is taken, sees The Magic Lantern return with a new ensemble drawn from London’s thriving jazz scene, exploring memory and hope in a world of near constant uncertainty. 

With Holding Hands, The Magic Lantern is ready to introduce further listeners to his bittersweet, beautiful sound. 

Holding Hands is out on 30th October 2017 via Hectic Eclectic Records.

Holding Hands

Julian Victor Hinton Reinventions Showreel Jh002

Produced and Engineered by Crissy Tignor, 2009.

Played by:
Gitta de Ridder - Vocals and Guitars

Flawless-Accoustic "2009 - unreleased"

3rd track of Gitta's upcoming 3rd album called 'To Our Children' - album release on 10/10/2020

Lyrics: 

Round the backs of buildings where we’re soul brothering, soul sistering 
stop smothering and start believing in yourself 
Round the end of our lives so much soul bothering, soul bothering 
stop smothering and start believing in yourself 

All the time that’s wasted time we’ve wasted being so unkind
All the time this precious time we wait for someone else to make divine 
divine, divine, don’t let it pass you by 

Round the bend, we’re here again for soul brothering soul sistering 
stop smothering and start believing in ourselves
Round and round and round again this soul bothering soul bothering 
being too hard on ourselves 

All the time that’s wasted time we’ve wasted being so unkind
All the time this precious time we wait for something else to make divine 
divine divine divine, don’t let it pass us by
divine, divine
divine, divine, don’t let it pass us by

Round the bend oh loving friends let’s gather round all holding hands
cause we can stand the strongest winds these storms won’t do our spirits in
can always build whatever breaks and we must whatever it takes 
oh let us build and not tear down not drop the bomb not give a frown
oh can’t you see that we must find 

divine divine divine, oh let it come on by
divine divine 
divine divine divine, oh let it come on by

To Our Children

Soul Brothering, Soul Sistering

Marlon Penn - Dichterbij 

1 mei in première op Bandcamp, Youtube + Mensen Zeggen Dingen-podcast op Spotify!

STREAM EN KOOP: https://marlonpenn.bandcamp.com/track...
PODCAST MENSEN ZEGGEN DINGEN: https://open.spotify.com/episode/5chL...

https://www.instagram.com/marlonpennw...
https://linktr.ee/marlonpenn
https://www.facebook.com/marlonpennmusic

Release: 01/05/2020 

Tekst, vocalen, instrumenten en mix door Marlon Penn
© 2020, Sagittarius Music.

Dichterbij

Dutch-English singer and songwriter Gitta de Ridder draws the listener into a world full of atmosphere and feeling. Feelings of joy, sadness and wonder. Stories, thoughts, dreams, hopes, and all that lies between wrapped up in a blanket of indie folk acoustic guitar sounds and beautiful melodies.
She grew up in The Netherlands leaving the family home to go study music at age 18. A journey that took her from the Netherlands to Germany, to Italy, Greece, Ireland and the UK, settling in London in 2008 where she has lived ever since. Her first single 'Mr Yesterday' released in September 2014 gathered attention from BBC introducing, Amazing Radio and several Dutch Radio stations and with her self-produced debut EP 'Come Find Me' released in January 2015 and received with shining reviews she is starting to be a name to remember.

"Her remarkable voice is given the space and attention it deserves. She really is a wonderful singer." - Alex Gallacher 'Folk Radio UK' on the 'Come Find Me' EP

"Gitta De Ridder's talent lies in creating moody, atmospheric melodies that could be dark, candlelit spaces but then lighting them up with her voice which is full of hope and quiet determination." - Roland Monger 'Listen With Monger'

Till the Day That I Die

Gitta de Ridder

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