"You don't sound like anyone else," said Danny Thompson - renowned bass player for Nick Drake and Joe Strummer - about English musician Conil.

The GRAMMY-winning engineer for Tom Waits and Elvis Costello, Tchad Blake said: "Strange Part of the Country is an awesome album! I still listen to it."

Fleetwood Mac legend Peter Green liked Conil's music so much he stopped by Conil’s house to record with him. They recorded a version of Conil's homage to the jazz greats "Round Midnight". 

Strange Part of the Country never conformed to any current trends and has remained timeless. Now, people are discovering this album and it is becoming an all-time favourite. 

When the album was released in the UK, it received some amazing press. Britain's biggest selling music monthly Q magazine gave it: "Four stars - Q Recommends". Blues Matters magazine wrote: "One of the most original artists out there". In the next issue, Blues Matters put him on the front cover.

Conil left London after Strange Part of the Country was released and has spent the last ten years living in the United States and Europe - including New Orleans, New York City, and Berlin.

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Université sur le droit d’auteur et la gestion collective audiovisuel. 
🇫🇷©️ Copyright 2024 -  MMXXIV
* Chamber Art Pop Experimentale*
Your servant remains in search of music of insolence and youthful audacity, fine in the jerky, serious and tragic in the bass, all of this hidden under an apparent joy.
To manage to bind a sufficiently large public which already guesses that under the smooth facade and the reasonable air at first glance hides a hot blood, unstable, full of life, able to be enthusiastic, to revolt, even to throw itself in full, frank and free musical adventure. In terms of images I am rather a creator of musical stained glass windows, which gives to read the inside back cover of your biographies.
*//*//***//****///******
the coldness of the sound can also let transpire a real emotion.
Votre serviteur reste à la recherche d'une musique d'insolence et d'audace juvénile, fine dans le saccadé, grave et tragique dans les basses, tout celà caché sous une apparente allégresse.
Parvenir à lier un public suffisamment large qui devine déja que sous la façade lisse et l'air raisonnable de prime abord se cache un sang chaud, instable, plein de vie, capable de s'enthousiasmer, de se révolter, voire à se jeter dans l'aventure musicale pleine,franche et libre. En terme d'images je suis plutôt un créateur de vitraux musicaux, qui donne à lire la troisième de couverture de vos biographies.
/*/*/**//*
la froideur du son peut aussi laisser transpirer une vraie émotion.
the coldness of the sound can also let transpire a real emotion.

Destined for greatness ￼
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