Magical Times was greatly inspired by the musical inspirations which happens in certain times of high musical creativity. 

Cheers,
Daniel Lars

C. 2022
All instruments: Daniel Lars
All songs Mixed, Written, Produced, Mastered: Daniel Lars

Reality Sparks High

Magical Times

A respectfully irreverent reimagining of Frédéric Chopin's Waltz Op. 64 No. 1 aka Valse Du Petit Chien aka Minute Waltz.

the first and last feeling is "helpless"
with a lot of "helpless" in between
I wish I could say
some things don’t decay
how I wish I could tell you
our efforts have value
but judging from everything that I’ve seen
the brave & depraved
the selfish & selfless
it’s best if we feel all festive & glad
given we range between
helpless & mad
yeah we'd better be
incredibly un-upset and un-sad
given the difference 
‘tween helpless & dead

my child, my sweet
my yellow-brown flower
when the woods gonna burn
not a winter can stop it
we’ve all got this 
suboptimal urge to control
but the what where when how
& why are not in our power
yeah, shut down the garden

the first and last feeling is "helpless"
then a lot of helplessness in between
I wish I could tell you
oh, one more rebellion
for wisdom & might
to make things alright
but lying to you 
will not change the theme

my love, my cold blue 
spring in the desert
when the sky’s gonna turn
not a beauty can tempt it
we’ve all got this contemptible 
urge to decide
and the stab wounds & scars
are not even a lesson—
we just muck about in our gardens

our first and last feeling is "helpless"
and it doesn’t change much in between
as you spin in your circle of fairness
remember to hum with the theme
how lucky regardless
of getting punched down
trees in the forest
enjoying their sound
so what does it matter how
tiny my reach?
as long as I’m honest
you’ll pardon my speech
the aimless & friendless
the babbling saved
the bumbling faithless
the child who’s behaved
we rhyme the same reason
we write the same song—
ain’t none of us has to be
helpless alone

Support Gom

Helpless (with Chopin)

New ocean fall

An album of six songs based on the concept of atonal progressive music. Its alternative sounds bring to life a mix of avant-garde music and an electronic texture enriched with concrete sound elements.

Luminescence

Two Loneliness Just Met is a profoundly moving composition that immerses the listener in a world of sacred introspection. Siegfried Jünger masterfully weaves melodic ambient textures with ethereal choral synths, creating a piece that feels both intimate and expansive. The track unfolds like a spiritual journey, with layered harmonies evoking the quiet resonance of a cathedral at dusk.

Soft drones provide a grounding undercurrent, while delicate melodic motifs shimmer like distant light through stained glass. The choral synths, rich with reverb and depth, lend the piece a sacred, almost transcendent quality, inviting reflection and solace. Each moment is imbued with a sense of connection and yearning, perfectly capturing the emotional poignancy of its title.

Jünger’s ability to balance minimalist structure with lush, evocative soundscapes makes Two Loneliness Just Met a standout work in melodic ambient music, offering a serene yet haunting experience that lingers long after the final note fades.

Two Loneliness Just Met by Siegfried Jünger

Guitars, Bass and Vocals by Robert Grigg
https://youtu.be/yd2Q4nVEf3c

Hot Dog

An instrumental rock mix, two in one. Progressive rock.

Canine Coquetry, instrumental mix*

All music by me, except "Maybe" by Whitney Porter and Me.

Special thanks to Kahlan Davis, John Moreland, Whitney Porter, and Toxic Bros.

Read

metamorphosis

Batman Returns (Electric)

Riferama

As a composer, guitarist, and poet, Giuseppe Bonaccorso is firmly attached to atonal, avant-garde, and highly experimental music. A countercultural artist, he works out his music through original compositional processes never tied to mainstream culture.
#Guitar #Composition #AvantGarde